Thor: Tales of Asgard (2011)

Though Marvel Comics have had massive success with their big screen adaptations in the 00s, they have been far less successful with their attempts to spin off animated films. An okay but unexceptional animated prequel released at the same time as the first Thor live-action film
Thor: The Dark World (2013)

Sequel to Thor that earranges the same basic elements much more satisfyingly than the first film – the actors (with the exception of a tranquilised Natalie Portman) seem more at home in their roles and a director who is more confident with the effects and superheroics. That said, it is starting to feel like Marvel is shuffling the same plot ingredients around between films
Those Dear Departed (1987)

An excruciatingly unfunny Australian comedy about a man murdered by his wife returned as a ghost to bring her to justice
Thou Shalt Not Kill … Except (1985)

Film made by several Sam Raimi associates about a crazed cult with Raimi making an acting appearance as the cult’s leader. This wades in much gory enthusiasm
Thoughtcrimes (2003)

This comes with the undeniable influence of the then recent Minority Report in its story about a telepath recruited by law enforcement
Thr3e (2006)

Quite evidently modelled on Se7en even to the lookalike title, this is the novelty of a Christian serial killer thriller. The results are quite strange to say the least
Threads (1984)

UK tv movie that sets out to offer an unflinching depiction of a nuclear strike. About as bleak as it is possible to get
Three … Extremes (2004)

Standout horror anthology designed to highlight episodes from three Asian directors – Hong Kong’s Fruit Chan, South Korea’s Park Chan-wook and Japan’s Takashi Miike – all of whom are on top form
Three Businessmen (1998)

An obscure joke from Alex Cox that has he and Miguel Sandoval as two businessman who go to dinner but keep passing through different cities
Three Dangerous Ladies (1988?)

Very obscure horror anthology re-edited from episodes of a Canadian tv series featuring names like John Hurt, Charles Gray and Keir Dullea.
Three Extremes II (2002)

A horror anthology featuring episodes from three Asian directors originally titled Three. The better known Three … Extremes was a sequel whereupon this was retitled and re-released as Three Extremes II
Three on a Meathook (1972)

A great example of the lurid sensationalism with which films of the so-called grindhouse era were sold, designed with a go-for-broke trashiness intended to get you in the door, something that is promptly let down by the shoddiness of the film itself
Three Thousand Years of Longing (2022)

George Miller of Mad Max fame makes a fantastical and charming film where djinn Idris Elba appears to Tilda Swinton
Three Wishes (1995)

This is a 1950s Coming of Age story with Patrick Swayze as a mysterious stranger dispensing wisdom, before the film arrives at a very peculiar fantastic ending
Threshold (1981)

A case of science prediction where Donald Sutherland and Jeff Goldblum create the world’s first artificial heart
Thrill Seekers (1999)

A throwaway direct-to-dvd release about time travellers come back to view famous disasters that rises above low expectations to develop an occasionally interesting plot
Thumbelina (1994)
Animated film from Don Bluth, an insipid adaptation of the fairytale that eventually bogs down as a comic picaresque (*)
Thunder Force (2021)

Melissa McCarthy, along with Octavia Spencer as her best friend, is a comic screw-up who obtain superpowers
Thunderball (1965)

The fourth James Bond film and crippled by the misfortune of coming just after Goldfinger, which defined the formula and became the peak of the series. By contrast, this is stuck with having to make everything bigger and more spectacular
Thunderbird 6 (1968)

The second of the films spun off from the Gerry Anderson puppet tv series and a much better dramatically sustained film than its predecessor
Thunderbirds (2004)

This live-action film version of the cult Gerry Anderson puppet series is a disaster. Great effort is made to replicate the look of the original but the film is killed by the choice to rewrite everything as a modern formula kid’s movie
Thunderbirds Are Go (1966)

The first of the films spun off from Gerry Anderson’s cult puppet tv series. Not a completely successful transition but it is, as always with an Anderson production, worth watching for what the Andersons do best – making amazing models and blowing them up
Thunderbolts* (2025)

This offering from the MCU was one of the lowest grossing, but it a good deal more likeable than many other recent entries, emerging as a sort of earthbound Guardians of the Galaxy Lite
Thunderpants (2002)

Likeable film about a kid with incredibly powerful farts who uses his ability to launch a rocket. It’s mind-boggling to think such a premise was ever given funding nd a greenlight
THX 1138 (1971)

George Lucas’s first film and always a puzzle to those who come to it after the Star Wars series where its antiseptic, dehumanised aesthetic and dystopian future seems almost the polar opposite of the Star Wars universe
Thy Neighbor’s Wife (2001)

One of the erotic thrillers made after Basic Instinct, essentially an ripoff of The Hand That Rocks the Cradle where a vengeful Kari Wuhrer becomes a nanny seeking vengeance for the death of her husband
Ticked-Off Trannies With Knives (2010)

