Marrowbone (2017)

Film about children hiding in big old house of secrets following the death of their mother. Filled with all manner of fascinating secrets and twist revelations
Mars Attacks! (1996)

Tim Burton makes a film based on the old Topps bubblegum card series about Martian invaders, which becomes an affectionately goofy tribute to 1950s alien invasion cinema
Mars Express (2023)

A French animated film, SF noir set on a future Mars with detectives fighting against someone who is jailbreaking robots. This deploys a strong and confident use of Cyberpunk tropes
Mars Needs Moms (2011)

Motion-capture animated version of a popular children’s book. The title suggests a 1950s B movie and the subtext doesn’t bear close examination but the results are engagingly put together
Marshland (2014)

A strong and tightly wound police procedural, not unreminiscent of the first season of True Detective. What makes the plot stand out is the beautifully desolate setting of the remote Spanish marshlands
Martyrs Lane (2021)

Director Ruth Platt creates a beautifully subtle and delicate ghost story
Mary and the Witch’s Flower (2017)

The third film from former Studio Ghibli employee Hiromasa Yonebayashi. Yonebayashi is seen as the carrier of Hayao Miyazaki’s mantle, so much do his films look like lost Miyazaki works. This is sweet and amiable, even if it never hits the emotional heights Miyazaki does
Mary Shelley (2017)

Biopic of Mary Shelley, the author of Frankenstein. This is a women-written and directed work so the film places an interesting feminist slant on her story meaning that she wrote the book less to address themes about science and hubris than because she was in an unhappy marriage
Massacre at Central High (1976)

Classic 1970s exploitation film about a new kid in high school who takes violent reprisals against bullies. The film comes with surprising levels of allegory.
Master of the World (1961)

One amid the spate of Jules Verne adaptations of in the 50s/60s with Vincent Price as Robur, the inventor of an amazing airship
The Matrix Reloaded (2003)

The first of the sequels to The Matrix inevitably disappointed on the massive build-up. The Wachowskis leave more questions than answers, while the new action scenes are often jaw-dropping they also feel boiler-plated on
The Matrix Revolutions (2003)

Third of The Matrix sequels and the weakest of the series. This offers one showstopping effects sequence, on the other hand it also leaves a host of unanswered questions dangling
Matthew Blackheart (2002)

Film about a monster hunter from the 1940s thawed out in the present-day. This appears to have been made as a tv pilot
Max & Co (2007)

Amiable Swiss Claymation effort that makes for inevitable comparison to the output from Aardman Studios
Max Reload and the Nether Blasters (2020)

Videogamers fight a demonic entity unleashed from a 1980s game. A film that is far more fun that you expect and comes loaded with videogaming in-jokes
May (2002)

Almost unclassifiable work from Lucky McKee that plays out as a gonzo love and rejection story featuring an alienated Angela Bettis before an end that tips over into horror
May the Devil Take You: Chapter Two (2020)

May the Devil Take YouThe Evil Dead. Here Timo Tjajjanto makes a sequel and goes absolutely demented
Mayhem (2017)

A cross between The Belko Experiment with its murderous elimination game in an office and George Romero’s The Crazies as workers in an office is infected by a virus that causes them to lose their inhibitions. Made with dark relish
The Maze (1953)

William Cameron Menzies built a standout genre reputation with films like Things to Come and Invaders from Mars. This is a haunted house film, albeit with an ending that goes into WTF territory. Menzies was also a production designer and his films come with a design scheme superbly attuned to the mood of the film
The Maze Runner (2014)

One of the better among the current fad for Young Adult dystopian SF works post-The Hunger Games. This dispenses with dystopian Coming of Age stories and gives us a fascinating conceptual mystery even if the answers prove underwhelming
Meatball Machine (2005)

In the late 2000s, Japan has produced a series of films drenched in gore, featuring absurd creature effects and action moves; this was the first of them – a wonderfully cartoonish film with rival bio-mechanoid creatures fighting
Medea (1969)

The controversial Pier Paolo Pasolini makes a film based on Medea – the wife of Jason (of Jason and the Argonauts fame), from Greek myth, not to be confused with Tyler Perry’s films, Contrary to the way she is usually portrayed on screen as Jason’s love interest, there is another whole story where she is a vengeance-crazed witch who slaughters their children after he leaves her for another woman
The Medium (2021)

A Thai possession film shot Found Footage. This takes place among very different cultural rituals, which makes a welcome difference to the cliches that dominate Western possession films, and builds up to something quite out there
Meet the Applegates (1991)

Rather funny satiric comedy about a family of insects who set up house in suburbia posing as humans
Meet the Robinsons (2007)

One of the more enjoyable efforts from the mid-2000s dead zone where Disney animation with filled with ideas that left-you scratching your head, this quickly gets demented and emerges like The Jetsons colliding with The Royal Tenenbaums
Meeting Evil (2012)

