Aaaaaaaah! (2015)
A bizarre directorial debut from actor Steve Oram that takes place in an alternate world of sorts that operates on pre-verbal grunts and ape-like displays of dominance behaviour
The Science Fiction Horror and Fantasy Film Review
Satire refers to when a recognisable social trend, event, pubic figure or group of people is humorously portrayed on screen. In satire, said target is usually portrayed in an exaggerated and comically distorted manner meant to lampoon its’ foibles. The portrayal will usually display some feature, often a slightly changed name or familiar dress or speaking style, to indicate what is being made fun of.
Genre cinema often creates future or alien societies as distorted versions of the present where the world has become an exaggerated version of what would happen with a particular trend gone awry. Also common is the story of an alien visitor on Earth comically failing to make sense of human society.
Equally satire can apply to institutions, corporations, public figures and individuals that can simply be a background aside – in the form of a recognisable comic figure, corporation etc – in an otherwise regular work.
Films that poke fun at other films, tv shows or whole genres get their own category on this site under Parody.
A bizarre directorial debut from actor Steve Oram that takes place in an alternate world of sorts that operates on pre-verbal grunts and ape-like displays of dominance behaviour
South Korean anime that is set in a future world where people are obsessed with shit. This comes with a demented energy and a filthy-mindedness that is determined to outrage
The directorial debut of Spain’s Alex de la Iglesia, a planetary adventure about a group of mutant terrorists that comes with a bizarrely wacky sense of humour
A ridiculous American conservative satire that turns Dickens’ A Christmas Carol into a heavy-handed farce where a Michael Moore lookalike is made to see the error of his liberal ways
A satiric film based on Spike Lee’s idea of the Magical Negro, an African American who exists to deliver wisdom or magical influence to white people. This gets in some deftly amusing punches at US race relations
This seems like it had all the elements to be a biting satirical crosscut of the 1970s in which the US President holds a telethon to keep the country from going bankrupt but flounders in a series of unfunny skits
Animated adaptation of George Orwell’s fable that was intended as a satire of the Soviet Union. Being rendered as cutsie children’s animation necessarily bluntens the book’s bite
Less a film than a phenomenon, there is something ironic about a doll that is accused of promoting negative body standards ending up leading a women’s movement. Moria has just one or two issues with this.
The penultimate screen role of Peter Sellers, a sublimely deadpan satire in which he plays a gardener with the blank innocence of a child whose simple-minded utterances are taken as words of great profundity
French-Belgian adult animated film in the gonzo trippy vein of Ralph Bakshi and Bill Plympton – a visually madcap satire of science-fiction tropes and 1980s East-West tensions, full of wackily surreal visuals
Disappointing adaptation of the Kurt Vonnegut novel from Adam Rudolph that substitutes Vonnegut’s satire for clumsy, ham-fisted farce that never gives us any clear idea what it is satirising
The third in a trilogy of satirical films from director Lindsay Anderson and star Malcolm McDowell, this takes a biting crosscut of British society as a hospital prepares for a royal visit
The one and only fiction film made by documentary-maker Michael Moore of Fahrenheit 9/11 fame, a broad farce concerning an imaginary war declared on Canada by the USA for political purposes
A bad movie classic. Ewa Aulin is an alien innocent who passes through a series of sexual encounters. Based on a satirical novel, this mostly serves as the opportunity for several name stars to give embarrassingly bad performances
The film that Bill Maher would prefer to forget. Beyond the deliberately absurd title, this is an amusing spoof of the jungle adventure and contains a far cleverer degree of wit than you expect
Overlooked work of considerable charms, this mashes the setting of Mad Max 2 and the plot of The African Queen with a sense of oddball humour. The show is stolen by Melanie Griffith as a tough wasteland tracker
Ralph Bakshi’s satiric animated depiction of African-American life in 1970s conceived as a parody of Song of the South was greeted with such controversy that it nearly derailed his career
A remarkable little film from Australian director Brian Trenchard-Smith set in a satiric future where teens find they are trapped in a drive-theatre used as a prison for troubled youth
The great William Friedkin, the director of The Exorcist and other works, had a flop with this unfunny Chevy Chase and Sigourney Weaver comedy about arms dealing and the efforts to obtain a robot plane
