The Hitcher (1986)

One of the best horror films of the 1980s, a grippingly suspenseful work where C. Thomas Howell is caught in a series of taunting psychological games across the interstate after offering psychopathic hitcher Rutger Hauer a ride
I Spy (2002)

Painfully unfunny big screen revival of the 1960s spy tv series. This has been reduced to a series of plotless gags that involve Eddie Murphy and Owen Wilson doing nothing except bickering with each other
The Spirit of the Beehive (1974)

Visually extraordinary Coming of Age story set during the Spanish Civil War in which a young girl imagines seeing the Frankenstein monster
Saint Clara (1996)

Israeli film co-directed by Ari Folman about a girl with precognitive powers. After a great opening, the film loses all real dramatic impetus
High Plains Drifter (1973)

A Clint Eastwood directed/starring Western in which he plays a gunslinger who turns up in a town and exposes the guilty secrets of the townspeople in what is eventually revealed to be a supernatural twist
The Heavenly Kid (1985)

Lightweight fantasy film with Lewis Smith as a 1950s rocker who is sent back from the afterlife to act as a guardian angel to help a nerdy Jason Gedrick stand up for himself
Mouse on the Moon (1963)

Quirky and charming sequel to The Mouse That Roared in which the world’s smallest country decides to launch a mission to the Moon and accidentally end up winning the Space Race
Da (1988)

Charming work of autobiography filled with some great performances in which Martin Sheen remembers his childhood in Ireland with an irascible father. Also a ghost story.
The Outsider (1996)

Low-budget film that steals the premise of Westworld in the story of an amusement park that recreates the world of 1940s film noir with androids, which proceed to go amok
New Eden (1994)

SF film with Stephen Baldwin sentenced to life on a prison planet where he becomes saviour to a small peaceful community
The Legend of Hell House (1973)

While holding many similarities to The Haunting, this is a strong, intelligent film about parapsychologists investigating a haunted house. Filled with eerie scares and a standout script from Richard Matheson
2103: The Deadly Wake (1996)

Low-budget SF film about a ship at sea carrying a cargo of convicts, toxic waste, a deadly virus and a killer android
The Manitou (1978)

The one moment of triumph from director William Girdler who takes a work that sits just on the threshold of schlock and transforms into something incredibly eerie with an injection of H.P. Lovecraft and American Indian mysticism
Rock and Rule (1983)

Promisingly ambitious animated SF film that tries to catch some of the trippy qualities of Heavy Metal where the impressive quality of animation is let down by a juvenile story about a rock band in a post-holocaust future
Dirty Weekend (1992)

Enjoyably sordid Michael Winner film in which Lia Williams is an woman who starts to eliminate the abusive men in her life. As to be expected with Winner, this gets trashy in quick course
Spider (2002)

David Cronenberg film that subjectively takes place in the mind of mentally ill Ralph Fiennes, a bewildering film with no easy handholds
The Dark Eyes of London (1939)

Adaptation of an Edgar Wallace novel in which Bela Lugosi leads a blind institute whose donors are being murdered. More a crime thriller that has been twisted into being a horror film to fit Lugosi’s presence
Olivier, Olivier (1992)

Agnieszka Holland drama about the sudden return of a boy who went missing several years earlier, although may well be an impostor. Contains minor fantasy elements
Night of the Ghouls (1960/1983)

A once lost Edward D. Wood Jr film with police investigating a fake medium scam being run out of a haunted house
Nosferatu the Vampyre (1979)

Werner Herzog conducts a remake of the silent German classic with Klaus Kinski as Dracula. A very different film to the original but quite unique in Herzog’s individualistic way
Nightmare Alley (1947)

Classic film starring Tyrone Power as an ambitious carnival barker who has success with a mind-reader act. Filled with great film noir atmosphere and a doomed sense of fate at play
Our Man Flint (1966)

One of the more amusing of the numerous James Bond copies of the 1960s featuring James Coburn as agent Derek Flint, this plants tongue in cheek and cheerfully spoofs the whole spy fad
Hercules in New York (1970)

A not terribly funny parody of the Italian-made Hercules films of the 1960s. This is mostly known for featuring Arnold Schwarzenegger (billed as Arnold Strong) in his first acting role
The Hidden (1987)

This was a minor cult hit at the time and concerns an alien that hops between human host bodies while having the invincibility of a Terminator. The idea is played with considerable panache and directed with great flair
The Hot Chick (2002)

Adam Sandler produced film that is a variant on the bodyswap standard in which Rob Schneider and Rachel McAdams switch bodies. Much crass humour ensues in between a good-naturedly all-inclusive message
Hello Again (1987)

