The Science Fiction Horror and Fantasy Film Review
Magic is a process inherent in many works of fantasy, although actually defining what it is is elusive. It can be said that it is not scientific in nature or based on real-world physics, otherwise a work becomes one of science-fiction. Nor does it come by divine process otherwise it is a Miracle. If we can define the current world as a rational one, magic is a system or property of things that stands outside these mundane definitions where it is akin to an energy or an invisible force.
Magic can be wielded by adept individuals. In use, magic is capable of transformation of matter or person-into-animal changes, it can create illusions, control of the environment and elements, can be used for healing, to create energy blasts, Mind Control, open portals to other worlds and dimensions, or conjure entities. The employment of magic will frequently be aided by something like a staff, a ring, a lens, a cauldron, potions and the assemblage of obscure items or else via Magic Spells – the uttering of phrases and rituals, which are usually written on scrolls.
It is often seen or implied that magic needs some training in its usage. Those versed in the use of magic are referred to as Magicians, Wizards, Sorcerers or Magic Users or a Witch. It is common in works of fantasy and horror for magic users to be divided into Black and White magicians, between those who make benevolent use of the art and the dark arts. The Harry Potter series and other works gave us schools dedicated to the training of magicians and the apprentice magician story is a trope in its own right.
Magic is also a property had by certain creatures such as unicorns, Dragons and Fairies. It is also something that can be imbued into certain objects such as swords, staffs, flying carpets, red slippers, rings and the like, or even objects that may have residual power such as the robes of a magician. Possession of these is frequently greatly sought. For these see Magical Artefacts.
Most depictions of magic on screen display little interest for analysing the processes of how and why it operates. Some have been brave enough to create magic systems. By and large, the stories about magic that work the best are the ones that try to create some restrictions on its use. This may involve the user being limited in what they can do by their skill or knowledge; that a magic artefact has only a certain amount of energy; that there is a natural depletion of magic in the world; that it requires the collection of obscure items in order to work; or that its use may have some cost to the one wielding it.
Not to be confused with Now You See Me, the one about the bank-robbing magicians, this is a surprisingly good film for the usual creative wasteland that is the Disney Channel about a reality show for illusionists who discovers a teen whose powers would appear to be real
Emma Thompson written and starring adaptation of a series of children’s books comes across as a lesser copy of Mary Poppins. A film that feels like it should have been more than it ends up being.
Inane Disney Channel film with twin sisters Tia and Tamera Mowry as sisters who didn’t know it who discover they are witches. A film that has zero interest in its fantasy elements and is entirely taken up by airhead teenage airhead natter
The hit 1960s sitcom is repackaged as a frothy Nora Ephron romcom that suffers from a fatal mismatching of a showboating Will Ferrell and a more subdued Nicole Kidman who do not seem to connect in any way as Darren and Samantha
The film adaptation of C.S. Lewis’s book sought to appeal to audiences for the Lord of the Rings films but between Lewis’s heavy-handed Christian allegories and Andrew Adamson’s inexperience as a director fails to fly
Anthology of tales adapted from Japanese horror writer Edogawa Rampo. The various directors push the stories into an admirably perverse and disturbed space
A remake of the 1978 tv movie about occult rituals in a girl’s sorority house. This is a film that feels directed and written without any real involvement by those responsible.
The first in a series of Terry Pratchett Discworld adaptations for tv. This makes the odd choice of adapting one of the more complex and darker of Pratchett’s usually comic books but it works fairly well overall
Sequel to Hallmark’s earlier tv mini-series Merlin featuring a return performance from Sam Neill in the title role, this is otherwise a generic and unmemorable work of Arthurian fantasy
Ridiculous film from the perpetually awful Renny Harlin about teen male witches that feels like a gender-swapped version of The Craft cast with pretty boys and directed amid absurdly overblown effects
Hayao Miyazaki’s son Goro more than capably takes up his father’s mantle in a anime beautiful adaptation of one of Ursula K. Le Guin’s later Earthsea books
The fifth and in my opinion the best of the Harry Potter films. It is the first film where we see the darkening of emotions and the children growing up as storm clouds gather. Much of the show is stolen by Imelda Staunton
Matthew Vaughn adapts a Neil Gaiman book in this undeniably appealing fantasy that comes with a story of epical sweep that vies between fantastic imagination and broad humour
Having to sit through the Mowray twins airhead natter again in a sequel to their early Disney Channel film feels the equivalent of nails being scratched on a blackboard
Another of Uwe Boll’s videogame adaptations and one of his better. Boll is seeking to emulate the 00s epic fantasy fad and succeeds with some great action choreography from Ching Siu-Tung
Another cheap Disney made-for-video-release sequel. This at least offers the novelty of an alternate retelling of Cinderella but everything transpires predictably
