The Beast Must Die (1974)
Amicus film that manages the novel idea of combining a werewolf with an an Agatha Christie styled whodunnit as people try to guess which among the guests gathered at a mansion is a werewolf
The Science Fiction Horror and Fantasy Film Review
Amicus film that manages the novel idea of combining a werewolf with an an Agatha Christie styled whodunnit as people try to guess which among the guests gathered at a mansion is a werewolf
Third of the Filipino-shot Blood Island films. This has a slow first half before getting to what we expect of a Filipino monster movie – an overacting mad scientist, a cheesy monster, schlocky gore and gratuitous toplessness
One of the films from the heyday of the Filipino exploitation cinema fad. John Ashley makes a pact with the Devil,up in another man’s body and periodically turns into what is a werewolf in all but name
From the director of the Wyrmwood films, an Australian-made film about a group of soldiers during World War II who become stranded in a sea of sharks following a shipwreck
A fearful Peter Lorre is chased about by the disembodied hand of his late employer. A classic psychological horror film that has borrowed more than a few leaves from Val Lewton
Modest entry among the early 1980s fad for air bladder transformation effects with Paul Clemens transforming into a cicada creature. Philippe Mora creates some solid directorial set-pieces
This is a werewolf film with a difference. Everything comes with an ambiguity that is seen through the eyes of a young child trying to make sense of what is happening to her father
An imprisonment thriller with a difference, a work of Japanese BDSM erotica where a young teacher is imprisoned and erotically tortured. Quite out there and different to anything Western erotica turns out
South Korean-made anime that takes a dive into horror grotesquerie in the story of a beauty product that offers to reshape flesh and a girl who becomes obsessed with it
Essentially Home Alone as a horror film where Lulu Wilson gives a standout performance as a child who fends off a home invasion by escaped criminals led by Kevin James in a surprisingly effective villainous turn
The early 2020s saw some strong,d intelligent variations on body-hopping themes. This is one variant filled with a series of wildly disorienting spins that frequently jerk the carpet out as Toby Kebbell becomes possessed by an entity
The last of the classic Val Lewton produced horror films, a work set around the true-life 18th Century asylum lorded over by Boris Karloff where an innocent Anna Lee is committed
Boris Karloff plays a mad scientist who creates an experimental formula to reverse aging and injects himself with it, only for it to turn into a split personalitied killer
An overlooked Mike Flanagan film about a kid with the ability to bring his dreams to life, this reads like a cross between an A Nightmare on Elm Street copy and the Joe Dante Twilight Zone – The Movie episode
A comedy about two wannabe brothers who try to enter a horror movie competition by making their own snuff movie, only for everything to start going wrong
Underrated work of Southern Gothic with Clint Eastwood as a wounded soldier sheltered at a Confederate girl’s school during the Civil War where he succeeds in manipulating the sexual tensions of the teachers and schoolgirls to his advantage
Sofia Coppola’s remake of the 1971 Clint Eastwood film. The original was a work of brooding Southern Gothic of repressed sexual tensions; Sofia seems more interested in making a costume drama that is a stretch to call a horror story any longer
What starts out as a seeming mockumentary about a serial killer turns into an hilarious deconstruction of the tropes and cliches of the slasher film. Imagine a film like Man Bites Dog crossbred with Scream
The first film from Jackie Kong, who made the hilarious Blood Diner, concerning a cheesily ridiculous atomic mutant monster loose in a small town
Big serious film about Santeria religion that readily delves into the voodoo side of it as detective Martin Sheen and his family are targeted by cultists
Greg (Wolf Creek) McLean directs from a script by James Gunn. The Office by way of Battle Royale as 80 employees are locked in an office building with orders to eliminate one another