A frustratingly insipid light fantasy comedy with Shelley Long as a housewife who returns from the dead where she proceeds to turn the life of her family into chaos
Hero (1980)

Adaptation of the Finn Mac Coll legend, filmed in Gaelic with a cast that learned their lines by rote. An interesting idea that suffers a painful amateurism
Strange Days (1995)

A Kathryn Bigelow directed Cyberpunk film scripted by James Cameron concerning an illicit technology that can replay memories. This offers a powerful vision of a socially divided L.A. on the eve of the millennium
The Sound Barrier (1952)

David Lean conducts a fictional account of the efforts to build a plane that breaks the sound barrier
I Can’t Sleep (1994)

Claire Denis makes a film loosely based on the activities of a true-life drag performer/serial killer. However, she seems uninterested in developing plot or suspense
Jason X (2001)

The tenth Friday the 13th film. This tries to add novelty as Jason is thawed out in the future aboard a space station to slaughter anew. Featuring no less than David Cronenberg as a victim
Heaven Only Knows (1947)

A 1940s light fantasy with Robert Cummings as an angel comes down in a Western town to help bad guy outlaw Brian Donlevy redeem his ways
The Scarecrow (1982)

Fine Coming of Age story set in 1950s New Zealand with John Carradine as a sinister stranger come to town
The House in Nightmare Park (1973)

Amidst the Anglo-horror cycle of the 1970s, there was this throwback to the 1940s styled Old Dark House comedy. Made as a vehicle for comedian Frankie Howerd, this only demonstrates how creaky the genre was
Man’s Best Friend (1993)

Film about a dog that has been experimentally crossbred with DNA from other animals that proceeds to go amok. The film proceeds to collapse into the completely ridiculous
Morons from Outer Space (1985)

Comedy about stupid alien visitors largely construed as a vehicle for popular British comedy duo Mel Smith and Griff Rhys-Jones. Some witty SF in-jokes among a haphazard script
Race with the Devil (1975)

This has been conceived as a 1970s car chase film mashed up with the 1970s fad for Satanism and occult where two couples in an RV inadvertently witness a devil worship ceremony and are pursued
Repo Man (1984)

Alex Coz’s surreal cult film with Emilio Estevez as an L.A. punk working as a repo driver who gets wound into the hunt for a car with radioactive aliens in the trunk
Phantasm III (1994)

The third of Don Soscarelli’s Phantasm films reunites many of the regulars and goes some way towards offering explanations for everything
The Land Before Time III: The Time of the Great Giving (1995)

Third of The Land Before Time animated films about talking dinosaurs, made for very young children
Logan’s Run (1976)

Dystopian SF mounted on a big budget by people that don’t have a clue what they are doing. This creates one of prettiest depictions of the future of any film of this era but it is only a surface deep depiction
Killer Tomatoes Eat France (1992)

Fourth and final of the Killer Tomatoes films by which time the slight appeal of the original concept has been well and truly worn out
Dementia 13 (1963)

The second film directed by Francis Ford Coppola, a psycho-thriller made for Roger Corman where Coppola shows the glimmerings of style that made him a major director a decade later
Puppetmaster III: Toulon’s Revenge (1991)

The third of Full Moon’s Puppet Master films, this is a prequel that explores Andre Toulon’s origins in Nazi Germany
Piranha II: Flying Killers (1981)

The film that James Cameron would prefer we forget about. A nominal sequel to Joe Dante’s enjoyable tongue-in-cheek Piranha, this misses that film’s sense of humour and lets the show sink amid absurd effects
Young Frankenstein (1974)

Mel Brooks’ finest moment, a witty stylistic homage to and spoof of the Universal Frankenstein films. A great cast are on perfect form all around.
The Tuxedo (2002)

Part of the sad depths that Jackie Chan’s career sank to after he was discovered by Hollywood. This is a spy film parody where he is a cabbie who places on a hi-tech tuxedo that turns him into a super-agent
Hawk the Slayer (1980)

British-made sword and sorcery adventure in the early 80s fantasy cycle. This suffers from a cheap and impoverished budget that makes everything look tatty
Second Time Lucky (1984)

One of the most excruciatingly painful films ever made – a softcore comedy in which God and The Devil make a bet to replay the Garden of Eden by reincarnating Adam and Eve throughout history. Filled with ghastly over-the-top performances and much eye-rolling innuendo
The Hearse (1980)