A surprisingly good variant on The Hitcher (albeit set in urban environs) where Samuel L. Jackson does the unique Samuel L. Jackson sarcastic badassery with demoniac results as a psychopathic stranger who takes hapless family man Luke Wilson for a ride leaving a trail of bodies
Meg 2: The Trench (2023)

The sequel to the Jason Statham starring killer shark film, bigger and more over the top than before. The surprise is seeing cult director Ben Wheatley turning to making a big, dumb film
The Meg (2018)

Big budget about a giant prehistoric killer shark film. This is like a Sharknado film with its sense of its own risibility perfectly under cap, played seriously and mounted as a series of spectacular shark attack sequences
Mega Python vs. Gatoroid (2011)

The Asylum had hits with Mega Python vs Giant Shark and Mega Piranha, both featuring former teen pop stars Debbie Gibson and Tiffany as the leads. This pits both Tiffany and Debbie together in an epic bitch-fight against the backdrop of clashing giant animals with rather entertaining results
Mega Shark vs Kolossus (2015)

The fourth of The Asylum’s Mega Shark films and the best of the series where they get the balance of tongue-in-cheek absurdity just right and the low-budget effects prove surprisingly good
Mega Time Squad (2018)

There have been some very sophisticated time paradox films in recent years. At complete contrast, this is a comedy that has a great deal of fun with the premise of a guy and assorted temporal copies of himself running about
Melancholia (2011)

Lars von Trier’s exploration of his depression continues in this nihilistic end of the world film. It is bleak and relentless but the characters are opaque in their motivations. Somehow I prefer von Trier back in agent provocateur mode
Memories of Murder (2003)

Early film from Bong Joon-ho, a true crime work about the investigation into a rural Korean serial killer
Memory: The Origins of Alien (2019)

An absorbing documentary about the making of Alien, which charts the film’s origins and the making of the classic chestburster scene
Men & Chicken (2015)

A Danish black comedy where the humour is delivered in perfect pitch deadpan. Imagine a version of The Island of Dr Moreau as directed by Giorgos Lanthimos of Dogtooth and The Lobster fame
Men Behind the Sun (1988)

One of a rare handful of films that can be considered the most extreme ever made, this a catalogue of the true-life atrocities and experiments inflicted on prisoners during the Japanese occupation of Manchuria in WWII. An intensely uncomfortable watch not recommended for the faint-hearted
Men in Black (1997)

A huge box-office hit, this comedy turns UFO conspiracy of
The Men Who Stare at Goats (2009)

Film based on the supposed Psychic Warfare Division of the US Army. Based on a non-fiction book, this is played by director Grant Heslov as a broad farce and sits on an uncertain line as to whether the powers are real
The Mephisto Waltz (1971)

A clear attempt to copy Rosemary’s Baby made with extraordinary stylishnessas Jacqueline Bisset believes husband Alan Alda’s body has been stolen by a dead man
Mercy (2000)

One of the better copies of Basic Instinct with detective Ellen Barkin being tempted as she investigates a serial killer who is targeting women who were involved with a lesbian call girl
Meridian (1990)

A much better than usual film from Charles Band, an erotic fairytale in which Sherilyn Fenn becomes involved with a circusmaster and his twin brother who turns into a werewolf
Message from Space (1978)

Japanese attempt to jump aboard the Star Wars fad, a vigorous and colourful retelling of The Seven Samurai as a space opera
Messages Deleted (2010)

In his last ever produced screenplay, cult director Larry Cohen turns in a wonderfully playful script with Matthew Lillard as a screenwriting lecturer harassed by a killer only to find real-life doesn’t obey the same rules that screenplays do
Messiah (2001)

A strong and worthwhile serial killer thriller mini-series from the BBC with a killer targeting victims with the names and professions of the apostles
Messiah of Evil (1973)

Film that has developed a cult reputation set in a seaside town where the dead are returning to life. The film has an unsettling nightmare ambience where things happen without any explanation
Metamorphosis (2010)
Wildly experimental South Korean adaptation of the Kafka story about a man turning into an insect – a film shot entirely by the director in bed with the camera pointed at his feet
Meteor Moon (2020)

The Asylum’s mockbuster version of Moonfall. This plays a ridiculous premise with an ingenious absurdity and proves far more entertaining than its bigger budgeted model
Metropia (2009)

Animated film set in a dystopian near-future Europe of constant surveillance where even people’s heads are monitored
Michel Gondry: Do It Yourself (2023)

A documentary focused on the unique and distinctive French director Michel Gondry, tracing his emergence through music video and to the success of films like Eternal Sunshine of the Spotless Mind
The Midnight Club (2022)

Mike Flanagan horror mini-series adapted from Christopher Pike’s book, this is set around a group of patients in a hospice who form a group to tell each other horror stories
Midnight Special (2016)