Death Race 2000 was a hit for producer Roger Corman. It was remade minus the satire as a straight action film with Death Race; here Corman remakes the original (albeit very cheaply) and restores the satire
One of Sylvester Stallone’s better films, a satirically funny work where he plays a contemporary police officer unfrozen in a future overrun by Political Correctness to chase down criminal Wesley Snipes
Stanley Kubrick decided the only way to make a film about nuclear war was to resort to black comedy. Aided by three sidesplitting performances from Peter Sellers, the result are mercilessly funny
The perfect film for the Covid era. A devastatingly on the ball satire on the ineptitude of people’s response in the face of an extinction level threat to the Earth from an oncoming comet as government agencies tries to minimise the news
A film in which Nicolas Cage keeps appearing in other people’s dreams. This goes from an initial wild absurdism to something that becomes bitingly satiric as it takes on instant celebrity and Cancel Culture
Paul Bartel’s black comedy where he and Mary Woronov play a snobby couple who pose as kinksters to lure swingers and then kill them off. all to fund setting up an exclusive restaurant
John Carpenter’s sequel to Escape from New York falls too much in the shadow of its predecessor, nevertheless has some effective moments of its own, with Carpenter in particular creating a satiric fundamentalist future
A witty musical satire set in a future USA that is under a fundamentalist dystopia concerning a revolution led by assorted leftist activists, drag performers and artists
The first X-rated animated film. Ralph Bakshi’s first film, taken from Robert Crumb’s cartoons, this is hilariously raunchy as the titular talking cat takes a strung-out but often sharply politicised journey through 1960s counter-culture
Satiric Roger Corman film in which a gas kills everyone in the world over the age of 25. Corman indulges his droll and surreal sense of humour in what amounts to a parody of his own films
Hal Hartley was one of the foremost independent directors of the 1990s. Here he makes a film set in satiric future dominated by the advertising industry featuring a visit from an alien girl
Not an adaptation of the oft-filmed story from Jewish legend about the creation of a creature of clay but a Polish SF film set in a slightly dystopian future featuring the possible creation of artificial people
One of the few flops that Richard Burton and Elizabeth Taylor made, a broad satire where Burton is a Devil figure who escape from an asylum, leaving a trail of bodiesas he makes his way up to control the presidency
This has the promising idea of a corporate-ruled future where people receive advertising implants but soon dissolves into the equivalent of a B-budget hacker thriller
Controversial variant on the human bloodsports plot of The Most Dangerous Game but where liberals hunt conservatives. A film with a darkly satiric bite that sets out to offend people on both sides of the political fence
A film about stupid people that for once actually is funny. This a raucous but often biting satire where Luke Wilson wakes up in the year 2025 to find that the stupid have inherited the future
Ricky Gervais co-directs and stars in a comedy set in an alternate world where everybody tells the truth and he discovers he is the one person who can lie and how this proceeds to change the world
Finnish filmmaker Timo Vuorensola makes a conceptually wild film about invasion by Nazi flying saucers from the Moon. Stunning quality effects on a minuscule budget that rival the work of professional houses
Timo Vuorensola’s follow-up to Iron Sky. It is hard to believe that a film with a premise that combines Nazis on the Moon with alien lizard people from the hollow core of the Earth could go wrong
A puppet film about a satiric Nazi invasion of England in World War II. Imagine It Happened Here by way of Team America. This has its amusements but is uneven
The world’s first Cuban zombie film. Imagine a Latin American version of Shaun of the Dead, conducted with some cleverness, oddball wit and an undeniable satiric undertow
A bizarrely funny deadpan satire about aliens that have invaded the Earth and turned humanity into an economic underclass. With possibly the weirdest looking aliens to ever appear in an SF film
A satiric Claymation animated version of the Manson murders. The film quickly heads for some astonishing bad taste areas, before finding itself in some biting black humour and songs
Australian comedy where Billy Connolly sues God for all the supposed Acts of Gods on insurance forms
John Frankenheimer film. concerning a Communist plot for creating a brainwashed assassin, Frankenheimer shoots with stark and blackly funny effect and this has duly become a cult classic