Sequel to the earlier Barbie animated film Barbie Fairytopia. Extremely colourful but essentially a fantasy version of a teenage girl high school drama that quickly slips into pre-packaged formula
One among a handful of animated films based on Marvel Comics properties, this conducts a passable telling of the origin story of the Sorcerer Supreme
One of the first of Mainframe’s animated Barbie films, this creates a fairytale where reasonable effort gone into the animation and characters
The second of the Narnia films. Director Andrew Adamson seems so intent on copying Peter Jackson that the film becomes all epic fantasy flourishes and battle scenes to the exclusion of all else – even much of C.S. Lewis’s book
Ostensibly about occultist Aleister Crowley reincarnating in the present, this overflows with mad ideas involving quantum physics, VR, alternate worlds and a heap of classic references – and moreover, is written by the lead singer of Iron Maiden
Another failed attempt to start a fantasy franchise. However, the interesting premise of someone who can bring fictional characters to life ends up going goes precisely nowhere
The second live-action tv adaptation of Terry Pratchett’s Discworld books (in fact combining two books). This is uneven and oddly padded but beautifully produced
Probably the least great of Hayao Miyazaki’s films. The plot feels recycled from The Little Mermaid while Miyazaki’s recurrent themes seem more perfunctory and the film lacks many of the beautiful contrasts of epic and fragile he specialises in
Sixth of the Harry Potter films, this feels like a step back from what its predecessor built up. The film suffers from trying to cram all of J.K. Rowling’s book into its running time and ends up being frustratingly mannered
A live-action film based on the titular segment from Fantasia. From Jerry Bruckheimer meaning that it is a film of empty-headed special effects that fails to conjure any magic of its own
Another lacklustre entry in the banal Lord of the Rings Lite franchise from C.S. Lewis’s books, a plodding run of the mill fantasy adventure for the most part. The mediocre reception killed off interest in the series
I never much cared for Nanny McPhee. This is a sequel that replicates the original in fairly much the same amount mix of plot elements, slapstick sequences and nonsensical absurdism
The penultimate chapter in the Harry Potter series surprisingly strips out most of the effects and is much slower, more character driven, while moving the saga towards an epic conclusion
Absolutely fascinating Irish-Scottish film about people hunting each other with arcane sorceries on a rundown Edinburgh council estate … Compulsively fascinating in its often enigmatic approach, while depicting magic on screen in a way unlike anything we have seen before
A children’s fantasy adventure that never strays beyond the environs of an American high school and comes with the lowbrow slapstick, excruciating comic caricatures and incredibly bad effects
Live-action version of the popular Hanna-Barbera cartoon series. In its favour, it is at least slickly polished and comes with far less in the way of irritating smartass humour that one expected
Film spinoff from the popular anime tv series that seems caught between a film and a tv episode. While the film reaches for epic scale, the usual run of power blasts, there is nothing that we haven’t seen before
Sequel/modernisation (it is confusing what) to The Wizard of Oz relocated in New York. This tv mini-series may be the cheapest work ever served up bearing the Oz name and flounders amid the shabbiness of its effects and utter lack of magic its director conjures
I’ve never been a huge fan of the Harry Potter series but the final chapter rounds out the boy wizard saga in rousing style, mounting an epic-sized battle and finding characters depths that hold some of the best writing of the series
Tarsem Singh makes a Snow White film. Tarsem’s sets, costumes and visuals are expectedly exquisite and extravagant but all is unwound by a campy, unserious approach
A low-budget film that prefigures the big-budget Hansel and Gretel: Witch Hunters in turning the fairytale brother and sister into witchslayers in a generic fantasy adventure plot
The second of 2012’s Snow White films after Mirror Mirror, this turns the fairytale into an epic fantasy. Well produced but ultimately a film that lacks anything unique nor pushes far enough into the dark fantasy it promises to be
Another entry among 2012’s spate of Snow White films following Mirror Mirror and Snow White and the Huntsman. this was a low-budget mockbuster copycat from The Asylum
Disney animated film that supposedly adapts Hans Christian Andersen’s The Snow Queen, although Andersen wouldn’t recognise it. This often feels like a ramshackle assemblage of formula elements rather than the classic it was hailed as
Sam Raimi’s prequel to The Wizard of Oz is now; the story of how a conman fools an entire land rather than of an innocent girl just trying to find her way home. The reconceptualisation of Oz comes with a colourful sweep
A Young Adult fantasy adaptation that fells a Harry Potter wannabe repackaged with the brooding teen romanticism of the Twilight series, all under a director whose indifferent handling fails to animate any of the material
The first film was vaguely passable but this is an agonising piece of commercial product that has reduced everything to lazy slapstick sequences, cutsie laughs and smartass lines played for the single-digit age groups
The Hobbit became Peter Jackson’s equivalent of the Star Wars prequels and this is the weakest work he has produced under the J.R.R. Tolkien banner. Five picaresque chapters of the book are extruded into bloated set-pieces
