Ratboy (1986)
Sondra Locke directs an odd little fable about a boy with rat-like features but the result never quite comes off
The Science Fiction Horror and Fantasy Film Review
Sondra Locke directs an odd little fable about a boy with rat-like features but the result never quite comes off
A documentary devoted to the life and films of stop-motion animator Ray Harryhausen whose films, which include the Sinbad films and Jason and the Argonauts, have gained a cult following
The 59th animated film from Disney emerges as a modest effort with a cross-Asian cultural focus that eventually builds a strong character arc
A film from the Pang Brothers in which a heroine enters into an extraordinarily conceived fantasy world that would appear to be taking place in her own imagination
A film from Quentin Dupieux that comes in a series of quirky intersecting stories where the dreams and films different characters are watching/making keeping blurring together in mind-boggling ways
After their successful revival of Godzilla in the 1990s, Toho revived Mothra for a series of standalone battles, albeit with a very juvenile focus made for children. This was the second and better of the three films
The second of the films directed, written by and starring Yahoo Serious where he plays a descendant of Australian outlaw Ned Kelly who discovers fame in Hollywood
Strong, well-written film from Buried director Rodrigo Cortes about investigators of psychic frauds encountering a possibly real example. This takes a welcomely sceptical, rationalist perspective, has a great cast and fine build-up but alas falls apart in a lame twist ending
Essentially Christmas the Action Film featuring Dwayne Johnson as Santa’s bodyguard going into action accompanied by Chris Evans as a nerdy hacker when Santa is abducted
One of the cheap fairytale adaptations that Cannon Films made during the 1980s
Catherine Hardwcke’s adapts the fairytale as a dark adult fantasy where there has been the clear intention to pitch it to Twilight audiences but the results are surprisingly good
TV adaptation of the acclaimed novel by Alan Garner of the mysterious connections between three stories that take place in different historic eras
Sumptuous, beautifully made ballet fantasy from Michael Powell based on the Hans Christian Andersen fairytale. A Technicolor spectacle at a time when most films were still made in black-and-white
A disappointing adaptation of Robert E. Howard’s warrior woman character. This is beautifully designed but suffers from a non-acting Brigitte Nielsen in the title role and an insulting need to water the toughness of the character down
Following the disastrous Brigitte Nielsen film, a new version of Robert E. Howard’s Amazonian warrior woman has been promised since the late 2000s. It finally emerges here from the same people behind the revivals of Hellboy and the Jason Momoa starring Conan
Surprisingly good animated revival of Robert E. Howard’s warrior woman with a script by comic-book writer Gail Simone that gets the character just right
On the face of it, this is not the most likely of films to be included – a depiction of the ill-fated true-life expedition to cross the North Pole in a dirigible in 1928 – but is for a wraparound wherein the survivor is judged by a tribunal of ghosts. A beautifully made and epical film
Studio Ghibli’s first ever international co-production. A desert island castaway fantasy, this makes interesting comparison to the recent Robinson Crusoe/The Wild Life, even if both films are poles apart in style. This is dialogueless, spare and contained with a minimalism of plot and drama
A reasonable arthouse hit, this tells the story of a cursed violin through five different periods of history
Syfy Channel film that seems to offer the intriguing premise of a Modernised Little Red Riding Hood but only deals with this in the vaguest ways. Otherwise this is a standard werewolf film and contains maybe the crappiest CGI wolf transformation scenes ever
A dark Coming of Age story set in a surreal depiction of the midwest populated by what might be vampires and angels
Chinese-made Wu Xia film – sort of a flying swordsman variant on A History of Violence. This comes on an impressive scale but also plays down the action element and leaves all the flying swordsman moves sitting on the fence as being possibly mundane
Low-budget film that takes an ambitious conceptual grasp in its story of deities and daughters of goddesses warring in the ruins of civilisation