Following Paranormal Activity, The Asylum made a series of Found Footage films with the novelty selling point of claiming the films were taking place on the sites of famous murders or haunted locations
Unclassifiable film about two fans trying to enact Mad Max fantasies. About the point when this delves down into a seriously disturbed mental space, the results are quite stunning
Classic silent movie about a murderer haunted by his guilty conscience. The film’s simplistic morality is rather hard to swallow today but the film is richly directed for its era and creates some wonderfully theatrical effects
David Twohy, director of Pitch Black, makes a fine subtle, ghost story set aboard a submarine during WWII. At times, this achieves a genuinely haunted atmosphere
Sequel to the hit killer rat film Willard, which brings back the scene-stealing bad rat but kills the film off by pairing him with a nauseatingly cute kid
Girl returns to her hometown after many years, encounters family secrets, ghostly figures, clairvoyant visions. The film holds interest for a time as you try to figure out what is going on but eventually proves a letdown
Larry Fessenden makes what seems a formula teens in peril film. Once he gets his cast stranded in a sinking boat menaced by a giant fish and debating who to throw overboard, he develops some remarkably brutal tensions
From prolific genre director/producer Brian Yuzna, a film about the drowned residents of a town that was flooded by a dam construction now emerging to exact vengeance on the living
This is a brutal and unnervingly effective film about Mexican illegal immigrant day labourers who are imprisoned and tortured by a wealthy entitled white couple
Imagine Brian De Palma’s Blow Out by way of Barton Fink. Set around the sound recording of a giallo horror, this mounts an impressive spiral down into claustrophobia and paranoia, even if it is never quite the horror film it keeps trying to be
Canadian film about a babysitter being stalked by masked home invaders on Halloween night. Capably put together and generates an okay tension but this still seems to be recycling over-familiar genre tropes
A strong and worthwhile variant on the imprisonment thriller with Teresa Palmer as a tourist in Berlin who hooks up with a guy who proceeds to make her a prisoner in his apartment
A film made to tap the 1970s fascination with the so-called Bermuda Triangle mystery with a name cast lost at sea on a ship as mysterious happenings start to occur
Film about a series of sensationalistic murders at a circus. Producer Herman Cohen is clearly trying to replicate the success of his Horrors of the Black Museum. Joan Crawford chews the scenery in grand style as the circus owner
Justifiably obscure 1980s video release that has been intended as a copy of The Evil Dead concerning possible Viking berserker spirits amok in backwoods Utah. Cheap and routine on almost all counts
Documentary made about Troll 2, which is considered a strong contender for the worst film ever made. The attempt to talk to all those involved in the making of the film proves absolutely hilarious
Bollywood conducts a reasonable attempt to make its own equivalent of the zombie film in this mini-series about people at siege from undead British colonial soldiers awakened
Low-budget film where a couple move into her family home and she is haunted by childhood imaginary companion that may or not be real
An extremely good film that starts out seeming like a standard stalked babysitter effort before everything gets turned on its head with most pleasing results
Unfunny comedy set around a morgue where a mad doctor has found a process to resurrect the dead. Sort of like Night Shift crossbred with a PG-rated version of Re-Animator
Very obscure but undeniably interesting film in which boarding house owner Ida Lupino hires Robert Ryan as a handyman before finding he is mentally disturbed and he makes her a prisoner
One of the key films of cult Italian director Lucio Fulci, a gore-drenched but plotlessly incoherent mishmash about zombies emerging as the gates of Hell are opened
Tatty British film that feels like an attempt to crossbreed A Nightmare on Em Street with The Silence of the Lambs. Star Elizabeth Hurley sued to prevent the film’s release.
