Waxwork II: Lost in Time (1992)
Sequel to Anthony Hickox’s Waxwork, which ups the number of horror homages but suffers a low budget
The Science Fiction Horror and Fantasy Film Review
Sequel to Anthony Hickox’s Waxwork, which ups the number of horror homages but suffers a low budget
Sequel to An American Werewolf in London, which copies the set-up with a different city but misses all of the sense of humour, even fails to offer anything like the classic transformation effects
The first of three sequels to the Dean R. Koontz adaptation about an intelligent dog, although for each sequel producer Roger Corman has just remade the book
Very silly AIP comedy that parodies the massively popular James Bond films of the era, as well as features Vincent Price as the villain spoofing his appearances in the studio’s Edgar Allan Poe films
The Old Guard about a team of immortal mercenaries was a hit when it was released a few years ago. Now most of the principals reunite for a sequel
The third Highlander film is better than the abysmal second one was. It comes with slick visuals but an often absurd plot that strains to spin the concept out any further
WarGames was a thriller that was way ahead of its time; this sequel is no more than video fodder exploiting recognition factor that reduces the original to hacker movie cliches in a technically ill-informed and incoherent plot
Sequel to Oh, God, this brings back George Burns as God but pairs him with a cute kid
Prolific Z-budget director Mark Polonia makes something like the 18th film with Amityville in its title. This one concerns possessed lumber (!) from the Amityville house
Based on a book that claimed it was true story (but was later proven to be a hoax), this haunted house tale was a considerable success and spawned a series of sequels and imitators that continue to this day
Wes Craven makes a sequel to his earlier Backwoods Brutality classic but the result is a mess that is all over the place and counts as one of Craven’s worst films
A film crew in the Amazon headed by Jennifer Lopez encounter a giant snake. Mounted as a CGI monster movie in the aftermath of Jurassic Park, this has scripting that frequently descends into the ludicrous
Sequel to the ridiculous Octopus, this is slightly less cheap but no less absurd in its premise of a giant octopus attacking New York
The third film based on Dan Brown’s Robert Langdon books. This is essentially the same plot as The Da Vinci Code with Tom Hanks following clues to a deadly virus hidden in classic artworks around Europe
The ninth Texas Chainsaw Massacre film, this offers the intriguing idea of Leatherface vs millennials
Fourth of the Saw films, the third under Darren Lynn Bousman who has placed an increasing emphasis on torturous extremes at the expense of credible plotting
Popular 80s vampire film that suffers the curse of Joel Schumacher. A promising opening dissolves into posturing cool, flashy visuals with zero substance underneath
Ridiculous sequel to the Marvel Comics adaptation with an indifferently written script assembled from cliches, forgettable action scenes and Nicolas Cage giving one of his silliest performances in ages
The point where the Twilight series collapses under its pretensions and draws every detail of its wedding out for an excruciating hour. A series that has been all about preaching chastity then segues into Right to Life advocacy
Sequel to Tarsem Singh’s The Cell that feels made by people who haven’t even seen the original. The original’s fascinating journey into dream terrain is replaced by a dull psychic with a link to a serial killer plot
Sequel that turns a witty original into overblown slapstick that never consists of anything more than absurd gags with aliens and technology popping up from behind everyday objects
The second of Hammer’s Karenstein films based on the lesbian vampire story Carmilla. This is killed by its laughable unsubtlety and an air of adolescent masturbatory fantasy
The seventh of the Friday the 13th films, this tries to add some novelty with a heroine who has psychic powers but is mostly the same thing as before
Another adaptation of the Sherlock Holmes quasi-supernatural mystery. This is also one of the worst ever thanks to the wildly over-acted, scenery chewing performance from Matt Frewer, badly miscast as Holmes
The fourth of the Shrek films. By this point, the freshness and originality of the first film has been buried under animated film formula, while the plot is a tired rehash of It’s a Wonderful Life
Action film starring Lorenzo Lamas as a detective drawn into underground fight clubs while discovering a mystic sword owned by Alexander the Great
A sequel to the original Westworld. Here the cleverness of Michael Crichton’s film is rehashed as a B movie plot about the amusement park now hosting android takeover conspiracies
A film that has been construed almost entirely as a series of spooky jumps and hyped suspense scenes with nothing in the way of rhyme, reason or connecting rationale. Produced by Sam Raimi