Fifth in a popular series of satiric Hong Kong animated films. Kicks in with an amusingly sarcastic bite that resembles a Beavis and Butt-Head in its story of a talking animal children’s choir but alas by about the halfway point takes itself seriously and starts to get mawkish and sentimental
Hilariously black horror comedy that works as a sublime satire of fine dining – with a nasty sting underneath
Satiric Argentinean animated film about a Martian stranded on Earth
The Monty Python team’s finest hour, a wickedly irreverent spoof on Christianity that contains some of their most side-splitting gags
An anthology of comedy skits that sets out to be in as bad taste as possible – you are left astounded how far a film has to go to offend in this post-South Park era. That and wondering if the producers had kidnapped some of the stars’ family members to force them to participate
Oliver Stone film with Woody Harrelson and Juliette Lewis as a couple on an ultra-violent mass murder spree. Stone gets heavy-handedly preachy but directs with an excess of style that proves enormously entertaining
The second of Lindsay Anderson and Malcolm’s McDowell’s social satires with coffee salesman McDowell passing through increasingly more surreal adventures
The film that started it all. This takes what could have been a jokey premise and delivers it in bold, exciting stokes. What elevates the film is Rod Serling’s script. filled with embittered soliloquies that become a biting commentary on the human condition, before the film reaches one of the great cinematic twist endings
SF film that plays out like it should be an episode of Black Mirror where Emilia Clarke and Chiwetel Ejiofor play a couple who sign up for a process where a baby can be gestated and born externally inside an egg
Another Uwe Boll videogame adaptation, a satire where Zack Ward sets out on a shooting spree. Boll sets out to offend as many people as possible but somehow forgets to make any of it funny
Amid the mostly silly output of James Bond copies in the 1960s, this is one that comes with a sharp satiric bite in which president’s analyst James Coburn finds himself caught in the midst of a series of conspiracies
Peter Watkins is the most underrated director of the 1960s – his films are fiercely anti-establishment attacks that come with an extraordinary incendiary charge. This mockumentary depiction of a near future where the government uses a rock star to manipulate the public rings even more true today
Alex Cox sequelizes his off-the-wall cult hit Repo Man but only turns it into an amateurish, meandering effort that is only trying to be wacky and cultish
This comes with a wonderfully satiric idea of a plague that kills the world’s wealthiest people
A popular hit that spins the cyborg cop theme through a Cyberpunk future, while director Paul Verhoeven piles on excesses of violence and black humour. A darkly funny satire of Reaganite America, this is an entertainingly slick comic-book of a movie
I have to admit despite all the bad feeling for this, I liked it. While what went on in terms of the man inside the machine was cut and dried in the original, this has been shifted to give us a “the soul of Robocop” story . Moreover, the original’s biting satire of 1980s corporations and politics has been smartly updated to tackle some big 2010s issues
With a script co-written by Frank Miller, this sequel comes in as a leaner work that abandons the campier excesses of its predecessor while expanding on its ideas with considerable ingenuity
The third Robocop film killed the series off with a disastrous decision to go for a PG rating and pair Robocop with a cute kid
Edgar Wright conducts a remake of The Running Man and takes it more back to the original Stephen King book than the 1987 Arnold Schwarzenegger film, while adding a level of biting modern commentary
One of the most obscure films in the oeuvre of Steven Soderbergh, a strange and head-scratchingly surreal satire of workplace and domestic life
Blackly funny film that predates the advent of reality tv about a tv show where people are licensed to hunt each other
A popular Polish comedy in its day about two men who awake from cryogenic suspension in a women-ruled future where men are obsolete. Some of the comedy reads as very dated watching the film today
Troma launch into their parody of Shakespeare’s The Tempest, producing what may be their bad taste masterpiece to date
A not uninteresting sequel to The Rocky Horror Picture Show, this has widely divided reactions among fans
A directorial debut from Woody Allen co-writer Marshall Brickman, an offbeat comedy where scientists hypnotise Alan Arkin into believing he is an alien
Film spinoff from the long-running animated tv series. The familiar gags are there but show feels awkward extruded out to a full-length plot. You keep feeling the film should have been more than it is.