This has the interestingly original premise of being set in a post-apocalyptic world where revived dragons have eliminated most of humanity. The show is stolen by Matthew McConaughey in wild man mode
Mind-bogglingly surreal, almost indescribable film from Joel Potrykus as a slacker attempts to complete a videogame sitting on a couch as assorted things including the Y2K apocalypse happen around him
One of the more obscure films in the Disney catalogue. A part live-action, part animated dramatised tour of Disney Studios, showing how the studio runs and screening several animated short pieces
Film adaptation of the popular Destroyer novels about a martial arts super-spy that proves enjoyably tongue-in-cheek. Clearly launched as an attempt to make another James Bond type series, this was not successful but is so appealing you wish had it been
Unusual fantasy film where a woman is allowed to replay the last year again and tries to prevent it ending in her shooting her husband
Groundhog Day with drug addicts – a familiar timeloop scenario that makes for a reasonable story about redemption and reconciliation
The oddity of an emo romance from indie director Gus Van Sant about an alienated teenager with a ghost companion who falls for a girl dying of cancer. Needless to say, the film’s mopey romance between oddball outsiders and Van Sant’s aimless improvisational style never quite gel
Slow sincere film in which Ellen Burstyn becomes a faith healer following a car crash
The first of five West German-made sequels featuring Fritz Lang’s great criminal mastermind Dr Mabuse, who this time is masterminding a plot to create mind controlled zombies
A Japanese monster movie with a difference. The second in a trilogy of films about a giant stone deity that awakens to defend villagers in trouble
A weak video-released spinoff of Disney’s Aladdin that began Disney’s habit throughout the 90s/00s of generating cheap sequels to their animated classics
Way back before Peter Jackson, there was another whole era of Tolkien adaptations, including this animated adaptation of the third book, which is a peculiar oddity if nothing else
Among the cheap video-released sequels to their classics Disney made during the 00s, this Peter Pan sequel emerges as halfway reasonable
Almost forgotten Disney-made sequel to The Wizard of Oz, this takes a far darker outlook than the version you knew
The second in a series of Biblical End Times films from Canada’s faith-based Cloud Ten Pictures, this offers the peculiarity of the Anti-Christ appearing in Virtual Reality
One of a number of faith-produced films we have had since the late 90s that concern themselves with the arrival of The Rapture – this one even spawned a trilogy. This is passable if you can palate the relatively light sermonising and at least better written that the Left Behind films
Not wishing to insult anyone’s beliefs but Christian cinema has produced some really bad films. With such lowered expectations, this Rapture film approaches halfway watchable with a story that somewhat resembles Mad Max 1 about a biker seeking vengeance against a decent man
From the producers of The Matrix, an adaptation of the classic comic-book about a lonely rich kid now made as a vehicle for Macaulay Culkin
Cheaply made video sequel to the Macaulay Culkin Richie Rich based on the popular comic-book character, this steals the basic plot of It’s a Wonderful Life
A Blue Sky Studios animated film set around a talking macaw and his journey to the wilds of Brazil for the first time to mate and repopulate the species. Familiar cliched story arcs conducted with a good deal of colour
I hate the utterly formulaic films of Blue Sky Studios, the ones behind the endless Ice Age sequels. That said, this is one of their more enjoyable – despite a plot that is amazingly busy trying to reintroduce characters from the first film, the screen overflows with colourful exuberance
A sequel to R.I.P.D. that tells an origin story of how the sheriff character played by Jeff Bridges in the original became an afterlife enforcement officer
This feels like someone has simply copied the idea of a secretive law enforcement agency from and substituted the dead escaped from Hell for aliens. The two have remarkably similar story arcs, although this is far more goofily entertaining that the absurdly overblown slapstick that overtook the Men in Black sequels
From the film’s poster, you could easily mistake this for a generic fantasy film – instead, we get a film about gaming nerds on a road trip. Much is drawn from Fanboys and this is not a particularly funny variant, although there are occasionally cute scenes that mimic Lord of the Rings