Ghost story in which Trish Van Devere moves into her late aunt’s house where she is wooed by a handsome stranger while being haunted by a mysterious hearse
Fahrenheit 451 (1966)

Francois Truffaut adapts Ray Bradbury’s novel about a dystopian future where books are burned. Truffaut finds different things in the story than Bradbury did but creates a beautiful film
Heaven Can Wait (1943)

An entry in the 1940s light fantasy films in which compulsive womaniser Don Ameche arrives in the afterlife where he tells his life story to The Devil
Hell Night (1981)

An entry in the 1980s slasher movie fad and featuring Linda Blair. Here a group of students are forced to spend a night in an old dark house. Slightly better than the average
He Knows You’re Alone (1980)

A derivative and fairly lacklustre entry in the 1980s slasher film that is clearly imitative of Halloween featuring a killer who stalks brides-to-be
Swimfan (2002)

This is essentially Fatal Attraction relocated to a high school where athlete Jesse Bradford is stalked by Erika Christensen. This collapses in a series of ridiculous motivations
Herbie Goes Bananas (1980)

The fourth and last of the original Herbie the Love Bug films from Disney, this takes a trip to South America where the inanity reaches a nadir for the series
Prototype X29A (1992)

This is a standard 90s direct-to-video SF/action film about warring cyborgs in a burned-out future. This has borrowed most of its moves from other films. Not a lot happens
Phantoms (1998)

One of the best and most underrated Dean R. Koontz adaptations, which creates eerie atmosphere out a town where the residents have disappeared due to what is revealed as a uniquely different creature
The Craft (1996)

A smart and well cast film about a quartet of modern teen high school girls who form a coven of witches. This starts well but loses it in an overblown second act
The Convent (1995)

Enigmatic Manoel de Oliveira film that may be about wife Catherine Deneuve making a pact with The Devil to dispose of the woman husband John Malkovich is attracted to. Or maybe not
August in the Water (1995)

Baffling and incomprehensible Japanese SF film about a catastrophe that is causing people to turn to stone
A Little Bit of Soul (1997)

Australian black comedy about research into longevity and Satanism. The film has a great cast but hits a shrilly hysteric pitch without ever being funny
The Mephisto Waltz (1971)

A clear attempt to copy Rosemary’s Baby made with extraordinary stylishnessas Jacqueline Bisset believes husband Alan Alda’s body has been stolen by a dead man
Q Planes (1939)

British air adventure story with Ralph Richardson trying to stop an enemy armed with a raygun and all played with an appealingly eccentric comic tone
The Tomb (1985)

Film from B-budget director Fred Olen Ray that is sold in a way that would have you believe it is a copy of Raiders of the Lost Ark but in reality is no more than a dull and cheap revived mummy queen film
Waterworld (1995)

The most expensive film ever made at the time, a Kevin Costner epic in which he is a lone mariner in a drowned world where survivors cling to shantytowns floating on the surface. Essentially a Mad Max film located on water.
Destination Moonbase-Alpha (1979)

A two-part episode of the Gerry Anderson tv series Space: 1999 that was repackaged as a feature film to take advantage of the late 1970s post-Star Wars SF boom
Zombie – Flesh Eaters (1979)

Italian film conceived as a quickie copy of George Romero’s Dawn of the Dead with the focus on gore scenes. This made the name of cult Italian splatter director Luci Fulci.
Red Dawn (1984)

Ridiculous red-blooded, flag-waving film in which the Soviets invade the USA and a group of high-school teenagers maintain a lone guerilla campaign
Hanussen (1988)

Excellent film based on the real-life figure of Erik Jan Hanussen, a clairvoyant and hypnotist who found fame in Nazi Germany. Featuring a magnetic performance from Klaus Maria Brandauer
The Devil Rides Out (1968)

One of the classic works from Hammer Films and Terence Fisher, often regarded as one of their finest moments. In this adaptation of a Dennis Wheatley novel, Christopher Lee (in a rare heroic role) fights Satanists
Screamers (1995)

Modest and underrated Philip K. Dick adaptation that builds reasonable atmosphere during its journey across a planet and doubt as to who among the party might be one of a breed of evolving androids
Stranded (1987)

This is essentially E.T. by way of The Desperate Hours where aliens on the run take a family hostage
Haunted Honeymoon (1986)

Both directing and starring here, Gene Wilder attempts to revive the Old Dark House comedy. By the 1980s, this was datedly creaky, while Wilder’s comedy mugging histrionics are excruciating to sit through
Harry and the Hendersons (1987)

