Jade Dynasty (2019)
Ching Siu-Tung, director of classic Wu Xia films like A Chinese Ghost Story, returns to wow us all again after an eight years absence with another film of breathtakingly dreamy visuals
The Science Fiction Horror and Fantasy Film Review
Magical Artefacts are objects of power that can produce or are empowered by Magic. Magical Artefacts can be rings, swords, orbs, scrolls, staffs, lenses, crystals, scrolls, keys, lamps, books, knives, boxes, doorways, mirrors, flying carpets, coins, items of clothing (often ones that may have been worn by a Magician) or jewellery, and assorted others.
These can variously wield magic and power, open Portals, conduct transformations, offer wishes, extend one’s life, conjure entities, control minds, divine the future and many other purposes. Use of such objects can sometimes require arcane knowledge or solving puzzles. In some cases, the usage will affect a price on the user. Artefacts that have malevolent purpose are discussed under Cursed Objects.
Rarely is it ever depicted how such an artefact comes into being, they are usually items that are just discovered. Frequently they are hidden where Adventure Films often concern quests to discover their whereabouts, or else they can be unassuming items found in the everyday.
The most famous Magical Artefacts on screen might be King Arthur’s sword Excalibur, Aladdin’s lamp, Dorothy’s Red Slippers in The Wizard of Oz (1939), the One Ring in The Lord of the Rings and Thor’s hammer.
Ching Siu-Tung, director of classic Wu Xia films like A Chinese Ghost Story, returns to wow us all again after an eight years absence with another film of breathtakingly dreamy visuals
Jumanji: Welcome to the Jungle, the reboot of the 90s Jumanji, was a box-office success. That mandated a sequel. The central problem is where exactly does a film about characters sucked inside a videogame go with its premise?
A revival of Jumanji. The original’s boardgame is now a videogame that sucks the players inside. The adventure elements are routine but the film’s has comedic fun with its bodyswapped characters
This was The Asylum’s mockbuster copy of Disney’s Jungle Cruise and is a similar kind of adventure film. However, this proves far more entertaining than what you expect
A demented Jeffrey Lau comedy that seems to have no limits on how silly it is willing to be, while parodying just about every other film made around the same time
Joe Cornish gained much buzz with Attack the Block. His follow-up film concerns a kid who inherits Excalibur. Cornish has fun translating elements of the Arthurian legends to the present-day
NOT the Guy Ritchie film but an Asylum mockbuster released at the same time. The most WTF take on the Arthurian legends ever with the Knights as gun-wielding US Marines
A passable B-budget film that came out in anticipation of Guy Ritchie’s King Arthur: Legend of the Sword. This is actually an Arthurian sequel, featuring Arthur’s son inheriting the sword.
Guy Ritchie’s take on the Arthurian legends is an awkward beast that comes out as half wannabe Michael Bay film giddy with CGI delirium and half one of Ritchie’s typical Man’s Man caper films
Anime film released to accompany the computer game. Dazzling, epic-sized animation, mocapped in photorealistic detail that wows the eye on a scale that Western animators never come near
An unusual, visually fascinating fantasy film where a knight enters into the realm of demons to save a girl, while being granted a talisman that allows him to continually be killed and resurrected
Beautiful stop-motion animated feature from Laika. This takes a big bite and tells an epic adventure. The only flaw is that the stop-motion is so flawless that audiences cannot tell the difference between regular animation
Disappointing adaptation of Robert E. Howard’s other barbarian hero. Cast with Kevin Sorbo, it comes out as Kull: The Legendary Journeys and the material is killed by the filmmakers taking an unserious approach
Christopher Smith is an underrated genre director but his first venture into tv is disappointing cross-historical quest for the Holy Grail story that reads like warmed over Da Vinci Code
The first film adaptation of the popular videogame is a film largely premised around the personality of Angelina Jolie. Outside of that, the film is a half-baked series of plot ends and action scenes taken from better films
The first Tomb Raider film was empty-headed but a hit but the series was then killed off by this sequel. Angelina Jolie’s performance is detached from human emotion and the action sequences ludicrous
A big flop but highly underrated Arnold Schwarzenegger film, a sophisticated meta-fiction that views the cinema screen as another dimension and wittily deflates action cliches
A Chinese fantasy film that leaves anything Western fantastic cinema has made recently for dead, including epical battle scenes and a lavish sumptuousness of costuming that leaves your jaw on the floor
Animated sequel to The Wizard of Oz that proved a charmless flop that misses the magic of the original by a mile. The familiar characters are run over with a gratingly modern sense of humour
How much fun can a film based around Lego characters be? A film that overflows with cleverness, wit and energy. The most fun is in the film’s creating a madcap mix-up of characters from different franchises
The first of several tv movies and later tv series about a team that collect mythic artifacts. An unapologetic copy of the Indiana Jones films and surprisingly more fun than you expect
The second of The Librarian tv movies featuring Noah Wyle as an Indiana Jones-modelled adventurer in search of mythical artifacts – here a map to King Solomon’s Mines
Utterly insipid family film about an orphan kid who is given a magical set of sneakers that turn him into a basketball star who is “like Mike [Jordan].” Little more than a glorified commercial for the NBA
Disney’s original The Little Mermaid was an enormously fresh film. This is the live-action remake that came out amid much controversy and is inevitably a lesser shadow of the original.