The concept – sort of akin to but with various imaginary beings (Santa, Jack Frost, The Easter Bunny, The Tooth Fairy etc) teaming up in an adventure – has a mild amusement to it but the film itself feels like an utterly processed piece of modern animated children’s movie formula
An anthology of regional folktales from the author who would appear to be India’s equivalent of the Brothers Grimm. After a slow start, the four interwoven tales rather pleasingly segue into horror territory and the film works with some undeniable effect
Vincent Ward is one of the directors who should be granted more opportunities to make films. This is his least satisfying work, a troubled behind-the-scenes epic set during New Zealand’s Maori Wars with some Magical Realist touches
Good-natured DreamWorks animated film set during the Conquistadors arrival in South America. Aztec culture undergoes some modern rewriting but this remains modestly enjoyable (*)
Road to Morocco was the third of the Bob Hope-Bing Crosby Road films and takes them on a parody of the Arabian Nights adventure
Disney animated film produced during the studio’s creative slump between the 1960s and 80s, the main conceit is recasting the story of Robin Hood with talking animals amid much slapstick
Robinson Crusoe is a classic adventure story about a man shipwrecked on a desert island. It has no fantastic content but this is a bizarre animated version where Crusoe is aided by the talking animals that inhabits the island amid much slapstick shenanigans
Enjoyably likeable animated film from Blue Sky Studios set in a world inhabited by robots. Lots of visual invention and madcap slapstick
The worst of Don Bluth’s animated films in which a young boy is sent on a quest to find a rooster that does Elvis impersonations
Classic adaptation of a D.H. Lawrence story where a boy’s rocking horse has the ability to predict winners at the racetrack. Shot in stark black-and-white and set amid the grim economic realities of post-War Britain
Forget about movie melodrama like A Beautiful Mind , this may be one of the best, most credible films about mental illness … Essentially a surreal animated family history of a Latvian animator, this distils some incredibly bleak anecdotal material with a wittily and biting incisive brilliance
South Korean film that takes delight in a series of interwoven tales, of stories being told by characters within stories. Has a wilful complexity to it, although the narrative game-playing essentially becomes the film more so than necessarily produces any absorbing individual stories
Venture into Magical Realism with Bridget Fonda as a magician’s assistant who undergoes a Mexican ceremony to emerge with real magical powers. Featuring a young Russell Crowe.
Comedian Rodney Dangerfield writes, produces and voices the role of a dog in this surprisingly charming and likeable animated film, the best and lest recognised film Dangerfield ever made
The best killer car tire film ever – a monster movie spoof wound in so many layers of meta-fiction that it is positively side-splitting. The smartest and funniest monster movie in ages
The Little Miss Sunshine directors follow their hit up with a film about a writer who brings his ideal woman to life. Scriptwriter Zoe Kazan sparkles in the title role but the film never pushes its central concept too much beyond being a quirkily sweet indie romance
The second entry in the ultra-annoying animated franchise spun off from the animated tv series that only seems to centre around poo and pee jokes, this is marginally more enjoyable than the first film
The first film spinoff of the popular animated tv series Rugrats about infants observing the adult world
Another of Cannon Films cheaply made fairytales with Amy Irving starring in an adaptation of Rumpelstiltskin
Tom Tykwer’s visually inventive variant on the alternate timelines theme with Franka Potente trying to replay events to save her boyfriend’s life
The collaboration of Hong Kong directors Wai Ka Fai and Johnnie To have resulted in some utterly deranged films. This is a madcap one with Andy Lau as a bodybuilding Buddhist monk who can see people’s past lives
Extraordinarily ambitious film all shot in a single take at the former St Petersburg Winter Palace where the camera drifts dream-like from room to room and in and out of periods of Russian history. More n illustrated art and history program than a dramatic film but beautiful to watch.