This feels like a reworking of late 70s/early 80s sf films like Starman and Close Encounters of the Third Kind. Much of the film is based around a series of amazing happenings but its crucial failure as science-fiction is the lack of explanations for why these are happening
A Midsummer Night’s Dream (1999)

Amid Kenneth Branagh’s dynamic cinematic revival of Shakespeare in the 1990s, there was this all-star adaptation of Shakespeare’s whimsy about fairy enchantments
A Million Days (2023)

An ambitious film yet a;; contained within a single house, set on the eve of a space mission where the commander realises that the A.I. has started going wildly off-book
Mimic (1997)

This was the second film from Guillermo Del Toro, a modest and quite good Alien copy with Mira Sorvino hunting evolved insects in the New York subway tunnels
Mirai (2018)

Mamoru Hosoda film nominated for the Best Animated Film at Academy Awards. A young boy jealous at the arrival of a baby sister is visited by her future self and travels through time to meet his family at different periods
Miranda (1948)

The very first mermaid film, a wonderfully droll comedy in which a capricious Glynis Johns innocently wreaks havoc on all the men around her
Miss Meadows (2014)

There is an irresistible appeal to this film – Katie Holmes as a perfect, sweetly smiling Miss Manners dressed in Sunday Best who, in between correcting people’s manners and punctuation, is also a gun-toting vigilante in the best tradition of Charles Bronson
Miss Zombie (2013)

A remarkable little Japanese zombie film about a family who adopt a zombie maid. This is shot kitchen sink style and becomes a study in the way her blank presence begins to affect everyone around her
Mission: Impossible – Fallout (2018)

The sixth of the Mission: Impossible films. Not the best of the series but Tom Cruise and associates have everything polished to an expertly honed formula by now and the film is a kinetic ride of intensive and often jaw-dropping action sequences
Mission: Impossible II (2000)

The second of Tom Cruise’s Mission: Impossible films where he has the smarts to hire John Woo as director who brings his customary stylish flair with action to transform the film into something exhiliraing
Mission: Impossible – Rogue Nation (2015)

The Mission: Impossible films have become superbly polished vehicles with exotic locales, death-defying stuntwork and spectacular action sequences. This enacts it all well; the main problem is that Ghost Protocol is such a tough act to follow that this cannot help but fall in its shadow
Mister Frost (1990)

Fine film that deserves wider recognition with Jeff Goldblum as a man in an asylum who claims to be The Devil
Moloch (2022)

Folk Horror about the discovery of a witch’s body in a bog, this is a slow burn film that falls together with great subtlety
Molom, A Legend of Mongolia (1995)

Gentle affecting film about a boy learning Buddhist life lessons as he journeys across Mongolia with an old man
Mom & Dad (2017)

A captivating variant on the mass insanity film where parents are frenziedly driven to kill their children. As the murderous father, Nicolas Cage gives a performance where he lets all stops go, while director Brian Taylor, formerly one half of Neveldine/Taylor, makes a rather watchable film
Mona Lisa and the Blood Moon (2021)

Ana Lily Amirpour, director of A Girl Walks Home Alone at Night, returns with a film about a psychic girl and the eccentric grifters that accumulate around her
The Monkey King 2 (2016)

Sequel to the earlier The Monkey King, which was fun but this is altogether a better film. While the first film was more prelude to Journey to the West, this sets out on the journey and tells one of its stories. Directed with an immensely assured command of the live-action and CGi elements
Monolith (2022)

The title monolith is a cheat, this is however a creepy Australian film about a series of ultra-mysterious objects
The Monolith Monsters (1957)

A very underrated 1950s sf film … Neither quite alien invader film nor monster movie, it features some of the most original creatures of the era – rocks from a meteorite that grow into massive geodes that devour everything in their path – and eerily atmospheric direction
A Monster Calls (2016)

The story of the relationship between a giant monster and a boy whose mother is dying of cancer, this is perhaps the darkest children’s film ever made. Adapted from an award-winning illustrated book
A Monster in Paris (2011)

A charming French-made animated film about a genteel singing monster. Nothing profound but this is beautifully animated and sweetly appealing in all the right places
Monster Mash (2024)

The Asylum conduct a monster bash – a crossover between the Famous Monsters – and actually do a modest and quite enjoyable job that pays affectionate homage to the characters
The Monster Squad (1987)

Rather charming effort where the Famous Monsters – Dracula, the Frankenstein Monster, the Wolf Man, The Mummy, The Creature – are revived and pitted against a group of kids. The film has a great deal of affection for the originals and the encounters are delightful
Monster Zero (1965)

The sixth Godzilla film, the first where the series combines elements of space opera – a typical entry of the era and colourfully entertaining about it too
Monsters: Dark Continent (2014)

