Stryker (1983)
A vigorous copy of the Mad Max post-apocalyptic action film made by the underrated Cirio H. Santiago
Science Fiction
The Stuff (1985)
One of the films of cult director Larry Cohen in which he makes a body snatchers film involving sentient fast food. As to be expected from Cohen, this also becomes a sharp and witty satire
Stung (2015)
Likeable variant on the giant bug film – concerning giant mutated wasps, no less. This is largely predicated around some accomplished creature effects and having something gooey happening every few minutes
The Stupids (1996)
A mind-bogglingly surreal John Landis film about a family who take everything literally. A completely demented viewing experience in watching as they bumble around trying to puzzle over who is stealing the garbage
Subliminal Seduction (1996)
Ian Ziering stars in a B-budget ripoff of The Stepford Wives where he discovers that a computer company is encoding brainwashing messages in a videogame
Submerged (2005)
Steven Seagal submarine action where he tackles a terrorist who has perfected mind control techniques
Submersion of Japan (1973)
A thinking person’s disaster movie depicting Japan’s sinking into the ocean
Subservience (2024)
Another android gone amok film with former sex symbol Megan Fox cast as an android nanny who starts defying her programming
Sufferrosa (2011)
Billed as the world’s first interactive film, although it falls well short of what one expected. his involves film noir homage, mad scientists and sinister rejuvenation institutes but lacks any real narrative, just feels like a series of random information pop-ups and flickering MTV graphics
The Sum of All Fears (2002)
Fourth of the Tom Clancy Jack Ryan films, which performs a confusing continuity reset to recast the role with the younger Ben Affleck. The film’s release was delayed by 9/11, which makes the plot about nuclear terrorism on US soil seems absurdly tame in retrospect
Summer Time Machine Blues (2005)
Witty and enormously clever Japanese time travel film. This readily homages Back to the Future but has a great deal of original fun of its own creating a series of hilarious temporal conundrums. One of the most entertaining films I have seen in some time
Summer Wars (2009)
Beautifully made Mamoru Hosoda film about a rogue A.I. taking over a social media network. A film that is also a heartwarming work about family togetherness
Sunshine (2007)
Danny Boyle and Alex Garland make a big serious SF film about a solar expedition, which works with great scientific rigour until the shows heads off at a tangent and falls apart in the latter third
Super 8 (2011)
J.J. Abrams makes a homages to 8mm filmmaking and the films of his youth – you could easily imagine this as a Steven Spielberg-produced film of the era. On the other hand, after the obsessive secrecy in pre-release, the results emerge as underwhelming
Super Buddies (2013)
Excrutiatingly unwatchable live-action film in which trained animals have all been dubbed with smartass voices. In the nominal plot, a group of dogs gain superpowers, which becomes dragged out into a series of witless slapstick scenes, all overrun with agonisingly hip and unfunny one-liners
Super/Man: The Christopher Reeve Story (2024)
A documentary about the career of Superman star Christopher Reeve and his dealing with life following the accident that left him a quadriplegic
Super Mario Bros. (1993)
The first film to be adapted from a videogame and inauspiciously one of the worst. This is a film made on a decent budget that seems to have set out to be as stupid and brainless as possible
Super Tanker (2011)
Syfy Channel disaster movie about the efforts to dispose of a container of antimatter being carried on board a tanker, where things proceed to go wrong
Superbob (2015)
An amusing superhero spoof from the UK, a mockumentary following the everyday Bob, who is rather of a twit, as he goes on a date and his frustrations dealing with the bureaucracy required to go into action
The Superdeep (2020)
Standout Russian SF/horror that undeniably captures something of The Thing with scientists encountering a monster in the depths of a deep drilling project
Supergirl (1984)
The producers of the Christopher Reeve Superman films turn their attentions to Superman’s cousin Kara whose screen debut is derailed by a horrendously overacting Faye Dunaway
Supergrid (2018)
Lowell Dean, director of WolfCop, makes what feels like a revival of the low-budget Mad Max film – an action film set in a socially collapsed future
Superhero Movie (2008)
A Scary Movie-styled parody of the early 00s spate of superhero films, this has a few amsingly on-target spoofs of its targets (especially Spider-Man) but is mostly scattershot
Superheroes (2011)
Fascinating documentary portrait of a series of individuals who dress up in costume and set out to be real-life superheroes
Superintelligence (2020)
We have had some standout A.I. films in the last few years. This is comedy variant where Melissa McCarthy is befriended by an A.I. who adopts the voice of James Corden
Superman II (1980)
Shot back-to-back with the first Christopher Reeve film, this then became a mess behind the scenes. The end result emerges fairly well with the show dominated by the magnificent Phantom Zones villains and giving depth to the Superman-Lois relationship
Superman II: The Richard Donner Cut (2006)