Slasher film in which a group of unlikeable teens on Springbreak are slaughtered by backwoods hicks in the Everglades. Sold as a sequel to Lake Fear despite neither film being connected in any way
Disappointing video-released sequel to the classic Disney animated film where the engaging characters of the original have become settled down parents
Supposedly the final chapter of the Saw saga – where the sole novelty on offer is gore and body parts coming out the screen in 3D. This is conducted with a tired lack of effort that makes for tedium-inducing watching
Episodes of the original Battlestar Galactica tv series that were recut and screened theatrically for international audiences
Tales from the Hood was a horror anthology made by African American filmmakers that worked familiar horror themes in around race issues. It has developed a small cult reputation. This was the second of two sequels
The popularity of the Children of the Corn franchise – eleven films spun out of a sixteen page Stephen King story – baffles one. This is the fourth film, its greatest distinction being that it stars a then unknown Naomi Watts
The first of two video-released sequels to From Dusk Till Dawn, this spins the premise to have a group of robbers at siege from police inside a bank vault as they are attacked by vampires
The first and probably the least worst in a series of James Bond copycat films starring Dean Martin as agent Matt Helm. Martin plays the part as a tipsy lounge lizard and the film comes stuffed with excruciating double entendres
Dull and unimaginative Silent Hill sequel that only revisits what went before. The first film had an uncanny otherworldly atmosphere but the sequel reduces everything to no more than pop-up Clive Barker
Tyler Perry is an accomplished impressionist but his two Halloween comedies appropriate elements of the horror film while having no interest in the genre. Here all the horror elements only serve to deliver a lecture on child rearing
The sequel to the hit George Romero-Stephen King horror anthology. This misses the original’s black humour by a mile and instead becomes overblown and filled with shrill unlikable characters
The first of the Candyman sequels, this goes back to add a Candyman origin story but mostly rehashes the first film. Director Bill Condon’s constant straining for effect becomes maddening
Greenland was a disaster movie on the familiar theme of a comet colliding with the Earth. This is a desultory sequel where the survivors emerge from the shelters to now have to survive in a changed post-apocalyptic world
Frozen was the most successful animated film of all time. It also felt the most formulaic and least inspired Disney film of the 2000s. As part of Disney’s new business policy of recycling everything, this is a sequel.
John Landis and Dan Aykroyd minus the late John Belushi revisit their cult classic but the reunion exercise smacks of poor judgement and emerges as a haphazard arrangement made only to exploit the appeal of the original
Critters was an entertaining ripoff of Gremlins. This sequel alas draws that appeal thin by being placed in the directorial ham fists of the perpetually awful Mick Garris
Krampus, Santa’s evil brother, was an obscure piece of Germanic folklore until repurposed for the Christmas horror film in the mid-2010s and. This, while not very good, was the first of these
Second of the sequels to David Cronenberg’s Scanners, this features Liliana Komorowska who becomes crazed after taking a scan suppressant drug
The first in a popular series of comedies, this spoofs the recent hits of Scream and I Know What You Did Last Summer in the most vulgar and witless way possible
Disappointing sequel to the Torture Porn film The Collector. The captivating premise of an ordinary house turned into a series of deadly traps is gone, while the sadistic, gore-drenched set-pieces are tame and unimaginative
A follow-up to Godzilla vs Kong, this tries to offer more of the same but suffers another ridiculous script. This ended up being overshadowed by the acclaim that the Japanese-made Godzilla: Minus One received
A revival of the Kirk Cameron starring Biblical End of the World films and a sequel to the Nicolas Cage starring reboot. Directed by and starring your favourite internet troll Kevin Sorbo
Prequel to The Scorpion King. Unfortunately director Russell Mulcahy allows his broad hand with comedy free reign and the plot is overrun by glib character banter and constant flip modern one-liners
Fourth entry in the eminently forgettable sword-and-sorcery series, this heads down into bad movie stakes by writing a series of grating quips over everything, while the action scenes exist in the realm of unbelievability that show that nobody is treating anything with the slightest seriousness
The sixth Godzilla film and the point where the series started to become silly and juvenile in its focus. A weak entry featuring some of the shabbiest effects of this era.