Imagine Baise-Moi or Thelma and Louise by way of Priscilla, Queen of the Desert – a film that hits a perfect note in terms of tongue-in-cheek spirit
Ticks (1993)

Routine variant on the 1970s killer bug film, although the bugs here are gooey and cartoonish not meant to be taken seriously
Tideland (2005)

Bizarre but undeniably brilliant Terry Gilliam film about a young girl in the cornfields of the Midwest who builds a fantasy out of the sometimes disturbing things around her
Tightrope (1984)

One of the darkest films Clint Eastwood ever made where he is a detective who becomes tempted by the world of BDSM during his pursuit of a serial killer
Till Death (2021)

This had me sold from its one sentence description – Megan Fox is a wife trying to escape hired killers while handcuffed to her husband’s corpse
Tilt (2017)

Somewhat reminiscent of The Shining, this a film about a documentary-maker suffering creative block who descent into dark and disturbing mental spaces
Timber Falls (2007)

By the numbers Backwoods Brutality where a woman is imprisoned by crazed backwoods fundamentalists in order to bear them a child
Time Addicts (2023)

This is an Australian film where two crystal meth addicts find a drug that transports them through time. While keeping itself contained to a single location, this emerges out into a cleverly constructed time paradox
Time After Time (1979)

A clever and ingenious film from Nicholas Meyer in which H.G. Wells builds his own time machine and pursues Jack the Ripper through time to present-day San Francisco. Lots of witty play around Wells’s cultural bewilderment and some great performances
Time Bandits (1981)

Highly enjoyable Terry Gilliam film about a young boy who joins a group of dwarves on a series of adventures though time
Time Changer (2002)

This holds the novelty of being a Christian time travel film but plummets into bad movie stakes when it has a 19th Century professor travel into the present to become appalled at seeing couples kiss on tv and lingerie in store … A great idea for a comedy but then you realise the film is serious
Time Freak (2018)

Time travel film in which Asa Butterfield invents a time machine to go back and stop Sophie Turner breaking up with him. On the lightweight side but eventually not unworthwhile
Time Lapse (2001)

Action film in which an agent tries to prevent a nuclear arms deal after being given a memory-erasing drug
Time Lapse (2014)

A perfect example of a film carried by the ingenuity of its concept – a camera that takes photos 24 hours into the future – told with a superb tightness of economy – two sets and mostly three actors (largely unknowns) – and some wonderfully contorted twists
Time of Eve (2010)

Fascinating anime about a cafe for androids. Imagine a cross between an Isaac Asimov Robot story and Jim Jarmusch’s Coffee and Cigarettes. The film opens up in a series of episodes that tell stories of human-robot relations that hold a lovely tenderness
Time of the Wolf (2003)

Michael Haneke has risen to great acclaim in recent years; this is one of his earlier works – a slow Tarkovsky-esque work that seems set in a future that is collapsing at the edges. Haneke is a fascinating talent but this is a bit too vague and well free of anything actually happening for me
Time Raiders (2016)

Not a time travel film as the title leads you to expect but a Chinese copy of Raiders of the Lost Ark where you expect they were trying to call it ‘tomb raiders’. The director is also the production designer leading to a gorgeously designed film but also one of constant action postures almost entirely lacking in substance
Time Renegades (2016)

South Korean film that borrows the premise of the film Frequency in having two characters separated across twenty years have clairvoyant dreams of the other’s life and combining forces to stop a killer
Time Slip (1981)

Highly entertaining Japanese film about modern soldiers thrown back to feudal Japan and deciding to overthrow the shogunate
Time Toys (2016)

Children’s film with the promising idea of kids finding a bunch of toys from the future that grant them amazing abilities unaware they have world-destroying potential.; The idea is alas watered down to the blandness of family formula and the limited conceptual horizons of a low budget
Time Under Fire (1997)

Unimaginative time travel/action film that plays out like
Time Walker (1982)

I had heard about this for years – it had a reputation as ‘the mummy from outer space film’. Seen, it proves disappointingly routine – all the tomb raiding is over after the first scene and the rest is little more than a slasher movie with the mummy akin to a hockey-masked maniac wandering a campus killing co-eds
Timebomb (1991)

Action film from Avi Nesher that comes with a solid and satisfying punch. Michael Biehn is a mild-mannered clockmaker who suddenly discovers he is a brainwashed assassin
Timecop (1994)

Film featuring Jean-Claude Van Damme as a temporal police officer. While you expect another time travel action film, this has quite a deal more sophistication in the scripting department than you expect
Timecop: The Berlin Decision (2003)

Sequel to Timecop with more of an action emphasis as Jason Scott Lee replacing Jean-Claude Van Damme trying to stop a criminal who is erasing agents from the timeline.
Timecrimes (2007)