The original version of Superman II became mired in problems over the firing of director Richard Donner. After the rediscovery of the original footage, Donner was able to go offer up a restored version. Seeing the storylines the way they were meant to be and Marlon Brando’s original scenes as Jor-el make for a work that is superior in every way
Superman III (1983)
The nadir of the Christopher Reeve Superman films, one where the desire to add a comedy element in the form of Richard Pryor overtakes and wrecks what is already a random and unfocused plot
Superman IV: The Quest for Peace (1987)
The last of the Christopher Reeve Superman films after the series was taken over by Cannon Films. Usually regarded as the series low point due to the cheapness of the effects, this to its credits abandons the comedy focus of the preceding two films and has some not uninteresting aspects
Superman (1948)
A 15 chapter serial that marks the very first live-action screen appearance of Superman. The superheroics and effects are painfully primitive today (where Superman flying is represented by animation) but the serial gets many aspects of the comic-book down right
Superman (1978)
This is where the modern comic-book superhero began on screen. A film that is almost completely successful in banishing campy silliness and taking itself seriously, allowing Superman to fly with magnificent effects. Christopher Reeve shines as the ultimate boy scout
Superman (2025)
James Gunn’s almost completely successful reboot of the cinematic Superman, the first film that comes with a total confidence in the comic-book source and where Gunn is not afraid to be goofy
Superman & Batman: Apocalypse (2010)
One of the best of the DC Universe Original Animated Movies under the greatly underrated Lauren Montgomery. This serves to introduce Supergirl and Jack Kirby’s Fourth World
Superman and the Mole-Men (1951)
Aside from two earlier serials, this was the first Superman feature film, featuring George Reeves in a dry run for tv’s Adventures of Superman. With its crude effects and avoidance of much in the way of superheroics, this makes fascinating contrast to the modern Superman of Man of Steel
Superman/Batman: Public Enemies (2009)
An animated film that seems premised on not much more than bringing various obscure DC Comics characters out of mothballs for one giant-sized punch up
Superman: Brainiac Attacks (2006)
Spinoff of the 1990s animated Superman tv series, made as tie in for Bryan Singer’s Superman Returns Some good action, negligible use of the characters unlike the DC Universe Animated Original Movies that began the following year, at best a routine episode of the tv series
Superman: Doomsday (2007)
A condensed animated adaptation of the top-selling DC comic-book of all time The Death of Superman that comes with some massively exciting animated action set-pieces
Superman: Man of Tomorrow (2020)
Fine animated film that traces Superman’s early years – Superman: Year One if you like – as we see pieces of the mythos coming together
Superman: Red Son (2020)
A very different take on the Superman story that asks What if Superman had grown up in the Soviet Union rather than in the US and become a paragon of Communist virtue
Superman: Requiem (2011)
A feature-length Superman fan film made as homage to the Christopher Reeve films. You have to applaud the film for sterling effort even if it comes woefully short in trying to create its superheroics on a $20,000 budget
Superman Returns (2006)
This has a bad reputation but Bryan Singer does a wonderful job in bringing Superman back to the screen in a version surprisingly reliant on the Christopher Reeve films. The superheroics soar and Kevin Spacey makes for the best screen Lex Luthor ever
Superman: The Last Son of Krypton (1996)
Pilot for the excellent Bruce Timm Superman animated tv series of the mid-1990s. This retells the Superman origin story, keeping great faith to the comics, while adding some fantastic action scenes
Superman Unbound (2013)
One of the best among the incredibly underrated animated DC Comics films. A beautifully character-driven venture into the Superman mythos where Brainiac gets a magnificently theatric airing, while Supergirl undergoes some astonishing revisions
Superman vs. The Elite (2012)
This adapts What’s So Funny About Truth, Justice and the American Way?, the highly acclaimed graphic novel that was written as a response to 9/11. Unfortunately, I am not sure condensing the story into a 76 animated film fully does justice to the complex debate of the original
Supernova (2000)
The celebrated Walter Hill directs an Alien-inspired film about a mutated killer loose on a spaceship. This was a problem-ridden production that pans out far less interestingly than it promises to be
Supernova (2005)
Disaster TV mini-series about the end of the world due to the sun about to go supernova. Cliche plotting, canned action scenes and bad science ensue
Supersonic Man (1979)
A cheap Spanish-made copy of the first Christopher Reeve Superman film
Superstarlet A.D. (2000)
Gonzo comedy that looks like a film about post-holocaust mutants that has been directed by Russ Meyer
Surf II (1984)
Eccentric 80s frat rat/surfer comedy – part of the weird joke is that there never was a Surf I. Eddie Deezen is a mad scientist turning surfers into zombies with a soda made of industrial waste.
