Seven Days in May (1964)
Stark black-and-white thriller from John Frankenheimer about a military coup in the US. Twilight Zone creator Rod Serling delivers a superb script
The Science Fiction Horror and Fantasy Film Review
Remakes are previous cinematic works that are given a new interpretation. Almost always the works being remade are popular works in a previous era that have stayed in the public imagination. A remake is an attempt to revitalise the property for a new era.
A remake will update an older work, changing many of the references for a contemporary relevance. It will offer more sophisticated effects and contemporary stars. It is common in films of the late 2010s/2020s for older works to be remade with some of the leading roles gender-flipped or raceswapped. In the majority of cases, the remake fails to have the effect the original had on audiences in that the earlier work was very much a phenomenon that belonged to its era, although there are some exceptions.
It is also worth discussing a remake vs an adaptation. We usually talk about remakes applying to previous successful cinematic works. However, when we refer to a work that was popular before becoming a film or there have been multiple film versions, a new film version is simply referred to as a new adaptation. Nobody ever talks about a remake of Hamlet (1603) or Pride and Prejudice (1813), for instance.
Variants include popular tv series being given film remakes – see Based on TV, or popular foreign-language films being given English-language remakes – see English-Language Remakes. Other types of remakes include animated films and tv being remade in live-action – see Animation in Live-Action.
A side piece of terminology that has come into use in the 2000s is the idea of a reboot where a popular ongoing series is usually revived and reworked in some way or simply an ongoing series is given a new actor and/or a continuity reset.
Stark black-and-white thriller from John Frankenheimer about a military coup in the US. Twilight Zone creator Rod Serling delivers a superb script
The start of the 90s renaissance of Disney animation, a beautifully made adaptation of the fairytale that hearkens back to the Disney Golden Age. The only animated film nominated for an Academy Award Best Picture
Underrated work of Southern Gothic with Clint Eastwood as a wounded soldier sheltered at a Confederate girl’s school during the Civil War where he succeeds in manipulating the sexual tensions of the teachers and schoolgirls to his advantage
Sound remake of the silent Old Dark House classic The Bat. This retains the original’s extraordinary visuals, including use of a mobile camera, something that was groundbreaking technology for the time in ways that still astonish today
Stanley Kubrick’s adaptation of Stephen King’s novel throws much of the book out but has duly become a classic. Jack Nicholson goes grandly mad amid Kubrick’s stupendous production and unsettling set-pieces
A dazzling reboot of the earlier manga/anime made with stunning photorealistic animation design and breathtaking action scenes that made this a benchmark for modern anime. Sequels followed.
The first of the screen’s Old Dark House thrillers set around large mansions with the cast stalked by a masked killer. None of this prepares you for the utterly sensational visuals of this film, which leap off the screen with vivid effect
The first and best film version of a classic story about an expedition finding the city ruled by an immortal queen in the desert. This was shot in the real locations and comes with a stunning sense of expansiveness
The No 1 cult film of all time, more a phenomenon than a film, a demented glitter rock homage to mad science cinema and 50s sf films run through with celebration of a gender-bender joie de vivre
The second film from John Carpenter, a powerful and effective work about a handful of police and prisoners trapped in a police station at siege from an all-out assault by gang members outside
An appealing comedy remake of The Incredible Shrinking Man with Lily Tomlin as a housewife who starts to shrink after exposure to household cleaning products. One of the better films from the usually terrible Joel Schumacher
Classic of the 1950s alien invader genre in which a young boy discovers that the adults around him are being taken over by Martian invaders. Director William Cameron Menzies makes striking use of sets to further a sense of alienation
A legendary cinematic train wreck filled with behind the scenes stories of fired directors and star egos. Despite all of this, this remake of the H.G. Wells novel emerges as a well made and watchable film
The original evil child film featuring an unforgettable performance from Patty McCormack (who received an Academy Award nomination along with most of the cast). Dated somewhat today but still holds a real charge
Luc Besson written/produced film that is a French rehash of Escape from New York but director Pierre Morel gives it a series of exhilarating action and parkour sequences
Completely madcap film from Takashi Miike, a black comedy about a family who run a guesthouse where the guests keep dying. This comes replete with musical numbers and Claymation sequences
The beginning of the big Disney renaissance of the 1990s. An adaptation of the Hans Christian Andersen fairytale that is conducted with an enormous degree of energy, colour and good cheer