Anime film based on Winsor McCay’s celebrated comic strip about a boy’s adventures in dreams. Despite a script from Ray Bradbury, the film waters the comic-strip down to the formula of the modern children’s film
The film version of a popular series of German children’s books about a buy who befriends a young vampire kid. The proves lightweight and likeable enough
Way back before Peter Jackson, Ralph Bakshi made this not uninteresting animated adaptation of J.R.R. Tolkien. The film was not a success and Bakshi failed to return to complete the second part of the story
Peter Jackson wowed the world with this first part of his adaptation of J.R.R. Tolkien’s trilogy. This is epic filmmaking and one that shows Jackson in full command of his craft
The weakest of Peter Jackson’s Lord of the Rings films. This is the most variant from the source material and the one where Jackson allows his tendency to visual effects bloat to take over
Peter Jackson’s Lord of the Rings saga truly gains its feet here, expanding out onto an epic scale where he has fused special effects and story into a singular vision
A conceptually peculiar mix of Indiana Jones and Waterworld about tomb raiding adventures in a drowned future and the quest for Moses’s staff to turn back the rising waters
The first film from low-budget hack Jim Wynorski. How can you resist the absurd B-budget mix of a trio of very well-endowed women kicking ass, martial arts action, women’s prison scenes and mad scientist super-villains
One of the most conceptually ingenious tv mini-series ever created concerning a quest for objects from a mysterious hotel room that have been imbued with amazing powers.
A Disney Channel film where Ryan Merriman discovers that he is the child of leprechaun parents. A mad pastiche of Irish culture, related to the earlier film in name only
Amiable Danish-made Arabian Nights fantasy for children that has the benefit from being shot on location in Turkey
The third film from former Studio Ghibli employee Hiromasa Yonebayashi. Yonebayashi is seen as the carrier of Hayao Miyazaki’s mantle, so much do his films look like lost Miyazaki works. This is sweet and amiable, even if it never hits the emotional heights Miyazaki does
Comic-book adaptation featuring a ballistically OTT Jim Carrey who becomes a zany figure of chaos whenever he puts on a mask. The film has been designed to emulate cartoon physics but its lack of any grounding reality proves annoying
A reboot of Masters of the Universe, this fully embraces the mythology of the animated series and gives them great life. But is also a work that is constantly deflating any chance you are taking it seriously
Flop Jackie Chan film that tries to recapture some of his Hong Kong heyday with Jackie in a quest for a boy and medallion with magical powers
There have been some very sophisticated time paradox films in recent years. At complete contrast, this is a comedy that has a great deal of fun with the premise of a guy and assorted temporal copies of himself running about
A work of Arthurian sequelia made for the Syfy Channeal featuring Arthur’s daughter inheriting the sword. This has the feel more of a series of B-budgeted D&D wilderness encounters churned out without much effort rather than being a fantasy work that soars
Sequel to Hallmark’s earlier tv mini-series Merlin featuring a return performance from Sam Neill in the title role, this is otherwise a generic and unmemorable work of Arthurian fantasy
A live-action film based on the popular
The cutely nonsensical Minions have become a pop culture phenomenon. Here we get more of them, although this is more as a Gru origin story
Enjoyably colourful and silly retelling of the classic Chinese legend. This is one Wu Xia film that leaps aboard the CGI and 3D bandwagon to create a wildly fantastical airbrushed world that comes out resembling a flying swordsman film by way of Avatar
3D restoration of a classic Chinese adaptation of Journey to the West and the best film version of the story to date … an incredible film filled with psychedelically eye-popping animation and amazing action scenes, while gleefully celebrating a defiance of all authority
