Invisible Strangler (1984)

A painfully bad film about a jailed killer who uses astral projection powers to become invisible and leave his cell to take revenge on those who convicted him
Transylvania 6-5000 (1985)

Painfully unfunny comedy from Mel Brooks writer Rudy De Luca with journalists Jeff Goldblum and Ed Begley Jr encountering monsters while on assignment in Transylvania
Vertigo (1958)

Considered one of Alfred Hitchcock’s greatest films, this is a study in obsession and features a reincarnation plot. What works more so than the contrived plot twists is Hitchcock’s expert direction, all thunderously brooding mood and lush Technicolor dreaminess
Identity (2003)

John Cusack leads a star cast line-up in what appears to be a slasher where a group of people gathered at a motel are being killed by someone among their number. Big conceptual twists then ensue
The Island at the Top of the World (1974)

An underrated and quite magnificent lost world adventure from Disney with an airship crew in search of a lost Viking world in the Arctic. Contains some absolutely stunning effects work for the era.
Watchtower (2001)

Modest psycho-thriller about the psychological games between a psychopathic lighthouse keeper (a fine Tom Berenger) and his young assistant
Amityville 1992: It’s About Time (1992)

The sixth film based around The Amityville Horror, although by now connections to the original are minimal and this only concerns a mysterious clock taken from the house
Deep Red (1994)

A confused and incomprehensible film in which Michael Biehn is drawn in to the hunt for a girl whose blood contains an immortality virus
The Man with Two Brains (1983)

Extremely funny Steve Martin comedy where he plays a neurosurgeon who falls in love with a brain in a jar
The Manster (1959)

Fascinatingly torrid US-Japan production about a man who develops a second head on his shoulder that takes over his personality
Cronos (1993)

The very first film from Guillermo Del Toro, a unique take on the vampire film concerning an aging antique dealer who finds a clockwork device that rejuvenates but leaves him with a taste for blood
Cannibal Ferox (1981)

Along with Cannibal Holocaust, this was the most notorious and extreme of the Italian cannibal film fad of the 70s/early 80s. The film becomes a catalogue of violent savageries that are not recommended for the faint of heart
Death Wish II (1981)

The first of several sequels to the hit Charles Bronson vigilante film, the first under Cannon Films. While the first film had some interesting things to say, this mostly repeats the original while taking some turns to the nastily exploitative
Leonard Part 6 (1987)

Bill Cosby was massive on tv during the 1980s but when he tried to move to film it resulted in this bizarre flop of a gonzo spy comedy starring Cosby as a retired agent forced to return to the field
Jason and the Argonauts (1963)

Stop-motion animator Ray Harruhausen takes on Greek Myth and creates one of his finest works. Harryhausen’s effects are at the absolute peak of their game and he delivers some astonishing creations
House (1986)

Amiably silly haunted house film with William Katt fighting rubbery pop-up monsters. This doesn’t take itself too seriously. A minor hit that produced three sequels.
The Wasp Woman (1959)

Roger Corman cheapie clearly influenced by The Fly in which a woman becomes a creature after using a beauty product derived from wasp venom
Dragonworld (1994)

One of the better films produced by Charles Band. Despite variable dragon effects, this is a children’s film that captures a genteel sense of innocence
Tombs of the Blind Dead (1971)

The first in a series of films from Spanish director Amando de Ossorio about blind Knights Templar zombies. De Ossorio is clearly influenced by Night of the Living Dead but creates considerable atmosphere
Isle of the Dead (1945)

One of the classic psychological horror films from producer Val Lewton. This is a slightly less effective Lewton work featuring Boris Karloff on a plague-ridden island unsure if a vampire creature is responsible
Jekyll and Hyde … Together Again (1982)

Extremely silly and at times undeniably funny spoof on Dr Jekyll and Mr Hyde – here Dr Jekyll becomes a coke addict who snorts his formula and turns into a swinger with a giant afro
Village of the Giants (1965)

Bert I. Gordon, who spent most of his career making giant animal and people films, makes a film about giant rock’n’rolling teenagers. Supposedly adapted from a novel by H.G. Wells
Yog – The Monster from Outer Space (1970)

One of the more forgettable films from Godzilla creator Ishiro Honda about an alien entity taking the form of giant animals on a Pacific island
Young Sherlock Holmes (1985)

Steven Spielberg produced film about an adolescent Sherlock Holmes often feels like it is Holmes being pitched as an Indiana Jones adventure but comes with some beautifully made touches
Dead of Night (1945)

Celebrated British horror anthology, which tells five ghost stories and tales of the supernatural. All are strong stories with The Ventriloquist’s Dummy segment in particular having become regarded as a classic
Rest in Peace (1982)