The original version of the Disney live-action comedy with mother Barbara Harris and a young Jodie Foster as her daughter who swap bodies for one day. The performances are hilarious and this is filled with witty deadpan gags
Strong and powerful formative entry in the Backwoods Brutality genre where Dustin Hoffman and wife Susan George stir up locals in a small Cornwall town and are forced to mount a brutal siege after he shelters a man hunted by a lynch mob
John Carpenter’s immediate successor to Halloween is a suspenseful and scary ghost story about undead sailors descending on a small town in a fog bank, even if the narrative logic holding everything together is thin
Tsui Hark, a key figure of the modern Wu Xia cycle, makes a lushly extravagant, Chinese-backed flying swordsman epic. Featuring a wide canvas of characters who come together in a series of very entertaining playoffs
Remake of the Jerry Lewis film is a comedic tour-de-force for Eddie Murphy as he swings between a shy 400 lb professor and a manic, testostoronally charged health junkie
Jerry Lewis is either a low him or hate him figure; whatever the case, one should give this, his best film, a chance … It is Lewis offering his own comedic spin on the Jekyll/Hyde story, which contains a great performance on his part as he swings between a socially inept nerd and smooth lounge singer
Overlooked psycho-thriller from Robert Fuest, director of the Dr Phibes films, about a girl whose friend goes missing while on a cycling tour through France. Fuest does an great job in making the French countryside into something sinister
Live tv broadcast remake of the 1960s Cold War nightmare about an accidental nuclear release over Russia, now with an all-star cast. This proves far more suspenseful and expertly played than one might have thought
A popular hit that spins the cyborg cop theme through a Cyberpunk future, while director Paul Verhoeven piles on excesses of violence and black humour. A darkly funny satire of Reaganite America, this is an entertainingly slick comic-book of a movie
Furious and highly engaging Spanish Found Footage film about the infected dead taking over an apartment building. Three sequels and an English-language remake followed
Spike Lee makes a vampire film (even though the title gives the impression is he has detoured off into gospel). The even bigger surprise is he conducts a remake of the Blaxploitation classic Ganja & Hess
Hideo Nakata made the highly influential Ringu but his other films have been uneven. This ghost story is one of his few follow-ups that comes near recapturing the same uncanny mood
The remake of Cat People. In the hands of Paul Schrader, all the ambiguity is made overt and the film becomes one of Schrader’s allegories for tormented sexuality. On its own terms, this is an often smoulderingly sensual work
Sound remake of the silent Alfred Hitchcock film, starring big man Laird Cregar as the new lodger that a family believe might be Jack the Ripper. Cregar gives a wonderfully melodramatic performance
An interesting if uneven remake of the 1950s SF classic from Scott Derrickson that smartly updates the story from the Atomic Age to a post-9/11 era where it now delivers a modern environmental warning
David Cronenberg adapts a Stephen King novel with Christopher Walken waking from a coma with clairvoyant abilities. An okay film if one that lacks the personal intensity and rich themes of Cronenberg’s original works
One of Herschell Gordon Lewis’s splatter films about a stage magician who cuts up women on stage and real life. The film makes mind boggling plays between reality and illusion
Satiric hit produced by Roger Corman, a spoof of Rollerball, with David Carradine as a driver in a futuristic road race where points are won by running down pedestrians. Also featuring a young unknown Sylvester Stallone
Classic caveman vs dinosaurs prehistoric drama later to be remade as the more famous version with Raquel Welch. This plays as fairly creaky today but gains an undeniable vividness with the raw ferocity of its dinosaur scenes (played by optically enlarged lizards)
Classic fantasy film in which Death takes human form to visit a party and experience the human condition. Frederic March gives us Death as a comically eccentric outsider and the film has some great moments of imagination
This live-action remake of the Disney animated film is mounted with a lavishness. On the other hand, the romance at the centre never fully warms up, while the human characters have the show stolen from under by the cutlery and furnishings
British comedy made with an acerbic bite featuring Dudley Moore as a hapless loser who makes a pact with Peter Cook’s Devil to win the love of his life but has the wording of each wish contorted around on him
Live-action remake of the Disney film that gives the animals life through top of the line CGI effects. The results are impressive aided in large part by near-perfect voice casting
The first of the Disney live-action remakes of their animated films. Stephen Sommers abandons the talking animals and gives us a film that it more Tarzan than Rudyard Kipling set in a lush fantasy version of India
A strange mix of 1950s hypnotic regression fad and AIP B monster movie elements that has undeniable mood and verve
The Disney animated version of Rudyard Kipling’s Mowgli tales, the one that everybody remembers, a lively affair with talking and singing animals
Many argue that this is the original slasher film – and it does the whole formula a good deal better than many of those that came along a few years later, having some wry characterisations and a sardonic sense of humour