Attempt to create another Twilight franchise that quickly becomes the anti-Twilight, shucking the pro-chastity message for a decidedly inflammatory stance against small-minded Christian prejudice
After two bloated and over-padded Hobbit films, Peter Jackson finally gets it together and produces what everyone was expecting him to deliver, even if it means dragging one battle scene out to last an entire film
A lumbering, stagebound adaptation of Stephen Sondheim musical that lamely dips into the fairytale parody that Shrek and other films tapped far more engagingly over a decade ago
Another of Disney’s Tinker Bell spinoff adventures. This has some slickly produced animation and does some occasionally cute pieces of fanservice that tie in to Peter Pan but is ultimately fantasy being produced for the single digit age groups
Another in the early 2010s fad for fairytales rewritten as dark adult fantasy films – in this case, a version of Disney’s Sleeping Beauty told from the viewpoint of the witch
One has zero enthusiasm for this, which has been sold as Twilight meets Harry Potter. Defying expectation, it is written with a sarcastic amusement puncturing its own seriousness and has a great performance from its leading lady, if in the end it is too weighted down by story exposition needed to set up its sequels to ever open up dramatically
A surprisingly good effort to emerge from the arena of fan-made Kickstarter funded filmmaking. Essentially, a group of fans have brought their mutual love of playing Dungeons and Dragons to life but the film, while low-budgeted, places a great deal of care into the characters and building of the world
NOT the Hayao Miyazaki film but a live-action version based on the same books, made by Takashi Shimizu of the Jun-on/The Grudge films fame. Replicating Miyazaki in live-action is a futile endeavour
George Lucas’s venture into animation was critically pilloried. It’s not bad, just no different from a formula film like Rise of the Guardians or Epic. From the man who made Star Wars, you had higher expectations
Mythica: A Quest for Heroes was a fan-made epic fantasy film made with a high degree of creativity and professionalism; this sequel is slightly the lesser but still maintains the high degree of quality
The third of the surprisingly good Kickstarter financed Mythica films. This marks a changeover of directors in the series and is slightly the lesser but still does highly imaginative things with a low-budget
A fascinatingly original film about an apartment building of demons who live amongst humans and feed on their miseries. Directed by makeup effects man Tom Woodruff, Jr and featuring some extraordinary creature designs
This seemed to promise something of tv’s late lamented Constantine or the first Warlock. Instead what we end up with has been turned into a ponderous effects vehicle for Vin Diesel
This has an appealing premise – the children of all the Disney villains have grown up and go to school together. This is promptly killed by the awfulness of the film itself, which is essentially High School Musical set in the Disney universe
Sequel to a largely forgotten fantasy series. While never transcending formula, this fares somewhat better than the previous sequel largely because CGI effects have advanced since the original
This BBC adaptation of Susanna Clarke’s book about rival 19th century magicians kicks J.K. Rowling completely out of the ring. A beautifully staged costume drama, written with a superb Austen-esque dryness of wit
Spinoff from the Harry Potter films – unlike those, written directly for the screen and feels more like it belongs there. The US locations open the story up, while the magic creatures and new ensemble cast prove a delight
Scott Derrickson acquits himself well taking on one of Marvel’s magician superhero. He replicates well the psychedelic esoterica that gained the comic book a cult following and Benedict Cumberbatch anchors the show perfectly
Adapted from the videogame, this is a third hand rehash of the basics of Tolkien. Secondly, it looks like a giant CGI cartoon where almost anything interesting about the world has been sidelined in favour of fantasy action
Anime film released to accompany the computer game. Dazzling, epic-sized animation, mocapped in photorealistic detail that wows the eye on a scale that Western animators never come near
Beautiful stop-motion animated feature from Laika. This takes a big bite and tells an epic adventure. The only flaw is that the stop-motion is so flawless that audiences cannot tell the difference between regular animation
This was the fourth in the surprisingly good Mythica series of low-budget epic fantasy films funded via Kickstarter. This proves to be the best of the series yet
The fifth of the surprisingly good Mythica fan-produced series that has consistently made a strong, rousing variant on the Epic Fantasy tropes on a low budget
An adaptation of Jasper Fforde, one of the cleverest of modern humorous fantasy writers. Alas, the finished result is one that understands nothing about the book and is one of the worst ever screen adaptations
This live-action remake of the Disney animated film is mounted with a lavishness. On the other hand, the romance at the centre never fully warms up, while the human characters have the show stolen from under by the cutlery and furnishings
Guy Ritchie’s take on the Arthurian legends is an awkward beast that comes out as half wannabe Michael Bay film giddy with CGI delirium and half one of Ritchie’s typical Man’s Man caper films
The Teen Titans get their first solo film in the DC Universe Original Animated Movies. A reasonable adventure based on a classic comic title that works with a good story and characterisation, even if some of it has an adult flavour that makes you wonder who the audience is
