Antiviral (2012)
Brandon Cronenberg makes an impressive writing-directing debut, taking up the thematic reins of his father’s earlier films in a darkly satiric future escalation of contemporary celebrity culture
The Science Fiction Horror and Fantasy Film Review
Brandon Cronenberg makes an impressive writing-directing debut, taking up the thematic reins of his father’s earlier films in a darkly satiric future escalation of contemporary celebrity culture
An ambitious film in its depiction of a near-future Russia and satire on the media. The latter half has the hero undergo a mystical experience and discover that advertising brands are living entities that feed on human need
The film that launched a host of conspiracy theories in which NASA decides to fake a Mars mission using tv transmissions. A clever and well written thriller that becomes an elegy to the loss of the ideals of the Space Mission.
An action movie where the toughest criminals are forced into a barehanded survivalism competition against one another while this is livestreamed. As the hero, wrestler Steve Austin has zero charisma
Quietly understated French SF film set in a future where all illness has been abolished and a woman becomes a media sensation when she is diagnosed with a terminal condition
George Romero returns to zombies, making a Found Footage film. After the disappointment of Land of the Dead, he delivers the goods here, while making powerful political points about modern media
Steven Spielberg makes a thoughtful return to the theme of alien contact. Rather than the rosy optimism of Close Encounters and E.T. , he seems to have embraced the dark conspiratorial view of The X Files
Long and baffling German surrealist film that makes much reference to German silent cinema. Lots of avant garde set ups without any real point
Claude Chabrol updates Fritz Lang super-villain Dr Mabuse to a millennial West Berlin where Alan Bates is a tv mogul who masterminds a mass suicide cult via messages hidden inside advertising
Thriller about two killers who become inspired by tabloid tv and decide to sell tapes of their crimes to tv. This becomes a heavy-handed, tub-beating rant of disgust against modern media
The eighth Halloween film. This tries to throw in some novelty by combining Michael Myers with a reality tv show being filmed in his family home but is still the same uninspired thrills of the other sequels
A cheap and tatty horror film set in a haunted asylum that was one of several similar films in the early 2000s that set out to exploit the then newly arrived fad for reality tv
A Young Adult box-office hit that does little more than competently shuffle around ideas from other SF films. Jennifer Lawrence makes an impressive showing but the film also soft-pedals the moral reality of its scenario
The first sequel to the box-office juggernaut. The surprise is that it spends defies most of the things that made the first film, not to mention has made one of the year’s biggest box-office hits into a parable for Marxist revolution
The third The Hunger Games film starts in with a more brooding complexity but with the book being split in two parts, the story feels more thinly drawn and comes to an abrupt end just when it starts to get interesting
Hideo Nakata, director of Ring, offers his take on reality tv shows – where contestants are locked up Big Brother-style and encouraged to kill one another. The film comes with much homage to classic murder mysteries
The idea of a killer targeting all that is talentless in Hollywood has some satiric amusement but this is an incoherent film delivered in a series of MTV visuals by what feels a coke-addled director
Michael Crichton’s works are about fears of science and technology going amok. Here he attempts to address tv and advertising in a film about virtual models but the ideas in his script are muddled
One of the forgotten comedies from UK’s Ealing Studios, this rails against the evils of the then new medium of television where The Devil contrives to make people miserable by getting them to watch tv
One of the best of several horror films that came out immediately following the advent of the reality tv show in the early 2000s. Director Marc Evans creates a sense of clammy claustrophobia.
Oliver Stone film with Woody Harrelson and Juliette Lewis as a couple on an ultra-violent mass murder spree. Stone gets heavy-handedly preachy but directs with an excess of style that proves enormously entertaining
French film about a tv gameshow where contestants are pursued by armed hunters. Much of this was copied by the subsequent The Running Man but this conducted the idea first and better
A film that comes with a lame premise about aliens distributing a video of a 1950s SF film that turns people into mind-controlled killers all as prelude to an invasion
Remade, the 1975 dystopian film about future sports is stripped of any of its big message (even of its future setting) and is turned into no more than a formulaic action film
Lucio Fulci was a cult Italian horror director. This was the only occasion that Fulci visited the SF film, a low-budget ripoff of Rollerball by way of Mad Max featuring futuristic gladiatorial games
This adapts one of Stephen King’s Richard Bachman novels but the book is sidelined to become an Arnold Schwarzenegger action comic-book on the oft-used theme of a future where people compete in televised gladiatorial games
Edgar Wright conducts a remake of The Running Man and takes it more back to the original Stephen King book than the 1987 Arnold Schwarzenegger film, while adding a level of biting modern commentary
Andrew Niccol makes a comedy in which down-on-his-luck film director Al Pacino obtains a computer program for simulating a performance and creates a virtual actress, hoodwinking the public into believing she is a real person.
Blackly funny film that predates the advent of reality tv about a tv show where people are licensed to hunt each other
A not uninteresting sequel to The Rocky Horror Picture Show, this has widely divided reactions among fans
Satiric film set in a future where contestants hunt and kill one another on a tv show. The first film on the theme of human bloodsports later popularised by The Hunger Games and others
John Carpenter makes an alien invasion film that works as a biting satire of Reaganomics in which aliens are manipulating reality to increase their profit shares in Earth
Pierce Brosnan’s second outing as James Bond holds up fairly well, especially in the action department, although Jonathan Pryce seems miscast as a Rupert Murdoch-modeled super-villain
Ingenious film that predicted reality tv shows where Jim Carrey’s life has been a tv show since birth with him unaware of everything is staged
Remake of the Ozploitation film where the original’s Most Dangerous Game scenario set in a dystopian future is lamely rewritten as a reality tv show and another Hunger Games ripoff. The original was fairly terrible; this has a lack of conviction in most regards that makes it even worse
Absolutely fascinating David Cronenberg film that swims with a heady mix of ideas that blur tv, reality and the human body
Not an adaptation of the H.G. Wells novel but a biting satire made in Poland during Soviet occupation about how the pretext of an alien invasion is used to create an authoritarian regime and the way media is used to control the masses. A film more potent today than when it was made
A sequel that has been arranged for the sole purpose of serving up a series of gory dispatch set-pieces every few minutes
Film from Quatermass creator Nigel Kneale well ahead of its time in its prediction of a populace controlled by television