One of the early directorial films from Roger Corman, a surprisingly vigorous and well written variant on the alien body snatcher film featuring one of the memorable alien creations of the era
Fine Australian from Richard Franklin that jumps aboard the popularity of Carrie concerning a coma patient who demonstrates psychic powers
The second film directed by Francis Ford Coppola, a psycho-thriller made for Roger Corman where Coppola shows the glimmerings of style that made him a major director a decade later
One of the better of Herschell Gordon Lewis’s cheap splatter films, set in a Confederate town that exists in a timewarp and slaughters all outsiders
The classic Bob Hope comedy version of the Old Dark House play. Probably overrated, this has a creaky affected atmosphere and laughs but fails to hold a candle to the far superior and more stylish silent version
The original 1958 The Blob gets a full makeover via some sensational state-of-the-art animatronics and makeup effects with impressive results. A much superior work to the original in all ways
Classic 1970s porn film about a spinster condemned to Hell who is sent back to the world to experience the lusts of the flesh. Made back at a time when the people involved seemed to care about making a good film as well
The harrowing 1970s raped woman on a revenge spree film is given the remake treatment, although is watered down in many key areas. The revenge scenes however are played up for a particular nastiness
Larry Clark remakes the old Roger Corman film and makes a beeline for his usual proclivities about teenagers having sex in a fairly outrageous post-apocalyptic work
Defying the sensationalistic title, this is actually a fairly reasonable entry in the 1950s alien body snatchers fad in which wives discover their husbands have been taken over by aliens come to Earth to repopulate their species
TV mini-series remake of the 1959 nuclear war film. With no longer the need to make messages as in the original, the story has been expanded out with a lush romantic sweep
Taking only the name of the 1950s B movie, this is otherwise a horror film about an imprisoned mermaid creature that wields a sinister threat. This works with a modest effectiveness
The first major film confronting nuclear war full on with the world’s last survivors gathered in Australia. Slightly ponderous today but nevertheless full of potent imagery
Kaidan eiga (Japanese ghost story) that was a huge hit, spawning several sequels and an English-language remake, plus a horde of imitators. For all its reputation, the film is often crude, nevertheless does evince an eerie atmosphere
George Romero produces a remake of his groundbreaking zombie film. This adheres closely to the original but manages to modernise it in interesting ways
A darkly funny Danish film about a couple who accept an invite to visit another couple who seem to have no boundaries, before everything gets nasty
One of Steven Spielberg’s more overlooked and quieter films, a remake of the 1940s guardian angel fantasy A Guy Named Joe. Spielberg never much ignites the love story but the film has some magical moments and a scene-stealing John Goodman
A reimagining of the long-running Wrong Turn series of Backwoods Brutality films, this does imaginative things with the set-up and emerges as the best of the series so far
Robert Eggers of The Witch fame conducts a remake of the classic silent Nosferatu. This comes drenched in mood and period detail but Eggers also substantially changes the original
A classic Wu Xia/flying swordsman film from the genre’s 1990s’ heyday, a remake of one of the earlier foundational hits of the genre. Produced by the legendary Tsui Hark
The 1941 Lon Chaney Jr The Wolf Man is given the remake treatment in a way that builds out on the creaky original with lavish sets and state of the art transformation effects
Dario Argento’s original Suspiria was an almost entirely narrative-free work set around a series of extravagantly arty deaths; this remake could not be a more different film. Not to say it is uninteresting in what it does
Third of the German thrillers of the 1960s featuring the criminal mastermind Dr Mabuse, a remake of the 1933 film where Mabuse continues his criminal schemes via mind control despite being confined to an asylum
A remake of Tobe Hooper’s landmark classic that presaged a host of inferior 70s/80s horror remakes throughout the 2000s/10s. What we have is now a different film although not entirely an uninteresting one
One of the films from the 1940s fad for light afterlife fantasies in which mobster Paul Muni is sent back from Hell by The Devil in the body of a respectable judge to create mischief
I have to admit despite all the bad feeling for this, I liked it. While what went on in terms of the man inside the machine was cut and dried in the original, this has been shifted to give us a “the soul of Robocop” story . Moreover, the original’s biting satire of 1980s corporations and politics has been smartly updated to tackle some big 2010s issues
The first anime film to be based on the manga, this is set in a future where the heroine is the head of a heavily armoured SWAT team fighting terrorists. Several different incarnations followed.
Popular animated adaptation of a children’s book. This hits all the right story arcs and in sufficiently likeable measure to work amiably. Two sequels and a live-action remake followed.