The fourth film in the Dragonheart franchise. Is there truly anybody out there who was begging for this? Cheaply made in Romania where it seems to be straining to drag the original premise out for another film
Sequel to the painfully bad Disney Channel film that copied the success of High School Musical and featured the teenage children of classic Disney animated villains. This is just as empty-headed and unwatchable
Live-action adaptation of the popular manga and anime series. Despite having a reasonable budget thrown at it and treating the source material with fathfulness, this looks awkward on the screen
The third film from former Studio Ghibli employee Hiromasa Yonebayashi. Yonebayashi is seen as the carrier of Hayao Miyazaki’s mantle, so much do his films look like lost Miyazaki works. This is sweet and amiable, even if it never hits the emotional heights Miyazaki does
NOT the Guy Ritchie film but an Asylum mockbuster released at the same time. The most WTF take on the Arthurian legends ever with the Knights as gun-wielding US Marines
Adaptation of a book by NZ author Margaret Mahy. Mahy has a sublimely poetic turn of phrase in the writing but the film strips the book down to the point we get no more than a by-the-numbers Young Adult work
Set in an alternate version of the present where fantasy creatures – orcs, elves, fairies – live alongside humans, this comes with a cleverness, while being played as a buddy cop drama that anchors it with a realism
For their third Smurfs film, Sony have dispensed with the live-action/CGi animation mix of the previous two films and made a wholly animated film. Its’ the Smurfs in their more natural element but the film is never more than 3D eye candy for the moppet audiences
Eli Roth is a director associated with the Torture Porn cycle and one does a double-take at him making a family-friendly film. The results emerge somewhere between Harry Potter and a Goosebumps film
Not the Disney film, but a live-action film only loosely based on the Hans Christian Andersen fairytale. Not much more than a nicely made average film but one conducted with evident care
The first Fantastic Beasts was a welcome opening up of J.K. Rowling’s Harry Potter universe and offered something fresh in the series. This is a more mixed bag where it feels like it is back to business as usual for Rowling
Joe Cornish gained much buzz with Attack the Block. His follow-up film concerns a kid who inherits Excalibur. Cornish has fun translating elements of the Arthurian legends to the present-day
Russian film that creates a fascinating alternate reality where Steampunk and magic blend in an almost familiar world
Nobody much liked Maleficent but did make a reasonable amount of money, hence a sequel. The surprise is that in the hands of Norwegian director Joachim Rønning, it is far better than one expected
Frozen was the most successful animated film of all time. It also felt the most formulaic and least inspired Disney film of the 2000s. As part of Disney’s new business policy of recycling everything, this is a sequel.
Mini-series based on the works of Terry Pratchett that feels as though it is made, designed and cast by people who haven’t even read the books
The 22nd animated film from Pixar and also the least successful (being released only a week before theatrical chains closing down due to Coronavirus). This has an appealingly quirky and original concept not unakin to Bright that takes place in an alternate reality where magic creatures live in a world akin to our own
Charming anime from Hayao Miyazaki’s son Goro about a young girl adopted into a witch’s strange household. The occasion where Studio Ghibli made the switch over to computer animation
Surprisingly good animated sword and sorcery film, made with a darker edge and definitely not for children
One of the best Disney animated films in some time. Set around a Colombian American family that have hereditary magic powers and live in a magical house, this comes with an enormous degree of colour and energy
As part of their attempt to sell everything including the family silver, Disney make a sequel to their witch comedy, bringing back the three original actresses who are now looking a lot longer in the tooth
The first of two sequels to the live-action Fullmetal Alchemist. The first felt uninspired but this and the third film expand the saga and its storyline out with considerable depth
The concluding chapter of the trilogy of live-action Fullmetal Alchemist films, this follows the manga’s storyline closely and brings the series to an epic conclusion
Third of the Fantastic Beasts films, this comes as a mix of ennui with the franchise and promise. It feels like about right now would be a good time to retire the series
A story about an apprentice at a mysterious company that deals with magic, this could well serve as a fix for those wanting something more of the Harry Potter franchise
A new film based on the role-playing game. The first film several years ago is poorly regarded. This is an attempt to reboot a film series but suffers badly from being handed to two comedy directors and their flip treatment
A satiric film based on Spike Lee’s idea of the Magical Negro, an African American who exists to deliver wisdom or magical influence to white people. This gets in some deftly amusing punches at US race relations
The first half of a two-part adaptation of the hit Broadway musical that is a prequel to The Wizard of Oz, showing The Wicked Witch’s origin story
An animated revival of The Smurfs. This was greeted with a very negative reception. With a massive celebrity voice line-up packed into almost any corner of the film the casting director can manage