Rather charming effort where the Famous Monsters – Dracula, the Frankenstein Monster, the Wolf Man, The Mummy, The Creature – are revived and pitted against a group of kids. The film has a great deal of affection for the originals and the encounters are delightful
A Young Adult fantasy adaptation that fells a Harry Potter wannabe repackaged with the brooding teen romanticism of the Twilight series, all under a director whose indifferent handling fails to animate any of the material
The second of the Mortal Kombat animated films, this continues into another tournament, introducing a bewildering array of characters from the games amid a high degree of violence and bloodshed
A sequel to the 2021 revival of the film series based on the videogame and a much more satisfying film than its predecessor. The first film was all origin story, but this plunges us into the actual kombat itself
The third of the Mortal Kombat animated films. This abandons inter-dimensional kombat and takes place in a post-apocalyptic world, focused around the blind swordsman Kenshi
The third of the Brendan Fraser Mummy films that feels like it has no point other than to steal $10 from your hand and give you a bucket of content free mental popcorn in return
Mythica: A Quest for Heroes was a fan-made epic fantasy film made with a high degree of creativity and professionalism; this sequel is slightly the lesser but still maintains the high degree of quality
The fifth of the surprisingly good Mythica fan-produced series that has consistently made a strong, rousing variant on the Epic Fantasy tropes on a low budget
This was the fourth in the surprisingly good Mythica series of low-budget epic fantasy films funded via Kickstarter. This proves to be the best of the series yet
The third of the surprisingly good Kickstarter financed Mythica films. This marks a changeover of directors in the series and is slightly the lesser but still does highly imaginative things with a low-budget
Sequel to the Ben Stiller hit offers more of the same with a bigger museum and more exhibits come to life but little else
The third entry in a franchise that seems to be stretching to find anything to do with its premise beyond the first film. Everyone involved seems to have only turned up to collect a paycheque and be going through the motions in a show that entirely coasts by solely on your familiarity with the characters
Popular family hit with Ben Stiller as a night watchman at New York’s Museum of Natural History who discovers that the exhibits come to life at night. More a cute idea than a full film, there is some fun to the characters and effects
An entry in the gonzo killer shark film fad from Mark Polonia, this has some undeniable amusement to its title mash-up as a team go in search of Noah’s Ark, which somehow has killer sharks involved
Big, no-expense-spared Disney production of the fairytale. The film is stunning to look at it in terms of design and costuming but has a simplicity that leaves little for adults to engage with
Exquisitely lovely anime set in a world of creatures that live on scavenged human junk. If in the end, the heroine’s allegorical quest is on the generic side, the film captivates you with the richness of colour and detail that has gone into imagining its world
Cheap and tatty variant on the Arthurian legends with people trying to prevent a reincarnated sorcerer obtaining Excalibur
The 22nd animated film from Pixar and also the least successful (being released only a week before theatrical chains closing down due to Coronavirus). This has an appealingly quirky and original concept not unakin to Bright that takes place in an alternate reality where magic creatures live in a world akin to our own
Chris Columbus seeks to emulate the success of the Harry Potter films with this adaptation of a Young Adult series about the children of Greek gods. The film falls apart due to Columbus’s typical banal cues and effects overkill
Big screen adaptation of the popular comic-strip superhero. This aims for the tone of an old fashioned serial adventure and is nicely mounted but crucially never comes to life.
