The Anomaly (2014)
A surprisingly good conceptual SF film concerning a man trying to deal with a series of increasingly more surreal jumps in which he finds his body is being hijacked
The Science Fiction Horror and Fantasy Film Review
Biowarfare refers to biological agents like viruses that are used or engineered for weapons potential. A number of films depict their release and the catastrophe that results, which moves into the arena of Plague and Pandemic. A number of other films deal with the threat of their release or efforts to recapture stolen biowarfare agents.
A surprisingly good conceptual SF film concerning a man trying to deal with a series of increasingly more surreal jumps in which he finds his body is being hijacked
Following Michelle Pfeiffer’s turn as Cat Woman in Batman Returns, this was a copycat from Roger Corman in which Joan Severance becomes a black vinyl clad superheroine exacting justice
Third of the Blade films with Wesley Snipes. As director, series screenwriter David S. Goyer emulates the same exhilarating, kinetic moves that Guillermo Del Toro infused the second film with, while the script zings with his wryly cynical dialogue
The original 1958 The Blob gets a full makeover via some sensational state-of-the-art animatronics and makeup effects with impressive results. A much superior work to the original in all ways
Yet another zombie film. This one headlines porn star Alexis Texas in a regular acting role. Low-budget and tame on the gore front but with some often wryly amusing characterisations
During the James Bond craze of the 1960s, the only Ian Fleming novel not owned by Albert R. Broccoli was turned into a giant farce. The film has five directors, a host of stars (including three playing Bond) and is an incoherent mess
An inane action film that sets out to copy Speed with Skeet Ulrich and a motormouth Cuba Gooding Jr forced to drive an ice cream truck filled with chemical weapons
The feature film spinoff of a cult anime tv series about intergalactic bounty hunters who in the plot here are on the track of a stolen nanotech virus
George Romero’s most underrated film, filled with disturbing images as the population of a town are driven crazy by a bio-weapon spill The first and also the best of a number films on the theme of outbreaks of mass insanity
This feels like a mockbuster thrown together to exploit the popularity of the tv series Lost concerning an island haunted by a sinister cloud of smoke. The scenario quickly collapses into absurdity.
Another in the vast horde of zombie films of the 2010s concerning a group of friends gathered for a party as a terrorist biowarfare attack turns the locals into zombies
Thriller with Esai Morales as a virologist called out of retirement to track down his brother James Marshall who has gone rogue and stolen vials of a deadly bacteriological agent
The first and best of the series of films featuring Christopher Lee at his ice cold best as the Chinese super-villain Fu Manchu. This was made at the height of the Anglo-horror cycle and employs the production values to superlative regard.
The third of the Flash Gordon serials, not quite at the heights of the previous two but with a colour and exoticism that was head and shoulders above the other serials of the era
Satiric Roger Corman film in which a gas kills everyone in the world over the age of 25. Corman indulges his droll and surreal sense of humour in what amounts to a parody of his own films
A very clever mockumentary retelling of H.G. Wells’ War of the Worlds that ingeniously blends existing WWI war footage with CGI to show soldiers fighting off invading Martian tripods
The Highlander series conducts an anime variant on the franchise set in a post-apocalyptic future. Co-directed by Yoshiaki Kawajiri of Ninja Scroll fame who adds some highly stylised moves
The third film based on Dan Brown’s Robert Langdon books. This is essentially the same plot as The Da Vinci Code with Tom Hanks following clues to a deadly virus hidden in classic artworks around Europe
TV mini-series that adapts six less well known short stories by H.G. Wells into an anthology with Wells as the central character. A couple of good stories, some that never hit the mark
A zombie film produced by The Asylum that appropriates the name of the Val Lewton classic (and Arnold Bocklin’s painting) but is actually a low-budget copy of Resident Evil
Imagine This is The End with four hipster couples instead of a bunch of Hollywood celebrities barricaded in a house. A likeable, if never side-splitting, End of the World comedy with a finely tuned ensemble cast
Spinoff from the Japanese Death Note films from Ring director Hideo Nakata featuring the weird detective L. L was a scene-stealer but this fails to come up with an interesting enough plot for him
The first Tomb Raider film was empty-headed but a hit but the series was then killed off by this sequel. Angelina Jolie’s performance is detached from human emotion and the action sequences ludicrous
An anthology made up of three short films all adapted from the works of Katsihiro Otomo of Akira fame, of which Otomo also directs one of the segments
The second of Tom Cruise’s Mission: Impossible films where he has the smarts to hire John Woo as director who brings his customary stylish flair with action to transform the film into something exhiliraing
For his third outing in the series, Tom Cruise made a smart bet on giving the reins to J.J. Abrams who made his directorial debut and turned in the most enjoyable entry in the series to that point. One of the best moves is in the casting of Philip Seymour Hoffman as the villain of the show
The eleventh James Bond film and one that sees that series trying to compete with the success of Star Wars and taking Roger Moore into orbit. One of the most spectacular productions of the series, it is also killed by a cartoonish unserious tone
A legendarily awful spy movie where assorted characters run around a ranch in ethnic disguise trying to stop a Russian who is unleashing a rabbit that contains a deadly virus