Forgotten 1980s horror where Meg Tilly accepts a dare to spend a night in a mausoleum as a powerful psychic returns to life
Play Misty for Me (1971)

Clint Eastwood’s directorial debut is a psycho-thriller that prefigures Fatal Attraction with Eastwood playing a radio DJ who is stalked by a deranged Jessica Walter
Passionate Revenge (1996)

Low-budget director Fred Olen Ray makes a softcore variation on Fatal Attraction with a vengeful Shauna O’Brien obtaining a job as the babysitter with the married man who jilted her
Multiplicity (1996)

Harold Ramis followed up the hit of Groundhog Day with this amiable comedy in which Michael Keaton is an overworked husband who creates several clones of himself to help with the workload
Mercano the Martian (2002)

Satiric Argentinean animated film about a Martian stranded on Earth
Love is a Treasure (2002)

A Finnish art project that consists of five episodes that subjectively depict stories of women with mental illness with strikingly surreal effect
The League of Extraordinary Gentlemen (2003)

The much hated adaptation of the Alan Moore graphic novels. It is undeniable fun watching the crossover between various fictional Victorian characters, while the production design is amazing
The Decay of Fiction (2002)

An experimental film where a camera wanders through an abandoned hotel over which fragments of film footage have been overlaid suggesting a hotel inhabited by ghosts of former residents
Orphee (1950)

Jean Cocteau’s beautiful modernisation of the Greek myth of Orpheus and Eurydice updated to post-War France
Beauty and the Beast (1946)

Jean Cocteau makes one of the greatest of all fantasy films and the finest of all fairytale adaptations, elaborating the original story out with a visual magic that still manages to dazzle audiences today
Adventures of Captain Marvel (1941)

A twelve-chapter serial based on the comic-book superhero who these days is known as Shazam. Often regarded as one of the best of all serials, this has some decent action scenes and cliffhangers
Split Infinity (1992)

Christian-made family film where a girl travels back in time to 1929 to help save the family farm
Spies Like Us (1985)

Unfunny John Landis film with Chevy Chase and Dan Aykroyd as two bumbling CIA agents. This aspires to being one of the Bob Hope-Bing Crosby Road films but only arrives at inane slapstick
Surviving the Game (1994)

Blatant copy of Jean-Claude Van Damme’s Hard Target and both in turn from The Most Dangerous Game. Here Ice-T is a homeless man forced to flee hunters and survive with his bare hands.
Iron Warrior (1986)

A low-budget Italian sword-and-sorcery film, one of a host of such films that came out following the success of Conan the Barbarian. This was the third entry in the Ator series starring Miles O’Keeffe
Fear and Loathing in Las Vegas (1998)

In attempting to capture the surreal, paranoiac drug haze of Hunter S. Thompson’s counter-culture classic, Terry Gilliam’s adaptation becomes a rambling, self-indulgent mess of tripped-out visions that go on and on
The Fan (1996)

A dense, visually afire film from the great Tony Scott starring Robert De Niro as a sports fan who snaps from the pressures of ordinary life and then stalks baseball star Wesley Snipes
The Wicker Man (1973)

Classic horror film that imagines a secret world of pagan rites existing into the modern day. As much a classic for its colourful creation of a folk culture as it is for an unforgettable ending
The Island (1980)

Novelist Peter Benchley’s name was huge as a result of Jaws. One of the less successful Benchley adaptations about the discovery of a lost society of pirate descendants who prey on shipping in the Bermuda Triangle
Scanner Cop II: Volkin’s Revenge (1995)

The fourth and last of a series of low-budget sequels to David Cronenberg’s Scanners, also the worst of the bunch featuring a series of absurd head-exploding effects
The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies (1964)

One of the great ridiculous titles of all time. It’s a shame there’s nothing that comes anywhere near matching it in this tatty, poorly made film about a fortune teller turning men into disfigured, hypnotised slaves
The Innocents (1961)

Henry James’ The Turn of the Screw is a classic ghost story that hovers in a state of ambiguity as to whether the ghosts are real or in the heroine’s imagination. Of the multiple film versions, this is the best and most authentic to the story
The Return of Count Yorga (1971)

Count Yorga, Vampire was a minor success that started a spate of modern-day vampire films. This was a slightly lesser sequel that has the same droll wit but gets sidetracked in the middle sections
Dawn of the Mummy (1981)

By its very title, this is a mummy film that is trying to exploit Dawn of the Dead. Once the mummies are revived this is to all intents and purposes another in the fad for extremely gory Italian zombie films
Bulletproof Monk (2003)

Painfully derivative US-made attempt to jump aboard the popularity of Wu Xia following The Matrix and Crouching Tiger, Hidden Dragon. There are talented people involved who should have known better
Timecop (1994)