Action film with Thomas Ian Griffith tracking the killers of his brother to Poland and uncovering an organ harvesting scheme run by Rutger Hauer
This offers the novelty of a Loch Ness monster film that takes place in Canada! This is otherwise a routine monster of the era made for the Syfy Channel
The second sequel to the cult splatter hit Re-Animator is a superior effort to its predecessor, getting the original’s sense of black humour down pat and arriving at a memorably apocalyptic climax
A blatant Italian copy of The Exorcist. An exploitation film made with almost zero directorial style that only has the schlock amusements of its attempts to outdo The Exorcist going for it
Horror film that has the interesting idea of paying homage to the 80s phenomenon of the video boardgame. A good idea given a so-so treatment
A modestly successful Bollywood horror film that becomes a copy of The Exorcist but does generate a reasonable degree of atmosphere
An affectionate recreation of 80s-type kids-on-an-adventure films like The Goonies as kids come up against a creature that may be a werewolf or a Bigfoot. Made with humour and a liking for its characters while not forgetting to be scary
Israeli film about a parent who abducts and tortures a man they believe responsible for killing their child. This proves immensely entertaining with its whiplash plot reversals and hilarious pepperings of black humour
Stephen King’s version of I Spit on Your Grave. What kills the film is the plot device that involves the heroine having imaginary conversations with dead bodies and her GPS
Strippers and zombies Japanese style. An entry into the Gonzo Japanese Splatter film fad. Cheaply made, with surprisingly little nudity and a whole lot of tongue-in-cheek splatter
The public obsession with Bigfoot grew out of a piece of amateur film shot in 1967 purporting to show a Bigfoot in the world and led to a spate of films and throughout the 1970s. This has the distinction of being the first ever Bigfoot film
A miracle of $1.98 no-budget film-making, this Bigfoot comedy shouts out its sheer good nature from every pore. It is a film that wears its shortcomings with pride, while the director and cast have a great comic timing
This is a Found Footage film that features a film crew interviewing a crazy hermit who claims to have the carcass of a Bigfoot and naturally enough encountering the real thing
Mark Polonia has been producing ultra-cheap horror films since the 1980s and developed a reputation as the worst directors currently working. This does not disappoint on what you expect
This gets full marks for an attention-grabbing title. Unfortunately, it is the most interesting thing about the film that otherwise only offers up plentiful bikini-clad girls but routine slasher mechanics
This has a reputation as a bad movie classic. The attention grabbing novelty mash-up transforms the Western outlaw into a hero to combat Dracula (a hammy John Carradine)
Hong Kong comedy with a police station under siege from zombies. The emphasis is more on comedy than the horror element
Italy’s Dario Argento laid out the essence of the style – the arty murder set-pieces; flamboyant camerawork; the stylish music scores; and the psycho-thriller plots – in his first giallo film here
Birdemic was a cult bad movie – incredibly, despite the better budget that must have come his way, James Nguyen has gone and made the same thing filled with laughably flat dialogue and the worst effects ever seen on screen
At one point, Birdemic had a bad movie cult that rivalled The Room. Whether we asked for it or not, this is a third film in the series. James Nguyen seems to think everybody has come for a lecture about Global Warming.
The new contender for the Worst Film Ever Made, this fully lives up to its reputation, full of astounding technical ineptitudes, bad acting and hilarious one-liners. A blatant ripoff of Alfred Hitchcock’s The Birds
Alfred Hitchcock’s classic film inspired a series of Nature’s Revenge films throughout the 1970s. Expectedly, Hitchcock creates masterful set-pieces but the most effective thing the film does is to remove explanations creating a work of anxious uncertainty
Documentary about the making of Night of the Living Dead. This covers the making of the film, although George Romero is the only person from it interviewed. Far more potent is the documentary’s pinpointing of the film’s cultural influence
A standout modern variant on the Frankenstein film where two women conspire to cross waaay over medical ethic lines to revive a child from the dead
An appealingly nasty little film where a celebrity chef imprisons and tortures a scathing food critic. Produced by Larry Fessenden.
One of the post-Twilight vampire films that have transplanted the basics into different locales – in this, a rundown inner-city New Orleans ghetto neighbourhood
Antonio Banderas is a writer with a block, Jonathan Rhys Meyers a sinister stranger who moves in. Lots of tense psychological games between the two begin only for the film to almost immediately blow the premise
A luridly entertaining effort starring Boris Karloff as a mad 19th Century aristocrat. This sits halfway between being a B-budget historical drama and a horror film
This has nothing whatsoever to do with the Edgar Allan Poe story but is a fascinating piece with Boris Karloff and Bela Lugosi skulking about engaged in a twisted plot involving revenge, Satanism and chess games played for human lives
Film from cult Italian director Lucio Fulci. This has almost nothing to do with the Edgar Allan Poe story. With Fulci’s trademark gore sequences tamed, there is not much else for the film to fall back on
This has next-to-nothing to do with Edgar Allan Poe. Instead, Luigi Cozzi makes a giallo thriller that makes claims to be the unofficial third chapter of Dario Argento’s at that point unfinished Three Mothers trilogy.