Likeable effort from Steven Spielberg’s Amblin Productions in which a Bigfoot is befriended by a family. The star of the show is Kevin Peter Hall in the amazingly expressive Bigfoot makeup from Rick Baker
Die Another Day (2002)

Pierce Brosnan’s final outing as James Bond lacks the sharpness of the preceding entries and is hampered by Halle Berry who is given great presence but nothing to do. Despite which this has some of the best action scenes of any Bond film
Chances Are (1989)

From the director of the hit Dirty Dancing, an inane romantic comedy in which Cybill Shepard thinks her daughter’s boyfriend Robert Downey Jr is her reincarnated husband
Maniac (1980)

Muchly reviled slasher film that has undeniable effect in its determination to go all the way. I would argue that it is actually a far better film than Friday the 13th
The Country Bears (2002)

Another film spun off from a Disneyland attraction, this hardly inspiring effort features a Country and Western band made up of talking bears and follows them as they set out on a reunion tour.
Prelude to a Kiss (1992)

Beautifully written film where newlywed bride Meg Ryan ends up swapping bodies with an old man
Cabin in the Sky (1942)

This was Hollywood’s first film featuring an all-Black cast, a musical in which enjoys from both Heaven and Hell come down to engage in a war over a man’s soul
Possession (1981)

Bafflingly surreal film from Andrzej Zulawski in which Isabelle Adjani gives birth to a tentacled monster in a subway. Nobody has any idea what the film is about but it has become a cult work since
R.O.T.O.R. (1988)

An astoundingly bad low-budget RoboCop copy about an android motorcycle cop that goes amok
Alice in Wonderland (1951)

Disney’s animated adaptation is usually hated by Lewis Carroll purists for its free and easy treatment of the story but for everyone else comes with a splendidly demented visual absurdism
Mutant Hunt (1986)

Laughably badly made ripoff of Blade Runner and The Terminator with a mercenary hunting amok androids
Party Line (1989)

Tawdry thriller about brother and sister psychos who lure people from a phone sex line and kill them
Ricochet (1991)

This rehashes Cape Fear, remade by Martin Scorsese the same year, with Denzel Washington as an upstanding lawyer whose life is torn apart by vengeful ex-con John Lithgow. A frequently ludicrous script is made worse by Russell Mulcahy’s overwrought direction
The Phantom of the Opera (1989)

On the back of popularity of the Andrew Lloyd Webber musical and the Elm Street films, Robert Englund was cast in this version where the emphasis is on the slasher element, which works far better than you might think
Captain Nemo and the Underwater City (1969)

Amid the fad for Jules Verne adaptations in the 1960s, Captain Nemo was spun off in this original adventure. By now Verne’s brooding inventor has become an absurdly larger-than-life comic-book character
Coneheads (1993)

Film spinoff of a Dan Aykroyd skit on Saturday Night Live about a family of aliens ho attempting to maintain ordinary suburban life on Earth The film has a really wacky sense of humour, which is probably why it was a box-office flop
The Hawk (1993)

BBC produced film with Helen Mirren as a housewife who believes her husband might be a serial killer. Despite promise, this never digs in like a good thriller should
The Peanut Butter Solution (1985)

Strange Canadian children’s film about a boy who goes bald and is then given a peanut butter solution that causes wild uncontrolled hair growth
Memoirs of a Survivor (1981)

Adaptation of a Doris Lessing novel set in a collapsing future England. Nicely portrayed but crytpically surreal touches end up baffling
Billy the Kid Versus Dracula (1966)

This has a reputation as a bad movie classic. The attention grabbing novelty mash-up transforms the Western outlaw into a hero to combat Dracula (a hammy John Carradine)
Matthew Blackheart (2002)

Film about a monster hunter from the 1940s thawed out in the present-day. This appears to have been made as a tv pilot
Josh Kirby … Time Warrior! Trapped on Toyworld (1996)

This was the third of the Josh Kirby juvenile time travelling adventures from Charles Band that takes Josh and his companions to a planet of living toys
Project Moon Base (1953)

Low-budget film set aboard a space station clearly springboarding from the success of Destination Moon and featuring a Robert Heinlein script
The Silence of the Hams (1994)

An Airplane/Naked Gun styled parody of The Silence of the Lambs
The House That Dripped Blood (1970)

Another of the Amicus horror anthologies from a series of stories by Robert Bloch. An okay effort, mostly being remembered for Jon Pertwee’s turn as a comic vampire
Hansel and Gretel (1987)

One of a series of cheaply produced fairytale adaptations made by Cannon Films. This adapts the Brothers Grimm fairytale with tatty banality