This offers the expectation of a sequel to the sleeper hit of Monsters; what we instead get is not many monsters and a film about recruits in a Middle Eastern war zone. That said, you cannot deny that what we have is an undeniably well made film
Monsters vs Aliens (2009)

Cutley appealing DreamWorks animated film that brings together a bunch of oddball creatures clearly intended as an affectionate homage to various 1950s sf films
Monstersdotcom (2003)

Video-released compilation of above average horror short films all set around the titular website
El Monstro del Mar! (2010)

Australian exploitation homage that is like a collision between Faster Pussycat, Kill! Kill! and a monster movie. Low-budget but this has an authentic recapturing of the spirit of trash cinema
Monty Python’s The Meaning of Life (1983)

The third and last of the Monty Python films, a variety of skits that are variously outrageous and frequently leave behind all good taste
The Moon (2023)

Solid South Korean attempt to copy Gravity and The Martian with the attempts to rescue an astronaut who becomes stranded on The Moon
Moon Crash (2022)

The Asylum offer up a mockbuster copy of Roland Emmerich’s Moonfall that is far more entertaining than the original
Moon (2009)

SF film with Sam Rockwell as a lone man stationed on The Moon discovering the truth of his existence, this gained much word of mouth when it came out
Moon Man (2012)

Beautifully made children’s film that is a refreshing change from most of the formulaic product released in the US mainstream. Comes with a sweet simplicity and an enormous freshness, while the animation is rendered with a considerable beauty that makes it just as much a film for adults
Moon Zero Two (1969)

Muchly ridiculed Hammer film that was billed as a ‘Space Western’. Once one gets past that it is actually a far more interesting film than it suggests
More Than a Miracle (1967)

A whimsical Italian fantasy with Sophia Loren as a peasant girl who connects with price Omar Sharif amid romance and magic
Mortal (2020)

The director of The Troll Hunter returns with a stunningly shot film with Nat Wolff a mystery man found by police who demonstrates increasingly more godlike powers
Mortal Kombat (1995)

This film adaptation of the videogame is a lot of fun. The plot is a rehash of Enter the Dragon but the film offers up wall-to-wall action and exotic creatures. A directorial debut for Paul W.S. Anderson
Mortal Kombat Legends: Scorpion’s Revenge (2020)

An animated film revival of the Mortal Kombat videogame franchise. This does a quite reasonable reworking of the basics, while leaving you blown away with the ultra-violent excesses of the action
Most Beautiful Island (2017)

Ana Asensio, a Spanish immigrant, writes, directs and stars in a story about a cash-strapped Spanish immigrant who is forced to seek employment in a secret society in order to make ends meet (*)
The Moth Diaries (2011)

Interesting attempt to rewrite Carmilla for the Twilight crowd. In fact, this is a film that features more credible teenage girls and is far more successful as a horror film and at creating uncanny mood than the Twilight films were
Mother! (2017)

Darren Aronofsky’s surreal drama wildly divided critics and was a box-office flop with general audiences. Naturally, what I thought the film was about was completely different to what Aronofsky stated it was about
Mother of Flies (2025)

The Adams Family have become one of the most impressive genre talents in recent years. It has been fascinating watching them explore a dark version of American folk horror – this takes them into the darkest places they have visited yet
The ? Motorist (1906)

Early silent film in which a motorcar travels so fast that it heads into orbit. One of the films from Walter R. Booth, a British imitator of Georges Melies, The effects are less sophisticated than Melies developed around this point but the film has its charms
Mouse on the Moon (1963)

Quirky and charming sequel to The Mouse That Roared in which the world’s smallest country decides to launch a mission to the Moon and accidentally end up winning the Space Race
MouseHunt (1997)

The directorial debut of Gore Verbinski, this harnesses Babe-styled animatronics to essentially create a live-action Tom and Jerry cartoon with two comic villains being outwitted by a seemingly unkillable mouse
Mowgli (2018)

This Andy Serkis directed version of The Jungle Book with motion capture animated animals had its thunder stolen by the more high-profile Disney remake of 2016 but is a far superior film
Mr Crocket (2024)

A wonderfully grotesque and sinister film about a failed children’s show host who returns from Hell as a boogeyman come to snatch children away from bad parents. Think Death to Smoochy meets A Nightmare on Elm Street
Mr. Harrigan’s Phone (2022)

A nicely made Stephen King adaptation about a teen who starts to receive text message from beyond the grave. From Ryan Murphy, the producer behind tv’s Glee and American Horror Story
Mr India (1987)

A Bollywood film about an invisible superhero, this is sparing on effects but should be seen for the lunatic entertainment value it offers, including several surreal song and dance numbers and much frenetic slapstick
Mr Peabody and the Mermaid (1948)

A Hollywood copy of the British mermaid film Miranda in which dull middle-aged William Powell fishes up capricious mermaid Ann Blyth. This has an amiable charm