One of the better entries among the 1980s slasher film cycle – and even featuring the era’s quintessential heroine Jamie Lee Curtis. Essentially Halloween aboard a train, at which the film does the basics of the genre with perfect competence and undeniably stylish photography
Stephen King expressed dissatisfaction with the way Stanley Kubrick handled his novel and here remakes it as a tv mini-series that adheres more closely to the book. While Kubrick’s film is far better, this is not bad where even the perpetually awful Mick Garris subdues his tendency to overdo everything towards some subtlety
Controversial remake of the 1980 psycho film. The remake’s unique take is that everything is shot in first-person from the point-of-view of the killer.
Muchly reviled slasher film that has undeniable effect in its determination to go all the way. I would argue that it is actually a far better film than Friday the 13th
The very first Hannibal Lecter film. Under Michael Mann, this comes with a stylistic flourish very different to what the films became when Anthony Hopkins took the role
Flush from the success of The Andromeda Strain and Westworld, Michael Crichton directed this medical conspiracy thriller, which returns to the fear of science themes that runs throughout his work
One among the spate of 1960s psycho films with Stella Stevens dealing with her brother and sister, one of whom is a killer
Fair-to-reasonable remake of John Carpenter’s low-budget 1976 film about a handful of staff in a police station under siege from gangs outside. Much of the original has undergone change
This tv movie was the first English-language remake of the classic French thriller Les Diaboliques. It follows the original closely and still works effectively, although being shot in colour rather than black-and-white lacks the stark tension. Sam Waterston gives a performance of amazing cruelty as the husband
The work on which the cult of director Dario Argento was built. The film consists of a series of extravagantly arty deaths at a girls boarding school, although comes without any real plot connecting this
This is where all the cliches of Devil Children began. A big hit among the 1970s occult boom, this is essentially Sunday tabloid Christianity – a lurid, doom-filled take on Book of Revelation End Times prophecies that moves with a slick polish and a series of schlocky deaths every few minutes
Hugely successful and probably overrated classic from Frank Capra about the discovery of a lost valley in the Himalayas that offers the secret of immortality
Monster movie featuring mutant fish monsters come onto land to breed with women. Absurdly entertaining, this at least brings the interspecies lust in films like The Creature from the Black Lagoon out into the open
Japan’s Kiyoshi Kurosawa conducts a remake of the British thriller Seance on a Wet Afternoon. Where the original was a mundane film that depicted a kidnap scheme involving a fake medium, Kurosawa builds this out as an actual ghost story
On the back of popularity of the Andrew Lloyd Webber musical and the Elm Street films, Robert Englund was cast in this version where the emphasis is on the slasher element, which works far better than you might think
A horror version of Frequency where Rachelle Lefevre has phone conversations across time with a disturbed woman who then starts causing people to disappear and altering the timeline. Cleverly told and with some chilling twists
The second film from Joe Dante. Mounted as a quickie copy of Jaws by producer Roger Corman, Dante succeeds in peppering it with a lot of sly jokes and genre in-references
The first film from Eli Roth, which proved a solid hit, one that gets back to gore-drenched horror basics. Not quite the classic it was acclaimed but delivers the goods and with a strong dose of wryly sarcastic humour
The 1939 Bob Hope comedy remake of The Cat and the Canary was a big hit; here he and Paulette Goddard are put through the same in what is all but a sequel. Hope is on top form again
Fascinating Blaxploitation vampire film. In contrast to the more popular and cheesier Blacula, this is arty, oblique, almost an experimental film that manages to offer a unique take on the vampire film
The tough hard-boiled Korean gangster film is a genre of its own. This uniquely has a detective and a crime kingpin deciding to join forces to track down a serial killer. Slated for remake by James Wan
Michael Haneke’s English-language remake of his earlier home invasion film has a sense of pointlessness to it. But in following the original so closely, it also cannot help but work where it did
A South Korean film that remakes The Caller about a girl who finds she can make phone calls across time to another woman only to find that the caller is a psychopath who begins to wreak havoc with her timeline
Another in the fad for 70s/80s remakes where Alexandre Aja for once captures the spirit of Joe Dante’s 1978 original by planting tongue in cheek and wading in with mind-bogglingly gory enthusiasm
Slick well made film that successfully transplants the vampire to modern suburbia. Made with a top-drawer arsenal of effects, including taking a leaf from An American Werewolf in London and showing a detailed man into bat transformation
Enjoyable remake of the 1970s Disney comedy about a mother and daughter who swap bodies. Jamie Lee Curtis and Lindsay Lohan nail the swapped roles to perfection
Based on a non-fiction, fringe science book that makes claims that the US Navy conducted experiments that turned a ship invisible during WWII, this spins the idea out into a modest time travel story
Filipino ghost story inspired by The Ring and Ju-on films that generates a reasonable haunted atmosphere in its story about mysterious happenings in an apartment building. This later underwent an English-language remake