Sequel to Species that this time offers up the male of the species. The film feels put together as an exercise in makeup effects but their physiological absurdity causes the film to topple into silliness
A Texas Chainsaw sequel in 3D with chainsaws and gore coming out at the screen seems the complete antithesis of the raw savagery of the original. The result is like a formulaic modern slasher, while the film is wrecked by a ridiculous reversal of sympathies in the last half
The sixth entry in a series that began as a smart and clever parody/deconstruction of the slasher film. Now this has become just another teen franchise film that has forgotten all the meta margin notes.
The Butterfly Effect was not a film set up for a sequel but we get one here anyway with a different person flipping back in time to change his rather dull and uninteresting life
The Strangers was one the sleeper hits of the 2000s. This is the first chapter in a three film reboot. On the minus side, it has been handed over to Renny Harlin, who should be on any worst directors list
The Maze Runner was one of the better Young Adult films, creating an intriguing conceptual mystery; this sequel ignores all of that, even throws the book out and is essentially a jumble of random sf tropes that amount to no more than running, shooting and things exploding
The third of the Texas Chainsaw films where the rights have now been inherited by New Line Cinema and the brutality of the original promptly watered down to MPAA standards
A John Hughes written remake of the classic Christmas film where a man (Richard Attenborough) claiming to be Santa ends up tried in court.
Another supposedly true story from the casebook of the psychic investigator frauds Ed and Lorraine Warren. James Wan’s first two entries were eerily haunting; by now, the constant profusion of effect becomes overkill that produces no results at all
Travesty of Robert Heinlein’s classic SF novel from Paul Verhoeven. Heinlein’s philosophical argument for militarism is junked in favour of blackly comic mindless violence
The first big screen incarnation of the Marvel Comics character, the theatrically released pilot for a dreary tv series starring Nicholas Hammond that stripped Spider-Man down to being no more than a superpowered detective in a tv cop show
Lazer Team was an easy predictable comedy about four screw-ups that accidentally obtain parts of an alien power suit. This sequel is all the same gags on rinse and repeat.
The third of Disney Dexter Reilly films in which teen inventor Kurt Russell creates a super-strength cereal
The second in the Leprechaun series with Warwick Davis delivering a series of extremely silly novelty deaths accompanied by excruciating one-liners
Third in the series takes Warwick Davis’s Leprechaun to Las Vegas for a series of novelty deaths that have silliness that frequently defies belief
Comedy in which God appears to Jim Carrey and grants him His powers for one week. Expectedly the film is of zero theological depth and all about Carrey going completely over-the-top
The original Men in Black was a witty parody of alien coverup conspiracies; the sequels became slapstick films about pop-up aliens and gadgets hidden behind everyday things. This offers little that is new
The live-action film version of the popular Hanna-Barbera animated tv series. Despite James Gunn on script, this is not very good, a one-dimensional, no-brain film trying to look like a one-dimensional, no-brain cartoon
The tenth Godzilla film and a low point of the series with the focus now going on the slapstick pratfalls of Godzilla’s son. Many special effects scenes are recycled from previous entries.