The debut film from Nacho Vigalondo, a time travel (or more correctly time paradox) film that holds a real delight in its conceptual dexterity with which Vigalondo keeps winding the story around on itself
Timecut (2024)

A time travel film produced by Christopher Landon that has a number of similarities to Totally Killer in which a girl travels back in time to 2003 to prevent her sister being murdered by a serial killer
Timeline (2003)

Michael Crichton adaptation that flopped at the box-office. Crichton tells a story about time travel to the Mediaeval period where he spends a good deal of time researching the era. The film ditches all of this to make no more than an historical film with an SF gimmick
Timerider: The Adventure of Lyle Swann (1982)

Rather slight film with the amusing concept of a present-day motorcyclist thrown back in time to the Old West
Timescape (1992)

A directorial debut for screenwriter David Twohy who went on to Pitch Black, among other works. Jeff Daniels plays an ordinary man who realises that guests at his hotel are travelers from the future come to witness a disaster. A strong and intelligent maturation of time travel themes
Timeslip (1955)

A British quota quickie with a fascinating central idea of a scientist who has slipped several seconds out of phase in time and can answer questions before they are asked
Timestalker (2024)

Actress Alice Lowe directs/stars in a comedy about a woman who pursues the man she is infatuated with as both reincarnate through history
Timmy Failure: Mistakes Were Made (2020)

This must have been a marketing nightmare for Disney – a film about a kid who operates as a private detective along with his polar bear imaginary companion. The result has an oddball charm
Tin Man (1983)

Earnest, sincere film where deaf Timothy Bottoms receives an operation that allows him to hear again, as well as builds an A.I.
Tin Man (2007)

Nick Willing conducts the first of his SF revampings of popular tales. Here The Wizard of Oz is reworked into a Steampunk fantasy with some startling reinterpetations of the familiar characters
TinkerBell (2008)

The first in a series of Disney video-released films based around the Peter Pan fairy who is now reconceived as a contemporary Can Do girl
Tintin and I (2003)

Documentary about Tintin creator Hergé based on audio recordings he made in the 1970s
Tintin and the Blue Oranges (1965)

The second in a duo of live-action French-language adaptations of Herge’s famous comic-book character, which gets the resemblance to the characters almost perfect
Tintin and the Lake of Sharks (1972)

Animated adaptation of the Tintin character that gets the look and details of the characters just right but is ruined by bad dubbing of some of the voice parts and allowing a slapstick element to take over
Tintorera (1977)

One of the better killer shark copycats made in the immediate aftermath of Jaws, this approaches the familiar in unexpected ways
Titan A.E. (2000)

Very nicely made space opera from animator Don Bluth, operating from a Joss Whedon script, that unfortunately proved a big box-office flop
Titane (2021)

Julia Ducournau’s Cannes award-winning film is a challenging work that pushes boundaries into uncomfortable places. Not to mention comes with human and car sex scenes
Titanic 666 (2022)

An offering from The Asylum where a replica of the Titanic sets sail only to be beset by the ghosts of those who sank aboard the original ship
TMNT (2007)

Animated revival of the Teenage Mutant Ninja Turtles, which brings them back to the screen with a satisfyingly gritty edge and a series of kinetic action sequences
To Die For (1989)

One of the first of the modern wave of darkly romantic vampire films that became the in-thing in the 1990s. This is occasionally effective but was eclipsed by later entries
To Gillian on Her 37th Birthday (1996)

Ambiguous ghost story in which Peter Gallagher sees and talks to his late wife Michelle Pfeiffer. Written by hit tv producer David E. Kelley (The Practice), this frequently disappears into its own self-congratulatory dialogue
To Rome with Love (2012)

Another film amid Woody Allen’s European renaissance, four tales all set around the gorgeously shot location of Rome. The stories are on the slight side and it is lesser Allen but there is great casting and moments where Allen is on good form
To the Devil a Daughter (1976)

The second-to-last Hammer film, an adaptation of one of Dennis Wheatley’s occult novels, shows them trying to catch up with The Exorcist and its ilk
To the Solitary Me Who Loved You (2022)

Multiverse films are all the in-thing in superhero films right now. This anime is a treatment of multiverse themes far away from superheroics that works beautifully in its sophistication of ideas
To the Solitary Me Who Loved You (2022)

Multiverse films are all the in-thing in superhero films right now. This anime is a treatment of multiverse themes far away from superheroics that works beautifully in its sophistication of ideas
To Your Last Death (2019)

Animated film that is gore-drenched and certainly not for children. Imagine The Belko Experiment conceived as a videogame where the heroine has to survive an office of people trying to kill her while aliens bet on the outcome
Toad Road (2012)