This is a wholly unnecessary sequel to Donnie Darko, featuring the same bafflingly inexplicable time-blurring things happening to his sister but without the same culty weirdness
Andrei Tarkovsky’s final film, a slow and weighty meditation upon questions of faith as one man prays to turn back a nuclear holocaust
The best budgeted of Guy Maddin’s films, a renaissance of his familiar kitsch surrealism and silent movie homages
Weepie romantic chick flick adapted from a Nicholas Sparks novel, included here for a fantastic twist ending. Sparks has stolen much of his plot from Stephen King’s Rose Madder. Even as such, wife-beating as the backdrop to a romance casts a distasteful shadow over the exercise
Sequel to the madcap Hong Kong fantasy Peacock King with Gloria Yip as a hell demon trying to adjust to living on Earth, which then turns into a comedy variant on Gremlins
Israeli film co-directed by Ari Folman about a girl with precognitive powers. After a great opening, the film loses all real dramatic impetus
Japanese film about a demon-slaying girl samurai. The creatures effects and world-building mythology gone into this is quite extraordinary
The novelty of an animated Disney travelogue. Pitched to the South American market, the four stories see Donald Duck and Goofy visiting various locations
The third in a popular series of films about a Little League baseball team, this involves a time travel element
Oddly eccentric Swiss comedy about a man who starts to uncontrollably shed sand. Undeniably reminiscent of the superior The Science of Sleep but not without its quirky amusements
A documentary about Guillermo Del Toro made on the occasion of an exhibition of props and artwork from his collection. Interviewed, Del Toro talks candidly, granting us an extraordinary insight into his influences and process
Painful Christmas movie where Santa’s daughter takes on an evil miser
TV movie where Jenny McCarthy plays Santa’s daughter who takes over the family business
The producers of the Christopher Reeve Superman films turn to making a Santa film but this proved a massively over-budgeted flop
The first of two sequels to The Santa Clause with Tim Allen as Santa Claus, this benefits from a bigger budget
Third of the Santa Clause films starring Tim Allen as Santa where his reality is upended by the evil Jack Frost
Popular film with Tim Allen as a regular family man who is forced to become Santa. Several sequels followed.
Near indescribable mix of horror, hallucination, surrealism and tormented sexuality – quite possibly cult director Alejandro Jodorowsky at his best
Cult Polish film that is a series of tall tales nested within a labyrinth of other tales and digressions
A sublimely eccentric concept for a film that follows a family of Bigfeet in the wild over the course of a year. There are no humans in the film, not even any dialogue. One of my Top 10 of the year
The most demented premise of the year – an animated film about the lives of the talking produce in a supermarket. This is crude, rude and guaranteed to offend (as might be expected from a Seth Rogen penned vehicle); it is also one of the funniest and cleverest films of the year
James Ivory and Ismail Merchant are usually known for their arthouse works. This is their strangest film where a group of savages discover a mansion and adopt civilised ways
Uneven New Zealand-made film where a girl meets a mystery man who claims that he is Jesus Christ
Dramatisation of the prickly relationship between P.L. Travers, the creator of Mary Poppins, and Walt Disney during the making of the 1964 film. While the true story may have been cleaned up somewhat, this is a film of enormous charms that is largely made through a triumphant performance from Emma Thompson
Another wackily improbable entry in Hong Kong’s Wu Xia cycle featuring all the wildly fantastical and way over-the-top moves that the genre is renowned for
Sequel to their earlier Wu Xia film, although having nothing in common with it. All the moves are pushed to a level of cartoonish absurdity that proves amazingly silly
Mamoru Hosoda conducts the bizarre notion of an anime version of Shakespeare’s Hamlet. It is a Hamlet that Shakespeare would barely recognise, following a heroine as she makes a journey across the afterlife
Director Paul Bartel and a reasonable name cast make a comedy about the sex lives of the Beverly Hills elites
One of the most obscure films in the oeuvre of Steven Soderbergh, a strange and head-scratchingly surreal satire of workplace and domestic life
In the vein of frat house comedies of the era like Animal House and Porky’s, this is an embarrassingly cringey film about a teen who is killed while trying to get laid and insists on lingering about to finish the job
A Michel Gondry film that blurs the line between dream and reality with hilariously offbeat regard. Gondry indulges his eccentricities to the maximum with quite sublime results