The Asylum’s mockbuster answer to the J.J. Abrams’ produced Overlord concerning GIs on a mission behind enemy lines encountering Nazi mad science. Passably well made for the most part
Way back before Marvel Comics’ extraordinary domination of cinema screens and Samuel L. Jackson’s airing of the role, there was this tv pilot with David Hasselhoff; Although the film has a ridiculed reputation today, David S. Goyer delivers a tongue-in-cheek script filled with side-splitting one-liners
Daniel Craig’s swansong as James Bond but it no longer seems a Bond that Ian Fleming would recognise leading to the question of whether James Bond still has any relevance in 2021
The sixth James Bond film where Sean Connery was replaced by Australian model George Lazenby who had never acted before. Lazenby is a disliked Bond but that tends does stand in the way of the fact that this is a fine character-driven Bond film with some of the best action sequences of the series
This comes with a good premise – people must escape from a biological containment facility after the release of a virus that turns the infected homicidal. Essentially a low-budget version of The Crazies, this is a film that would have been improved by a studio budget
Steven Seagal action film in which he plays a former virologist fighting a militia group threatening to unleash a deadly virus
Sequel to the British sex comedy Percy about the world’s first penis transplant in which the central character is now the last fertile man on Earth
Conceptually ambitious New Zealand made film set in an alternate history where vampires live alongside humans
Robert Rodriguez’s half of the Grindhouse double-bill where Rodriguez makes an hilariously tongue-in-cheek zombie film with great absurd comic energy and packed with witty cameos from various stars
Another Uwe Boll videogame adaptation, a satire where Zack Ward sets out on a shooting spree. Boll sets out to offend as many people as possible but somehow forgets to make any of it funny
This directorial outing from actor George C. Scott is an interesting if not wholly successful film about one man’s anger over the military cover-up of a biospill
An entry in the 1970s Animals Attack cycle about a small desert town under attack by rattlesnakes
Based on the survival horror videogame, this was the first in a surprisingly popular series of films. It also presaged a major return of the zombie film during the 2000s/10s, even if this only treads where George Romero went better before
The first in a series of anime films that were produced by Capcom, the creators of the Resident Evil videogames, and intended to run parallel to the live-action films. I was never a big fan of the live-action films. The question is – does Resident Evil work better in the anime format?
The Resident Evil films are designed for people who were introduced to drama via the Xbox, action sequences that can be assembled in random order and where it doesn’t matter what happens. I watched this, the sixth and final entry, with next-to-no enthusiasm but then quite unexpectedly it starts to work
Spinoff of Night of the Living Dead that emerged from a complicated copyright split with George Romero. Director Dan O’Bannon substitutes black humour to deliver an hilariously different take
Brian Yuzna’s entry is the only worthwhile effort among the sequels to Dan O’Bannon’s Return of the Living Deadwhere Yuzna adds an original plot about a zombie girlfriend and the film is spiked with perverse imagery
Shabbily made hanger-on to the 00s zombie fad that would have gained zero attention without its pedigree name. This completely misses the black humour of the original
Dan O’Bannon’s Return of the Living Dead came with a cheerfully black cynicism that was a wonderfully fresh alternative to George Romero amid the 1980s zombie fad – this sequel has a painfully unfunny lameness that could not sit at more removed extreme to that
One of the fear-fraught films made in the aftermath of 9/11, a tense thriller concerning the detonation of a dirty bomb in L.A. and the panic that descends as one man tries to barricade his home
One of the first films about biowarfare, a tightly effective techno-thriller from John Sturges
The eight of Hammer’s Dracula, the second-to-last they would make and the last featuring Christopher Lee. This follows on from the previous film Dracula A.D. 1972 in featuring Dracula in the present day and at least does more with the idea than that film did
Another formulaic Syfy Channel B-budget disaster film. The film’s sole distinction is a more outlandish premise than usual – where the storm appears initially to be caused by a UFO that has been shot down
Film adaptation of a popular series of Young Adult books about a teenage spy. Made not long after the Austin Powers films, this seems unable to decide if it is being serious or a parody
Part of the sad depths that Jackie Chan’s career sank to after he was discovered by Hollywood. This is a spy film parody where he is a cabbie who places on a hi-tech tuxedo that turns him into a super-agent
Milla Jovovich is a part of a vampire rebel underground in a dystopian future. A film filled with incredible design schemes and action scenes that are as spectacular as they are ridiculously improbable
Sequel to The Asylum mockbuster version. Sequelising H.G. Wells is a daunting prospect and not too surprisingly this throws much of Wells out and creates its own film, which is undercut by a typical Asylum low budget
How interesting can a film be that consists of nothing more than two people talking? The answer is surprisingly good. Boasting that it is Jordan’s first SF film, this produces an extraordinary series of conceptual reversal twists while never venturing beyond being a man and a woman talking on a beach
One of the first Reds Under the Bed hysteria films of the 1950s where a man stumbles on a small town where a Communist fifth column are conducting biowarfare experiments as part of a planned invasion
A routine biowarfare outbreak thriller that holds a fascination in that it imagines the attacker to be al-Qaeda and Osama bin Laden two months before 9/11