Indie film that seems a mix of A Field in England and The Picnic at Hanging Rock. The first half contains some very realistic scenes of people getting wasted on drugs but the second as characters set out along a path in the woods that leads to Hell proves frustratingly elusive
Tobor the Great (1954)

Cinema’s first cuddly, friendly robot that is programmed according to Asimov’s Three Laws of Robotics, predating Forbidden Planet’s Robbie the Robot. A modest overlooked film of the 1950s SF era
Together (2025)

A Body Horror film that creates some undeniably ick effect where Dave Franco and Alison Brie play a couple who experience an infection that causes their bodies to start fusing into one whenever they touch
Tokyo Fist (1995)

Shinya Tsukamoto returns to the repressions of his earlier Tetsuo: The Iron Man in this frenetic, ultra-violent work about a downtrodden salaryman who reconnects with life by allowing himself to be beaten up in the boxing ring. This feels like Raging Bull remade by David Cronenberg
Tokyo Ghoul (2017)

Live-action adaptation of a manga about a teenager who becomes part of a secret world of flesh-eating ghouls. The set-up comes with some imagination but the film suffers from an uninvolving story and a reliance on unconvincing CGI
Tokyo Gore Police (2008)

One among the 00s spate of gonzo Japanese splatter films. The film exists as a series of outlandishly over-the-top and absurdly entertaining splatter and bizarrely cartoonish bio-mechanoid transformation
Tokyo Tribe (2014)

Shion Sono is a director who has gained cult acclaim in recent years. This astonishes with the brashness of his approach, set among the street gang warfare of the near future where all of the dialogue is delivered in rap. On the other hand, the film lacks the budget to sustain such energy
Tokyo! (2008)

Directors Michel Gondry, Leos Carax and Bong Joon Ho make an anthology of strange and surreal tales that take place in Tokyo
Tolkien (2019)

Biopic of J.R.R. Tolkien, author of The Lord of the Rings. This covers many of the key areas of Tolkien’s early life but you also cannot help but notice what it leaves out
Tom and Jerry (2021)

Tom and Jerry are revived in a part-animated, part-live action toon film although come missing the ultra-violence of the original cartoons
Tom and Jerry: Willy Wonka and the Chocolate Factory (2017)

The Tom and Jerry cartoons have the distinction of being considered the most violent ever. The question is why anybody considered why we needed an animated remake of Willy Wonka but with the addition of Tom and Jerry
tom thumb (1958)
George Pal adapts the Brothers Grimm fairytale with Russ Tamblyn as a miniature youth amid colourful effects and extended slapstick scenes
Tomb Invader (2018)

The Asylum’s mockbuster response to the theatrical reboot of Tomb Raider. This is cut-priced and features globe-spanning adventures that never travel outside of California
Tomb Raider (2018)

This reboot of the film series based on the videogame franchise is a mixed affair. Certainly, the perpetually non-acting Angelina Jolie is replaced by Alicia Vikander who gives Lara Croft living, breathing emotions
Tombs of the Blind Dead (1971)

The first in a series of films from Spanish director Amando de Ossorio about blind Knights Templar zombies. De Ossorio is clearly influenced by Night of the Living Dead but creates considerable atmosphere
Tomcat: Dangerous Desires (1993)

Poorly made psycho-sexual thriller where Richard Grieco becomes a predator after getting an injection of feline DNA
Tomie (1999)

Another Japanese horror film that stands heavily in the shadow of Ringu. Directed without much style and often uninteresting to the point of being dull, it is hard to tell from this that you are watching a film that inspired eight sequels
Tommy (1975)

Ken Russell’s adaptation of The Who’s hit album is filled with gloriously mad, glitter rock excess and wildly over the top acting in the ways that only Russell ever managed
Tomorrow Never Dies (1997)

Pierce Brosnan’s second outing as James Bond holds up fairly well, especially in the action department, although Jonathan Pryce seems miscast as a Rupert Murdoch-modeled super-villain
Tomorrow When the War Began (2010)

An Australian version of Red Dawn – prettily mounted but feels more like Dawson’s Creek Goes to War than it has does a realistic war film
Tomorrowland (2015)

Despite being another film based on a Disney theme park, I had high expectations of this because of Brad Bird. Alas, the initial promise of a retro-sf work that mainlined the wonderment of Jetsons-styled futurism turns into a surprisingly glum and message-heavy work about how the modern world is a depressing place
Tone-Deaf (2019)

Dark, sardonic comedy where Amanda Crew rents a house to get away for a weekend only to face a murderous Robert Patrick. The humour is barbed and quite hilarious
Tonight I’ll Possess Your Corpse (1967)

The second and more sophisticated of the Ze do Caixao/Coffin Joe films with director Jose Mojica Marins as a diabolic undertaker who delights in inflicting a catalogue of tortures on the weak-minded