Just when you thought that this witless and unfunny series has died off, it drags itself out of mothballs for another outing. As with the other entries, it is a bunch of recent movies overrun with crude, moronic gags
Sequel to the animated The Super Mario Bros. Movie, which was the second highest grossing film of 2023. From the people behind the Despicable Me films, this exists as little more than eye candy for five-year-olds
Sequel to the sleeper 2010 Found Footage hit. Alas, this is a sequel that understands almost nothing about what made the first film so original and is just a possession film that comes utterly by the numbers
David Zucker takes over the reins of the franchise from the Wayans Brothers. With a lack of big scary movies in 2002 to parody, the film takes a scattershot approach, parodying any film at all
The first Tomb Raider film was empty-headed but a hit but the series was then killed off by this sequel. Angelina Jolie’s performance is detached from human emotion and the action sequences ludicrous
A shabby sequel where the classic original where Terry O’Quinn is replaced by another actor and everything reduced to no more than a routine slasher film
A fifteen page Stephen King story about a patricidal child cult has spawned this film, nine sequels and a remake. Not a very good film, this is stuck with padding a very slight original out to a full-length film
The eight of Hammer’s Dracula, the second-to-last they would make and the last featuring Christopher Lee. This follows on from the previous film Dracula A.D. 1972 in featuring Dracula in the present day and at least does more with the idea than that film did
The fifth of the 1960s Gamera films. This comes with inane plotting, sub-par effects and silly monster fight scenes, even a plot stolen from Fantastic Voyage about a submarine journey into the monster’s body
Nobody seemed to care about Tekken, the 2010 film based on the popular videogame. Despite that, this is a sequel – albeit one that has almost nothing to do with the first film. This consists of nothing more than a series of efficiently unmemorable action scenes and a plot that makes no real sense
A sequel to Killer Crocodile, which was a dreary Italian-made Jaws ripoff. Here another radioactive waste mutated crocodile stalks people. Indifferently made.
The bad movie hit of Sharknado was a surprise to everyone and spawned sequels. By this point, creativity appears to have dried up – essentially, the Sharknado series has jumped the shark
A massive letdown of the year. A sequel that brings back several of the original cast and gives it to Yuen Wo-Ping to direct but is merely slickly paced, uninspired action that substitutes CGI for the graceful wirework of the original
An Italian exploitation ripoff of Jaws with a group of environmentalists in South America dealing with a killer crocodile that has been made giant size by radioactive waste
Sequel to the Mortal Kombat film. While the first film was fun, here anything resembling plot has been stripped away to concentrate on fight scenes such that the film blurs into a single shapeless action sequence
After the highs of James Cameron’s first two Terminator films, this was a crashing disappointment. Schwarzenegger is back but his performance has become self-parody and the uninspired action sequences are accompanied by some terrible effects
William Shatner tries to emulate the success had by Leonard Nimoy in directing a Star Trek film but falls on his face, badly overstressing the comedy elements and delivering the worst of the Classic Trek films
A hodgepodge of competing elements – an aging Arnold Schwarzenegger, a soft reboot, alternate timelines, reintroduction of the familiar, twists to the familiar – that make no sense on a narrative level, least of all come anywhere near what James Cameron delivered back in the first two films
Amid the fad for deliberately absurd killer shark films viz Sharknado, this surely takes the prize for ridiculousness of conception and delivery – a hybrid creature with the head of a shark and the tentacles of an octopus. I defy you not to burst into laughter at some of the scenes (*)
Entry in the gonzo killer shark film (viz Sharknado et al), sequel to the earlier Sharktopus Though produced by veteran B movie producer Roger Corman, these Sharktopus films are some of the shittiest in the gonzo killer shark fad, featuring way below sub par effects and missing the sense of humour
The fifth and final of the Fu Manchu films with Christopher Lee as the super-villain Fu Manchu. The last two were made by exploitation director Jess Franco and only worth watching for Lee’s icily autocratic presence
This was the first in a series of excruciating comedies that pairs hapless Donald O’Connor with Francis, a talking mule. Six sequels followed
Cross was a low-budget attempt to copy The Expendables, featuring a C-list team of action stars (plus some fantasy elements). This is a sequel you doubt many people were burning to see
Dystopian SF mounted on a big budget by people that don’t have a clue what they are doing. This creates one of prettiest depictions of the future of any film of this era but it is only a surface deep depiction
The question you ask going in is after seven Japanese films and a tv series, a Korean film and two previous English-language films, what is left for filmmakers to wring out a third American The Ring film? The answer seems to be not much – just a rehash of the basics for the 18-25 crowd
Terror Train starring Jamie Lee Curtis was one of the classics of the original slasher film fad. This is a remake
After 21 years, this was the first of two sequel to The Lost Boys, featuring return performances from Corey Feldman and Corey Haim and, yes, surfer vampires
Sequel to The Asylum’s spendidly grotesque Hansel & Gretel, this pits the two characters against one another for contrived reasons to justify its title but is just cheaply made