Film featuring Jean-Claude Van Damme as a temporal police officer. While you expect another time travel action film, this has quite a deal more sophistication in the scripting department than you expect
Lost in La Mancha (2002)

Fascinating documentary about the making of Terry Gilliam’s never completed The Man Who Killed Don Quixote and how everything fell apart due an extraordinary run of bad luck
Lon Chaney: A Thousand Faces (2000)

A documentary about the legendary silent actor Lon Chaney who was the original Phantom of the Opera among other horror roles. Chaney would undergo incredible physical transformations for each role
Cowboy Bebop: The Movie (2001)

The feature film spinoff of a cult anime tv series about intergalactic bounty hunters who in the plot here are on the track of a stolen nanotech virus
Cabin Fever (2002)

The first film from Eli Roth, which proved a solid hit, one that gets back to gore-drenched horror basics. Not quite the classic it was acclaimed but delivers the goods and with a strong dose of wryly sarcastic humour
Cry of the Banshee (1970)

Dreary film in which Vincent Price is a magistrate who is haunted by a manifestation of The Devil for his witch persecutions. The publicity falsely tried to sell this as an Edgar Allan Poe adaptation.
The Night Walker (1965)

William Castle psycho-thriller (from a Robert Bloch script) that creates an incredibly haunted mood between dream and reality only to fall apart in an absurdly contrived ending
Demonlover (2002)

Corporate thriller in which Connie Nielsen discovers an underground of snuff S&M. This develops a compulsive hold but its pullback to kneejerk moralism is dissatisfying
Dracula: Pages from a Virgin’s Diary (2002)

Guy Maddin’s reinterpretation of Bram Stoker’s Dracula as a ballet and silent movie is an extraordinarily creative work while remaining far more faithful to the original story than many other film versions do
Intacto (2001)

Fascinating directorial debut from Spanish director Juan Carlos Fresnadillo about a man drawn into an underground society where people bet on the luck quotient of others
The Shadow of Mary Poppins (2002)

Documentary about Mary Poppins creator P.L. Travers that delves into the questions of her secretive past and often fictionalised biography, while also covering the making of the Disney film
A Boy and His Dog (1975)

This adaptation of a Harlan Ellison story is a B-budget delight that zings with witty dialogue and a young, unknown Don Johnson giving a very funny performance as the titular boy roaming the post-apocalyptic landscape with his dog
Juliet of the Spirits (1965)

A Federico Fellini film in which Fellini’s wife Giulietta Masina plays a housewife whose grasp starts to slip over until it is taken over by hallucination and fantasy
Curse of the Crimson Altar (1968)

Dreary British occult film that wastes a great cast line-up, including Christopher Lee, Barbara Steele and an 82 year-old Boris Karloff in his last performance
Letters from a Dead Man (1986)

Amid, the 1980s body of nuclear war films, all others are English-language made but this is one made by the Russians. The results are incredibly bleak but also have a haunting poetry
Mannequin on the Move (1991)

A sequel to the Mannequin, the inane comedy about a romance with a storefront dummy come to life. Here Kristy Swanson plays a princess who is turned into a statue before being awoken in the present
Indiana Jones and the Temple of Doom (1984)

Steven Spielberg and George Lucas’s first sequel to Raiders of the Lost Ark is like a single 118 minute rollercoaster ride without let-up in terms of action, although is far less polished in the scripting department
Adrenalin: Fear the Rush (1996)

An Albert Pyun action film with police officers Christopher Lambert and Natasha Henstridge pursuing an infected man through the sewers of a future quarantine zone
Sorority Babes at the Slimeball Bowl-o-Rama (1987)

A David DeCoteau film that comes with one of the great exploitation titles of all time but is otherwise a cheap Scream Queen vehicle about a demonically possessed bowling trophy
Manos: The Hands of Fate (1966)

Regarded as one of the worst films ever made, more than anything this is just dull and boring. The plot concerns a couple straying into a desert home where a warlock is about to be resurrected
Candy (1968)

A bad movie classic. Ewa Aulin is an alien innocent who passes through a series of sexual encounters. Based on a satirical novel, this mostly serves as the opportunity for several name stars to give embarrassingly bad performances
Butcher, Baker, Nightmare Maker (1981)

Psycho film that features Susan Tyrrell giving a totally demented performance and a plot that involves some fascinatingly twisted sexuality
City of the Living Dead (1980)

One of the key films in the cult of Lucio Fulci, a zombie film driven by a series of gore-drenched set-pieces. On the other hand, there is the complete lack of a plot holding everything together
Terminator 3: Rise of the Machines (2003)

After the highs of James Cameron’s first two Terminator films, this was a crashing disappointment. Schwarzenegger is back but his performance has become self-parody and the uninspired action sequences are accompanied by some terrible effects
Tattoo (2002)

