Arthur & Merlin: Knights of Camelot (2020)
A B-budget venture into the Arthurian Legends that never much finds the rich myth of the cycle and emerges as just a routine fantasy adventure
The Science Fiction Horror and Fantasy Film Review
The Arthurian legends refer to the stories of King Arthur, Merlin the Magician, Guinevere and Lancelot, Morgana/Morgan-le-Fay, Camelot, Excalibur, the Knights of the Round Table and assorted others. This also includes other associated stories such as that of Sir Gawain and the Green Knight. The stories are rich in myth, magic, chivalry, love and betrayal and of royal destiny.
The stories originated out of oral traditions and appear to have first been written down in the 12th Century and were later elaborated during the mediaeval court romances. There have been some efforts to identify Arthur as a real historical figure but the evidence in favour of the arguments is slight.
There have been numerous screen adaptations and tv series based on the Arthurian legends. These can be full flights of fantasy or mundane works of historical adventure and romance with the magic stripped out. That is in between works that create original adventures based around the characters.
There have also been works that have updated the stories into the present, outer space and post-holocaust futures, or else have involved time travel. There have also been assorted animated and children’s adaptations, along with comedies, parodies and a musical. There have also been a number of stories that see the Arthurian legends replayed in the present-day or else characters and elements such as Excalibur resurrected and rediscovered.
A B-budget venture into the Arthurian Legends that never much finds the rich myth of the cycle and emerges as just a routine fantasy adventure
The Arthurian legends become the basis of this filmed version of a musical by Alan Jay Lerner and Frederick Loewe. On screen with a name cast, the film is slow and stodgy
Adaptation of Mark Twain’s classic about a modern man thrown back to the time of King Arthur. This has been made as a vehicle for Bing Crosby and makes for fairly excruciating viewing today
Sequel to a largely forgotten fantasy series. While never transcending formula, this fares somewhat better than the previous sequel largely because CGI effects have advanced since the original
The definitive film version of the Arthurian legends. John Boorman gives us a magnificent and soaring work of beautiful impassioned imagery that delves deep into the rich mythology of the cycle
A version of the Arthurian legends that has stripped out Merlin and all of the magic and mounted it as an historical romance. With Sean Connery as King Arthur and Richard Gere as Lancelot
The first film version of the story of Sir Gawain and the Green Knight, one of the tales associated with the Arthurian legends. An obscure, little seen version starring singer Murray Head as Gawain
David Lowery has emerged as a director to watch in the last few years. Here he conducts a beautifully sparse and more ambiguous take on the legend of Sir Gawain and the Green Knight
Reboot of the Hellboy series promisingly comes from Neil Marshall but is also made by Millennium Films who have a habit of buying up previously successful properties and churning out cheaper spinoffs
We are familiar with the Justice League but this gives us an alternate League whose members have supernatural abilities or are versed in dealing with the occult.
Joe Cornish gained much buzz with Attack the Block. His follow-up film concerns a kid who inherits Excalibur. Cornish has fun translating elements of the Arthurian legends to the present-day
A Canadian children’s film that does a modest, amusing job of updating the Arthurian legends to the modern day as Merlin appears to a young boy and gives him Excalibur
A big-budget version of the Arthurian legends that makes dubious claim about being rooted in historical fact. The fantasy elements are stripped out and what we have is more of an historical spectacle
NOT the Guy Ritchie film but an Asylum mockbuster released at the same time. The most WTF take on the Arthurian legends ever with the Knights as gun-wielding US Marines
A passable B-budget film that came out in anticipation of Guy Ritchie’s King Arthur: Legend of the Sword. This is actually an Arthurian sequel, featuring Arthur’s son inheriting the sword.
Guy Ritchie’s take on the Arthurian legends is an awkward beast that comes out as half wannabe Michael Bay film giddy with CGI delirium and half one of Ritchie’s typical Man’s Man caper films
A modernised version of Mark Twain’s A Connecticut Yankee in King Arthur’s Court with Whoopi Goldberg as a physicist who time travels back to Camelot
French director Robert Bresson’s take on the Arthurian legends, stripped of nobility and magic. I’m not part of the critical cult around Bresson. Films that are dull and lifeless are not about spiritual yearning just dull
A not uninteresting historical epic from Dino de Laurentiis that merges the tale of the deposed last emperor of Rome into the beginnings of the Arthurian legends
The sixth of the Sharknado films, this has the usual crew fighting sharknados throughout history. With this comes the recognition there is nowhere more ridiculous and over-the-top for the series to go
The first of several tv movies and later tv series about a team that collect mythic artifacts. An unapologetic copy of the Indiana Jones films and surprisingly more fun than you expect
A work of Arthurian sequelia made for the Syfy Channeal featuring Arthur’s daughter inheriting the sword. This has the feel more of a series of B-budgeted D&D wilderness encounters churned out without much effort rather than being a fantasy work that soars
Sequel to Hallmark’s earlier tv mini-series Merlin featuring a return performance from Sam Neill in the title role, this is otherwise a generic and unmemorable work of Arthurian fantasy
TV mini-series based on Marion Zimmer Bradley’s book that offers a revisionist take on the Arthurian legends, telling the story through the eyes of the women of the saga
The first of the Monty Python films, a wickedly funny, willfully nonsensical take on King Arthur and the knightly quest. Contains many classic Python gags
The third entry in a franchise that seems to be stretching to find anything to do with its premise beyond the first film. Everyone involved seems to have only turned up to collect a paycheque and be going through the motions in a show that entirely coasts by solely on your familiarity with the characters
Cheap and tatty variant on the Arthurian legends with people trying to prevent a reincarnated sorcerer obtaining Excalibur
Epic filmed version of the Richard Wagner opera set around the Arthurian legends and the quest for the Holy Grail
From Eric Rohmer, a director of the French New Wave, an adaptation of stories from the Arthurian legends, made in a decidedly eccentric style
The classic comic-strip receives a disastrous film adaption where director Anthony Hickox plays everything for campy silliness
An Arthurian legends fantasy adventure made as part of the animation renaissance of the 1990s. Anything serious aspirations are wrecked by the insertion of inane popular culture in-jokes
Adaptation of Susan Cooper’s popular fantasy series handled by people who have no interest in the material and badly rewrite/mangle it in order try to turn it into a Harry Potter/Lord of the Rings knockoff
A live-action film based on the titular segment from Fantasia. From Jerry Bruckheimer meaning that it is a film of empty-headed special effects that fails to conjure any magic of its own
Forgettable Disney animated film telling the story of King Arthur’s boyhood where the Arthurian legends are sidelined in favour of talking animals and slapstick
Cannon Films make an adaptation of the Mediaeval legend of Sir Gawain and the Green Knight. Routine 1980s fantasy cinema with Sean Connery looking embarrassed as the Green Knight
The fifth of Michael Bay’s Transformers films. This comes with more of an outright comedy focus than any of the other films where Bay seems to be second-guessing his critics and spoofing his own peccadilloes in quote marks, only to produce the silliest entry in the series yet
Adaptation of the legendary historical romance was considered a box-office flop but emerges as a better film than one expected it would
A Disney version of Mark Twain’s A Connecticut Yankee in King Arthur’s Court where the story of a man thrown back in time to Camelot is dragged into the era of Star Wars with the addition of space shuttles and androids
Likeable puppet animated film about a time-travelling boy and his monkey companion