Surrogates (2009)
Interesting conceptual SF film where the populace of the future inhabit a series of perfect avatar bodies. Despite a few logical quibbles with the premise, this does a good job in exploring the idea of such a world
Survival of the Film Freaks (2018)
The title suggests a work about film fans facing the end of the world but this is actually a documentary about the cult film phenomenon
The Survivalist (2015)
An Irish-shot post-apocalyptic drama that could not be further than the demolition derbies of Mad Max et al. This remains contained within a small cabin in the woods and with a cast of three, a man and two women, and emerges with a riveting and emotionally raw grimness
Survive (2024)
A French catastrophe film where the Earth’s poles abruptly reverse, transforming what was ocean into a desert. A survival film that is based on a premise that is fundamentally scientifically absurd
Suspect Device (1995)
What seems a routine low-budget action film is propelled into the decidedly watchable by a bizarre Philip K. Dick-ian twist that comes mid-film
Swamp Thing (1982)
Wes Craven makes a film based on the DC Comics character but reduces the mood of the original to something cartoonish. One of Craven’s worst films
Swan Song (2021)
SF film in which a terminally ill Mahershala Ali has a clone copy created to take his place but then begins to have second thoughts
The Swarm (1978)
Irwin Allen had great success in the 1970s with his disaster movies but this killer bee saga with a cast of big name stars uttering ridiculous dialogue and shabby effects proved a bomb that spelt the death knell for the genre
Swarmed (2005)
A formula Syfy Channel killer bug film wherein a new experimental insecticide creates a horde of deadly genetically tinkered wasps that run amok through a small town
Synchronic (2019)
Justin Benson and Aaron Moorhead have become one of the most underrated indie genre voices. Here they make a film where Anthony Mackie discovers a drug that causes people to travel through time
Synchronicity (2015)
An ambitious film reminiscent of Twelve Monkeys, this has a time traveller venturing into the past and a conceptual jigsaw as he intersects with and has to hide in the margins of events in his own timeline
T.I.M. (2023)
We have had a spate of films in the last few years about androids and A.I. This has to count as the first film about an android stalker
Taken (2002)
TV mini-series in ten two-hour parts that deals with UFOs, covering several generations from the 1940s to the present. An interesting take on UFO encounters with the benefit of some phenomenal performances
Taking Earth (2017)
Alien invasion film made by industry outsiders from South Africa. The plot is like a much better version of I Am Number Four but played out on a much more ambitious scale where the novice filmmakers do sensational things in the visual effects department on a minuscule budget
Tamala 2010 (2002)
Grungy low tech anime that comes out like a sarcastic version of Hello Kitty
Tammy and the T-Rex (1994)
One of the films that came out in the aftermath of Jurassic Park, notable only for the absurdity of its premise wherein teen Paul Walker’s brain is transplanted into an animatronic dinosaur body and he struggles to reconnect with girlfriend Denise Richards
The Tank (2017)
Thriller set around a NASA habitat built for future Mars exploration in the Arctic where the team is torn apart by the isolation and mental instability of team members. There is nothing here that holds you particularly gripped.
Tank Girl (1995)
This is poorly regarded by fans of the original cult comic-book, nevertheless has a zany, anarchic energy and surreal sense of humour that is hard to dislike
Tarantula (1955)
Them! had created the 1950s fad for giant atomically enlarged insects. Here Jack Arnold, one of the most celebrated genre directors of the 1950s, makes a giant spider film and much better than most of the era’s other giant bug films
Target (2011)
Russian SF film about a rejuvenation process where an interesting set-up tapers off into telling the stories of the newborns, not all of which are developed enough despite the lengthy time the film takes telling them
Target Earth (1954)
An entry from the 1950s alien invader film fad. This starts well with survivors finding themselves in a deserted city but takes a nosedive with the introduction of a clunky robot
Target Earth (1998)
Alien invasion tv movie that mostly consists of cliches borrowed from the then success of tv’s The X Files
Tau (2018)
This comes with an intriguing central premise – a woman is imprisoned in the house of a mad tech genius where her only hope of escape is befriending his home security A.I. that is hungry for input about the world. An interesting idea alas doesn’t carry it past an ill-informed idea of how an A.I. would behave
Team America: World Police (2004)
South Park creators Trey Parker and Matt Stone conduct an hilarious parody of Gerry Anderson via real world politics and a very adult sense of humour
Ted and Alice (2002)
Amiably good natured if unchallenging comedy where Dawn French engages in a relationship with an alien visitor
Teen Titans Go! To the Movies (2018)
Film spinoff from the animated tv series Teen Titans Go! This hits in with an hilairous barrage of one-liners wickedly spoofing the superhero genre and jokes at DC Comics canon
Teen Titans Go! vs Teen Titans (2019)
Here the less-than-serious Teen Titans Go! conduct an Into the Spider-Verse-type crossover with their serious counterparts from the multiverse