German thriller in which an investigating detective is drawn into an underground world where people are being killed by collectors for their tattoos
Suicide Club (2002)

Japanese horror film that launched the name of Shion Sono and is attention grabbing but proves an unfathomable mix of mass suicides, mysterious websites that predict deaths and a pop band seemingly controlling it all
My Little Eye (2002)

One of the best of several horror films that came out immediately following the advent of the reality tv show in the early 2000s. Director Marc Evans creates a sense of clammy claustrophobia.
Hulk (2003)

An early entry among the pre-MCU surge of Marvel Comics films in the early 2000s sees Ang Lee taking on The Incredible Hulk. Not Lee’s best film, this was slighted at the time but is worth reconsideration
Critters (1986)

A surprisingly likeable Gremlins copycat concerning an invasion by a horde of malicious alien creatures. An enjoyable popcorn muncher that has produced four sequels.
Dead Or Alive 2 – Birds (2000)

Takashi Miike’s Dead or Alive was a Yakuza film with a gonzo ending. In this sequel, Miike brings back the same two actors and makes it ALL gonzo
Bruce Almighty (2003)

Comedy in which God appears to Jim Carrey and grants him His powers for one week. Expectedly the film is of zero theological depth and all about Carrey going completely over-the-top
London After Midnight (1927)

A lost film from the great silent actor Lon Chaney [Sr] who would undergo great physical makeup transformations for his role. This also has the distinction of being the first Hollywood-made vampire film
The Naked Jungle (1954)

Vivid, well written production from George Pal with Charlton Heston as the owner of a South American plantation who faces an unstoppable horde of marabunta ants that are devouring everything in their path
Soft for Digging (2001)

Film made without dialogue about haunted happenings at a cabin in the woods that attains quite a haunted atmosphere
Sinbad: Legend of the Seven Seas (2003)

DreamWorks animated Sinbad adventure by the numbers that seems to go out of its way to tell a Sinbad story divorced of its Islamic cultural background
Popcorn (1991)

Surprisingly good modern slasher film set in a movie theatre during a festival of old horror films. The films come with surprisingly affectionate and well done recreations of old gimmick films, and the slasher sequences a more than reasonable style
Quintet (1979)

The great Robert Altman’s most frustrating film set around an enigmatic dice game in a frozen future
Orphans and Angels (2003)

New Zealand made film about a woman who falls under the influence of a sinister stranger who plies her with drugs
The Beast (1975)

An exquisitely dreamlike erotic fairytale from cult director Walerian Borowczyk, a variant on Beauty and the Beast involving the liaison between a girl and a beast.
Volcano High (2001)

Energetic South Korean attempt to employ the Wu Xia action moves popularised by The Matrix and Crouching Tiger, Hidden Dragon in a high school setting
In My Skin (2002)

Fascinatingly perverse film directed and written by its star French actress Marina de Van who plays a woman who becomes obsessed with mutilating her own skin
Dahmer (2002)

A film based on true-life serial killer Jeffrey Dahmer that does a reasonable job in depicting the Dahmer story. This stars a young unknown Jeremy Renner in the title role
Avalon (2001)

Visually stunning live-action film from Mamoru Oshii, director of Ghost in the Shell, set in the beautifully stylised faded sepia tone world of a Virtual Reality game
Guardian (2001)

Utterly generic action film with Mario Van Peebles as a detective tracing a street drug that turns people psychothic before finding he is up against a body-hopping demon
Cannibal Apocalypse (1980)

Entry in the notorious Italian cannibal genre of the late 70s/early 80s. Here the recent hits of Dawn of the Dead and Apocalypse Now are merged in a plot involving zombified Vietnam veterans
Batman Beyond: Return of the Joker (2000)

Film spinoff of Batman Beyond, an animated tv series set in the future as a youngster inherits a hi-tech Batsuit from an aging Bruce Wayne. The film resurrects The Joker but fails to do anything interesting with the character
Alice in Wonderland (1999)

A fairly reasonable tv mini-series adaptation of Lewis Carroll – a version that excels in terms of design and in using The Jim Henson Workshop to bring the Wonderland creatures to life
Irreversible (2002)

A highly controversial Gaspar Noe film that is all told in reverse chronological order, depicting the rape of Monica Bellucci and violent revenge by her husband Vincent Cassel
Final Destination 2 (2003)

The first of the sequels, this has a group receiving bizarre deaths after receiving a premonition that prevents a deadly pile-up on the highway. It reveals the problems of creating a sequel to a film that was never intended to be a series
Phone Booth (2002)

Sharp and original script from Larry Cohen in which Colin Farrell is trapped inside a phone booth by a sniper. Good story that even the awful Joel Schumacher in the director’s seat doesn’t screw up too badly