A horror film about a pair of possessed jeans!
An hilarious Woody Allen film in which he plays a contemporary man cryogenically unthawed in the 22nd century. This satirisises SF cliches and contains some side-slitting comedy sequences
This directorial debut for rapper Boots Riley is a very funny satire on telemarketing that becomes increasingly more surreal as it goes on. Imagine something like Spike Lee around the point of Do the Right Thing mixed with the absurdist humour of Kurt Vonnegut
A theatrical release spun off from tv’s cult absurdist/scatological show. Not as sophisticated as later seasons of the tv series but with a raucously wacky bite that is frequently hilarious
Ira Levin’s original novel wherein the men of a town replace their wives with subservient android duplicates seems to have its satiric point blunted when it comes to the film adaptation
Frank Oz conducts a remake of The Stepford Wives, which becomes a broad comedy take on the gender wars in the modern world
One of the films of cult director Larry Cohen in which he makes a body snatchers film involving sentient fast food. As to be expected from Cohen, this also becomes a sharp and witty satire
From the director of Excision, another film that satirically digs its claws into middle-class values but there is the feeling we have seen all of this before and the film fails to provide anything funny. Added to this is a barely scary ghost plot the film occasionally remembers to get back to
South Park creators Trey Parker and Matt Stone conduct an hilarious parody of Gerry Anderson via real world politics and a very adult sense of humour
An outrageous premise – a girl has a vagina with teeth – that is played with far more good taste that one expects
Satiric film set in a future where contestants hunt and kill one another on a tv show. The first film on the theme of human bloodsports later popularised by The Hunger Games and others
John Carpenter makes an alien invasion film that works as a biting satire of Reaganomics in which aliens are manipulating reality to increase their profit shares in Earth
A clone of Donald Trump battles The Illuminati and the Egyptian god Anubis on Mars before travelling to Hell to sort out The Devil. The sheer dementia of the premise alone has one sitting down to watch
Charming Claymation animated adaptation of the Hans Christian Andersen fairytale from Russia that manages to be a mordant satire on Communism into the bargain
Not to be confused with the Oliver Stone film, this is a surrealist satire on the George W. Bush presidency
Not an adaptation of the H.G. Wells novel but a biting satire made in Poland during Soviet occupation about how the pretext of an alien invasion is used to create an authoritarian regime and the way media is used to control the masses. A film more potent today than when it was made
From Melvin Van Peebles who made the first Blaxploitation film, a satire in which a white man wakes up to find he has turned black. This takes a savage bite out of race relations but ends up without teeth in being distracted by Godfrey Cambridge’s raucous loudmouth performance
Noah Baumbach makes a bitingly satiric adaptation of a Don DeLillo novel about the panic caused by a toxic cloud
Satiric 1960s Youth Revolution film where a rock star becomes US President, reduces the voting age and everyone over thirty is placed in a concentration camp
A sprawling international political thriller/satire about stolen nuclear weapons starring Sean Connery as a journalist
One of the more entertaining entries among the gonzo zombie film, this offers precisely what its title promises in an appealingly trashy, sarcastic and suitably gore-drenched blend
The social metaphors of George Romero’s original zombie films has been missing from the modern equivalents. This takes them up again with great enthusiasm, making a critique of USA attitudes post 9/11, hammering its message home with all the subtlety of a 26-point headline