Many argue that this is the original slasher film – and it does the whole formula a good deal better than many of those that came along a few years later, having some wry characterisations and a sardonic sense of humour
Another in the mid-2000s fad for 1970s remakes. This revives what has been cited as the first slasher film but throws most of the original out and turns the rest into a gore-drenched slasher film
A remake of the work that has been cited as the first slasher film. This is less a horror film than a horror film that has been hijacked by a political agenda, delivered with a relentlessly loud and damning misandrist tone
Modest and effective portrait of troubled youth as a teen is drawn into a group who have sworn allegiance to Satan. The film is driven by an intense compelling performance from Eric Mabius as the group’s leader
For the stew of elements this throws together – a famous unsolved murder case, ghosts, a blind psychic killer, possession, a sinister psychiatrist – it is surprising how dull the film that emerges is
Powerful film from Christopher Smith set during the Middle Ages about a group on a journey to a village where a priestess can purportedly raise the dead. The film’s skewering of faith in an unforgettable ending is stunning
Another killer shark survival piece with a family trapped aboard an abandoned oil rig under attack by a megalodon shark that may be the embodiment of an Aztec god
Watchers of bad films rejoice – this comes as close to total amatuerism as possible. None of this prepares you for the sheer dementia of the saga of an evil doll that inspires a good church-going woman to become a sex addict
A peculiar mixture of 1940s mad scientist and gangster film in which Boris Karloff transplants a mob boss’s brain into the body of a mild-mannered English professor
A horror comedy that goes the next logical step and turns Black Friday shoppers into a zombified horde. With Bruce Campbell as a store worker who steps into the fray
Dario Argento makes a highly anticipated return to the director’s chair after a decade’s silence, once again revisiting the giallo film, but the results are a major letdown
Essentially Fatal Attraction with voodoo in which Mark Hamill engages in an affair with Apollonia and breaks it off only to find a voodoo curse has been placed on him
Actress Devanny Pinn makes a fine directorial debut with this True Crime film based on Ted Bundy and the incident where he went on a killing spree at a Florida sorority house
Another copy of The Thing where a team of archaeologists in the frozen north unearth an object being 20,000 years old from a barrow that proceed to affect the team and cause mass insanity
Classic tv movie that is one of the earliest horror/Westerns hybrids where Roy Thinnes plays a preacher who ends up in town only to find he cannot leave amid mysterious goings-on
Scott Derrickson makes a sequel to his earlier hit The Black Phone. The original was a modest but self-contained story, whereas this has to do some work before coming out as an original and effective follow-up
Scott Derrickson delivers an eerie film from a Joe Hill story about a child who is abducted and imprisoned by a serial killer but then receives message from beyond the grave on an old telephone.
Wilderness survival horror in the same vein as Deliverance but with a Chick Flick spin. This starts promisingly but director/star Katie Aselton fails to push the survival scenes for anything dramatic
A stylishly made historical horror where Boris Karloff plays an evil heir to a European province who seeks to gain power by masquerading as his good twin brother
The great Mario Bava directs a horror anthology of three tales, delivering each with considerable spooky atmosphere. The standout among these is The Wurdulak with Boris Karloff as a vampire preying on his family.
An enthusiastically gore-drenched New Zealand comedy about mutant sheep, this favourably harkens back to the heyday of Peter Jackson’s early splatter films
Quite a decent little low-budget film about a top secret government agency set up to despatch Lovecraftian Elder Gods.
The very last gasp of the 1930s/40s mad scientist film, a swansong that brings together an amazing cast from the era including Bela Lugosi, Lon Chaney Jr, John Carradine, Basil Rathbone and Tor Johnson. Slightly better produced than most of the era’s cheapies
Classic work that defined the Italian Gothic cycle of the 1960s and turned Barbara Steele into a cult actress. Mario Bava shoots vivid, incredibly atmospheric scenes in black-and-white in ways that no other director does
Award-winning Darren Aronofsky film about the rivalry between two ballerinas. At heart though, this is no more than a Brian De Palma psycho-thriller with pretensions