Teen Titans: The Judas Contract (2017)
The Teen Titans get their first solo film in the DC Universe Original Animated Movies. A reasonable adventure based on a classic comic title that works with a good story and characterisation, even if some of it has an adult flavour that makes you wonder who the audience is
Teen Titans: Trouble in Tokyo (2006)
The first film featuring DC Comics; Teen Titans, a spinoff from the Teen Titans animated series
Teenage Caveman (1958)
Roger Corman film that sets out to exploit the teenage themed fad of the late 1950s, offering up a caveman drama that comes with a surprise SF twist
Teenage Caveman (2001)
Larry Clark remakes the old Roger Corman film and makes a beeline for his usual proclivities about teenagers having sex in a fairly outrageous post-apocalyptic work
Teenage Mutant Ninja Turtles (1990)
The first live-action spinoff of the comic-book and animated series still holds up well two decades later. Little of the manic barrage of pop culture has dated, there are some excellent animatronics that allow the Turtles to engage in a series of high-energy fights and more importantly emerge as distinctive characters
Teenage Mutant Ninja Turtles (2014)
This reboot of the pop culture icons of 80s/90s is an ugly failure on almost every level. The Turtles I remember were hip, funky and bubbled with boyish enthusiasm; these Turtles seem sinister oversized creations, while the film’s adrenalised over-production and emphasis on grit seems to have missed the essential element of fun
Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991)
The second live-action Turtles film is a disappointment. The Turtles are infectiously enjoyable characters but the script has an indifferent laziness, while parental concerns over violence have mandated that the fight scenes be watered down to an absurd level
Teenage Mutant Ninja Turtles III (1993)
The third of the original live-action Turtles films is a lazily conceived affair that transplants the Turtles back in time to feudal Japan in a plot that rips off The Seven Samurai
Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)
The Teenage Mutant Ninja Turtles were the pop culture phenomenon of the 1980s. They have not fared so well in the 2000s but this new animated film written by Seth Rogen is a promising start
Teenage Mutant Ninja Turtles: Out of the Shadows (2016)
Nobody has good things to say about the 2014 reboot of the Turtles. This sequel is stuck with its legacy – giant over-sized Turtles that lacked the cuteness of the originals; bitchy non-acting Megan Fox – but comes out winningly by doing one thing – emulating the spirit of the original cartoon series
Tekken (2010)
Another videogame adapted film, this has almost entirely been conceived around a series of slick fight sequences and little else
Tekken: A Man Called X (2014)
Nobody seemed to care about Tekken, the 2010 film based on the popular videogame. Despite that, this is a sequel – albeit one that has almost nothing to do with the first film. This consists of nothing more than a series of efficiently unmemorable action scenes and a plot that makes no real sense
Teknolust (2002)
Strange film where Tilda Swinton creates three copies of herself
Teleios (2017)
An expedition is sent to Titan to investigate a ship that has failed to return and what has happened to its missing crew
Temmink: The Ultimate Fight (1998)
Dutch film set in a future where Jack Wouterse is a prisoner who is offered a chance to fight to the death in televised gladitorial combat
10 Cloverfield Lane (2016)
Sequel in name only to Cloverfield, this takes place in a survival shelter where an unspecified catastrophe has happened outside but we cannot be certain what or even if anything at all. Okay but films like Take Shelter and The Divide did this much better
10,000 BC (2008)
Roland Emmerich leaves epic mass destruction behind to make a prehistoric film, but this is one that soon collapses into a remarkable anthropological silliness
10.5 (2004)
Disaster mini-series based around the great belief that a super-earthquake will come and pitch most of California into the ocean. Despite devoting some four hour of screen time to it, the drama feels painfully padded at times, while the special effects sequences come out as not very special
Tenet (2020)
After delays, Christopher Nolan’s unique time travel film is with us, a dense challenging work that plays like an intellectual version of a James Bond film
Tentacles (1977)
One of the more absurd of the Animals Attack films that sought to cash in on the success of Jaws concerning a giant octopus on the attack
The Tenth Victim (1965)
Satiric film set in a future where contestants hunt and kill one another on a tv show. The first film on the theme of human bloodsports later popularised by The Hunger Games and others
Teri Baaton Mein Aisa Uljha Jiya (2024)
A Bollywood take on the android/A.I. themes, where a roboticist falls for an android girl and tries to have her accepted by his family
Terminal Island (1973)
Film from director Stephanie Rothman about a future where prisoners are exiled to an island whey they create their own ideal society
The Terminal Man (1974)
Adaptation of a Michael Crichton book about an experimental neurological implant that ends up going amok. This adopts the blinding white-on-white look that has chilling effect in the early hospital sections but stifles the drama when it is extended to the real world too