Alien Arsenal (1999)
A banal David De Coteau directed kid’s film about two teens who find an arsenal of alien equipment and put the suits on to become superheroes
The Science Fiction Horror and Fantasy Film Review
A banal David De Coteau directed kid’s film about two teens who find an arsenal of alien equipment and put the suits on to become superheroes
From Iron Sky director Timo Vuorensola, Tom Felton stars as a wheelchair-ridden hero battling a genetic dystopia. This emerges as a bizarre melding of Gattaca and Upgrade
One of the best among the modern Marvel Comics screen adaptations. All involved are at the absolute peak of their game and the balance of superheroic action, humour and tragedy makes you cheer at how well they get it right
While there is little doubt that Edgar Wright would have made a much better film, this emerges with an engaging likeability. Less epic superheroics, this plays out more as a caper comedy where a good ensemble and comedic playing carry the show
Ant-Man was a lightweight but perfectly enjoyable entry in the horde of Marvel Comics adaptations. This sequel has amplified the comedy element, seemingly with the intent of being the joker among the MCU pack
The third of the films devoted to Marvel’s miniature superhero. This ventures into multiverse themes works well when it comes to introducing the MCU’s big new super-villain who ended up never happening
The first anime film to be based on the manga, this is set in a future where the heroine is the head of a heavily armoured SWAT team fighting terrorists. Several different incarnations followed.
A dazzling reboot of the earlier manga/anime made with stunning photorealistic animation design and breathtaking action scenes that made this a benchmark for modern anime. Sequels followed.
Shinji Aramaki returns to the Appleseed franchise for a third time with this prequel. Though it abandons the Cyberpunk milieu, Aramaki crafts action scenes with a stunning realism
James Cameron makes a third venture into the world of Pandora. The question is whether he finds any new territory to explore. What you cannot deny is that he creates a pretty and absorbing picture out of it all
James Cameron finally delivers his sequel to Avatar. Nothing could quite repeat the same phenomenon a second time but this does well with Cameron taking the opportunity to show more depth to his alien world
The culmination of one of the most ambitious cinematic exercises ever conducted, with Marvel weaving storylines through several films to finally merge here with flawless regard. The characters get far more depth than in all of their previous films
The first Avengers film came with a massive anticipation in seeing the characters come together and the snappiness of their interplay; here this seems more flat, while the rest is overrun by wall-to-wall action
Marvel conclude the cliffhanger they left Avengers: Infinity War on and offer up a bigger-than-big line-up, overspilling with just about every MCU character to ever appear on screen up to that point
Marvel’s third Avengers film, uniting almost every superhero under their roof, resulting in some thirty characters on screen and a plot that becomes a blur of changing locations and superheroic punch-ups
The second of the two-part animated adaptation of Frank Miller’s classic graphic novel. The film is staged as a series of epic confrontations between iconic DC characters and written with a dark bite to emerge much more satisfying than the first part
The most successful Marvel Comics adaptation of all-time up to that point. Enjoyable if I fall short of calling it the best Marvel film ever and its receiving a nomination for a Best Picture Academy Award
The MCU’s sequel to Black Panther. This offers the peculiarity of a work in which the superhero of the title never actually appears and is instead set around his absence following the death of Chadwick Boseman
The DC Comics superhero Blue Beetle, one of the Teen Titans, is given his own film. One of the more quickly forgettable entries among DC Comics’ attempts to compete with the MCU
Less Captain America 3 than The Avengers 3 – the entire film has been conceived as a massive superheroic punch-up. The results move with an exhilarating pace, but the Russo Brothers haven’t yet mastered Joss Whedon’s hand with character humour
Captain America’s second solo outing feels more like a Mission: Impossible film or an episode of 24 than a superhero film. Lots of Marvel continuity and fanservice and you are taken aback at how political it is prepared to be
The original film was a good deal of fun; this sequel feels like it is simply a repeat of the same but slightly different. Still there is a good deal of creativity to the visual puns and living food creatures
The rarity of a summer blockbuster with smarts – think Groundhog Day reworked by way of Battle Los Angeles. The timeloop idea is dealt with in clever ways making for an action film driven by an original sf story
The second film from Neill Blomkamp. As in District 9, he starts out making a savage and biting social critique about social privilege and financial elites only to let the film descend into action moves in the third act
US-made live-action adaptation of a popular manga/anime about a power-suit superhero. Directed by two makeup effects artists mostly as a vehicle for their creature creations
Sequel to the live-action US-made adaptation of the manga about a power-suit superhero. As with the first film, there are lots of rubbery aliens and martial arts fights
One of the handful of animated Marvel Comics films. This confusingly presents a different origin story to the live-action Iorn Man film, while the major villain of The Mandarin is completely mishandled
This where the MCU began after a spate of high-profile Marvel Comics adaptations in the early 2000s. Jon Favreau conducts a highly enjoyable adaptation of the comic-book with Robert Downey Jr shining as Tony Stark
Iron Man was very enjoyable. True to typical superhero sequel form, this complicates the original by introducing so many new villains and characters that it becomes an overcrowded narrative juggling act
An animated Marvel films released at the same time as Iron Man Three. With action scenes that kick every Marvel animated film out of the park and lots of Marvel fanservice cameos
A major disappointment. Stripping the superhero of the show of his suit makes for no more than a regular action hero, while the film’s reduction of Iron Man’s No 1 villain to a cardboard threat ranks down alongside a Batsuit with nipples
Another of The Asylum’s mockbusters intended to capitalise on the release of Jack the Giant Slayer. Despite setting out to adapt Jack and the Beanstalk, there are no giants in the film
Lazer Team was an easy predictable comedy about four screw-ups that accidentally obtain parts of an alien power suit. This sequel is all the same gags on rinse and repeat.