The second of the Pirates of the Caribbean films. Johnny Depp and all the principals are back and much of the eccentric humour is present but the action has undergone budget bloat
After the two last lacklustre entries, the Pirates of the Caribbean franchise starts to recover where the two new directors pull off some spectacular comedy-action sequences that go a long way towards recapturing what the series used to be
A story about an apprentice at a mysterious company that deals with magic, this could well serve as a fix for those wanting something more of the Harry Potter franchise
Adaptation of the popular videogame that ventures into Arabian Nights adventure, this was a box-office flop. It swashbuckles entertainingly but Jake Gyllenhaal feels badly miscast as a buffed adventure hero
Mind-spinning film spinoff of the tv series H.R. Pufnstuf, this plays out like The Wizard of Oz on hallucinogens
Italian film about a superhero that gains animal powers by putting on a belt. A strong contender for the worst superhero film ever made
Spinoff of the popular Antonio Banderas voiced character from the Shrek sequels, this is lightweight and amiable but can be quickly forgotten
An Arthurian legends fantasy adventure made as part of the animation renaissance of the 1990s. Anything serious aspirations are wrecked by the insertion of inane popular culture in-jokes
Steven Spielberg and George Lucas’s homage to the adventure films of the 1940s was a huge hit in its day, spawning several sequels and many imitators. The film is pure action and adventure, delivered with enormous charm and wit
The 59th animated film from Disney emerges as a modest effort with a cross-Asian cultural focus that eventually builds a strong character arc
One of the worst among the usually worthwhile Japanese monster movie revivals of the 1990s. Much of the film is played down at an inanely silly children’s movie level, with there only being the requisite mass destruction effects to enliven the show
A disappointing adaptation of Robert E. Howard’s warrior woman character. This is beautifully designed but suffers from a non-acting Brigitte Nielsen in the title role and an insulting need to water the toughness of the character down
Way back before Peter Jackson, there was another whole era of Tolkien adaptations, including this animated adaptation of the third book, which is a peculiar oddity if nothing else
The Teenage Mutant Ninja Turtles are resurrected in a new animated film that feels like a watered-down fix designed for Ritalin-deprived youth
Another wackily improbable entry in Hong Kong’s Wu Xia cycle featuring all the wildly fantastical and way over-the-top moves that the genre is renowned for
Sequel to their earlier Wu Xia film, although having nothing in common with it. All the moves are pushed to a level of cartoonish absurdity that proves amazingly silly
An animated film revival of Scooby-Doo, Where Are You? This also makes an misguided attempt to build a shared universe among assorted Hanna-Barbera characters
Fourth entry in the eminently forgettable sword-and-sorcery series, this heads down into bad movie stakes by writing a series of grating quips over everything, while the action scenes exist in the realm of unbelievability that show that nobody is treating anything with the slightest seriousness
The Scorpion King films are such a low expectation series that it is hard to drum up enthusiasm for a fifth entry. The rehashes stock sword and sorcery cliches and passes its time forgettably
Prequel to The Scorpion King. Unfortunately director Russell Mulcahy allows his broad hand with comedy free reign and the plot is overrun by glib character banter and constant flip modern one-liners
Adaptation of Susan Cooper’s popular fantasy series handled by people who have no interest in the material and badly rewrite/mangle it in order try to turn it into a Harry Potter/Lord of the Rings knockoff
A real what-were-they-thinking turkey where someone had the idea of turning the Beatles’ album into a disco-era film starring The Bee Gees … In trying to contrive a plot around the songs and their surreally psychedelic lyrics, the film frequently makes no sense
Cannon Films produced remake of The Seven Samurai as an Italian gladiator film starring Lou Ferrigno
German animated film about the adventures of Snow White’s Seven Dwarves. Lightweight and trivial, this feels like it has come along ten years too late to the fad for fairytale parodies and mash-ups we had in the mid-2000s with films like Shrek and Hoodwinked!
One of the classic films from cult stop motion animator Ray Harryhausen, an Arabian Nights fantasy adventure where Harryhausen’s creations prove to be quite wondrous
The first of Disney’s live-action comedies, a comic variant on the werewolf story with Tommy Kirk turning into a dog. Mildly amusing but later efforts would do this type of comedy better
The Marvel onslaught continues with this resurrection of a martial artist superhero character from the 1970s. Amid the mostly ho-hum MCU offerings of the 2020s, this becomes an energised action vehicle
Shazam! was one of the more enjoyable DCEU superhero offerings, placing a light-hearted spin on the superheroics. This is the sequel
The Asylum attempt a modern-day Sinbad film – one where Sinbad uses a cellphone and sets sail to L.A. aboard a regular yacht. This is so cheap that it has even been stripped of all the exotic creatures
DreamWorks animated Sinbad adventure by the numbers that seems to go out of its way to tell a Sinbad story divorced of its Islamic cultural background
An incredibly bad Italian-made Sinbad adventure starring Lou Ferrigno that is laughable in its dialogue and acting and incredibly tatty in its budget pinching
Live-action adaptation of the one of the great early comic-strips Little Nemo in Slumberland, a work that was ground-breaking for its experimental innovation
An animated revival of The Smurfs. This was greeted with a very negative reception. With a massive celebrity voice line-up packed into almost any corner of the film the casting director can manage
Animated film based on the original Belgian Smurfs comics made prior to the hit of the Hanna-Barbera series.