A film from the comedy collective Rooster Teeth about four screw-ups who pick up power suit items from an alien spaceship only to find they are to defend Earth in a tournament
An ill-conceived attempt to compete amid the high stakes box-office superheroics enjoyed by Marvel and belatedly DC, this had one of the most disastrous box-office showings of 2016 … Based on a popular line of action toys, this gets nothing right – it’s hard to tell it is meant to be a superhero film for half the show
Whose bright idea was it to give us kid versions of The Avengers (ostensibly their children)? While Marvel have had an unparallelled string of hits on the big screen in the 00s, their attempts to replicate the successes that rival DC have had in animation have been a dismal failure
Animated adaptation of the one of the biggest Marvel Comics event storylines of the 2000s – the same one also used in Thor Ragnarok. Essentially Spartacus recast with The Incredible Hulk
Mighty Morphin Power Rangers with its ridiculous rubber monsters and dementedly over-the-top acting as one of the key pop culture phenomena of the 1990s. The question is what audience do producers possibly think that there might be for a dark and gritty cinematic reboot?
Film spinoff from the Mighty Morphin Powers Rangers tv series that became a fad in the 90s. All the same rubber monsters and shrieking over-the-top acting is preserved intact
Second half of the two-part animated adaptation of The Death of Superman, which depicts the aftermath where Metropolis is puzzled over the appearance of four impostors all claiming to be the real Superman
A kid makes the discovery that his father is a superhero and he and his friends amuse themselves with the cool gadgetry in his secret headquarters, before being required to defend it against a villain
A mockbuster take on Sherlock Holmes from The Asylum released the same time as the Guy Ritchie-Robert Downey Jr film. Ben Syder makes for a neurotically subdued Holmes but the film takes a leap off into demented Steampunk territory to emerge as one of The Asylum’s better offerings
A reboot of the classic Japanese tv series about a superhero who goes into action on a motorcycle using a suit to transform into a grasshopper being
Sam Raimi and Tobey Maguire get it just right in the second entry in their trilogy of Spider-Man films. The writing team deliver a fantastic Soul of the Superhero script while Raimi delivers some superheroic action sequences that are about as exciting as it is possible to get (*)
Sony’s reboot of the Spider-Man franchise bursts with a freshness and creative energy. This is also a Spider-Man that has integrated with the MCU with the script kowtowing to Marvel at every point
Sony, the holders of the Spider-Man copyright, squeeze more out of the property with a madcap animated offering that mixes up a host of alternate takes on Spider-Man in what visually resembles an explosion at a pop art exhibition
Sony’s Spider-Man franchise ingeniously competes with Marvel’s shared universe by bringing all their previous incarnations of Spider-Man together
Pilot for the excellent Bruce Timm Superman animated tv series of the mid-1990s. This retells the Superman origin story, keeping great faith to the comics, while adding some fantastic action scenes
The second of the film spinoffs from tv’s Mighty Morphin Power Rangers. More inane silliness played with shrieking OTT excess
There is a fantastically witty idea here – a low-tech parody of the 1980s post-holocaust film – but one that seems in search of an accompanying film. The film overspills with retro ephemera and stylistic jokes but I wish there had been more to it beyond the hook of the initial joke
The first of several animated films based on Marvel Comics properties, this does a solid job in adapting Mark Millar’s The Ultimates, a retelling of The Avengers origin story
One of the most intensive and exciting action films of recent with humanity engaged in a furious battle with plants and killer robots
While this received a good deal of fan buzz, I must admit to being disappointed. It strips much of the superheroics and mutant cameos of the other X-Men films until it feels more like a Westerner in Japan thriller like Black Rain or even a routine film noir plot that happens to be cast with Wolverine
The second of the DC Universe Animated Original Movies made as a standalone entry for Wonder Woman, clearly building on the success of the Gal Gadot film