A Fish (2012)

Willfully cryptic and baffling South Korean film that only ends up being dull and confusing. Disappointingly, the big denouement reveals that all we have is another copy of The Sixth Sense with pretensions to meaningfulness
Flatliners (2017)

Another remake we never asked for. Considering that this had the entire CGI revolution to conceive of the afterlife journey and merely has to top Joel Schumacher, it is amazing how dull and uninteresting this emerges as
Fleming: The Man Who Would Be Bond (2014)

TV mini-series biopic of James Bond creator Ian Fleming that substantially embellishes details of Fleming’s biography to create its own story. Dominic Cooper is absurdly miscast as Fleming, playing the part with a boyish smirk
Flight of Fury (2007)

A blatant copy of the Clint Eastwood film Firefox where Steven Seagal is sent to retrieve a hi-tech stealth bomber that has been stolen by a rogue colonel
The Flintstones in Viva Rock Vegas (2000)

Sequel to the live-action The Flintstones film. Whether we asked for it or not, this offers up a Flintstones origin story where we see familiar elements of the series fall into place
Flowers in the Attic (2014)

TV movie remake of Virginia Andrews’ best-selling Gothic melodrama about children imprisoned in an attic. Even if more faithful to the book, this is no better than the 1987 film
The Forbidden Kingdom (2008)

Westernised homage to Wu Xia and the Shaw Brothers film with an American teen transported back to Ancient China, this has all the thrill of junior-grade martial arts tournament
Forest Warrior (1996)

Near laughable film in which Chuck Norris is cast as the guardian spirit of a forest preaching eco-friendly attitudes to kids and inspiring them to stand up against loggers
Francis (1950)

This was the first in a series of excruciating comedies that pairs hapless Donald O’Connor with Francis, a talking mule. Six sequels followed
Frankenstein 2000 (1992)

Supposedly a modernised version of Frankenstein, although what a story about a woman in a coma who uses psychic powers to resurrect a slow-witted handyman to exact revenge has to do with Mary Shelley’s classic is anybody’s guess
Frankenstein ’80 (1972)

This Italian exploitation film was one of the first attempts to try modernising the Frankenstein film. Thus Frankenstein is a doctor stealing corpses from the morgue at a modern hospital
Frankenstein Unbound (1990)

Roger Corman disappointed with his return to the director’s chair after twenty years. He adapts a Brian Aldiss novel about a time-traveller meeting both Mary Shelley and Dr Frankenstein
Frankenstein’s Daughter (1958)

A Z-budget effort that taps the 1950s teenage monster fad, producing a number of ridiculous dialogue howlers and a female monster that induces laughter whenever it turns up on screen
Freakier Friday (2025)

The 2003 Freaky Friday was one of the better Disney remakes with Jamie Lee Curtis and Lindsay Lohan giving inspired performances as mother and daughter who swap bodies. The two reunite for a sequel here
Freaky Friday (2018)

The fourth film version of the Disney comedy about a mother and daughter who swap bodies for one day. This was made for the Disney Channel and comes as a grating teen musical
Freedom Strike (1998)

Michael Dudikoff-starring action film about the use of advanced technology during a Middle Eastern war as Syrian terrorists hijack and threaten to fire US nuclear missles
Freejack (1992)

Emilio Estevez is snatched into the future and pursued for his body by bounty hunter Mick Jagger in an SF film that makes no sense at all. A film more worth watching for some bizarrely awful performances
Freshwater (2016)

The killer crocodile/alligator film has not had a great track record (with only a couple of exceptions). This is not one of those exceptions and quickly sinks into risibility
Friday the 13th Part VII: The New Blood (1988)

The seventh of the Friday the 13th films, this tries to add some novelty with a heroine who has psychic powers but is mostly the same thing as before
Friend Request (2016)

Another in the spate of social media horror films, this is a blatant copy of Unfriended, albeit mashed up with Ring to create the idea of a cursed newsfeed. This is also the lamest of the bunch
From Dusk Till Dawn 2: Texas Blood Money (1999)

The first of two video-released sequels to From Dusk Till Dawn, this spins the premise to have a group of robbers at siege from police inside a bank vault as they are attacked by vampires
From the Dead of Night (1989)

A tv mini-series where Lindsay Wagner has a near-death experience and is then haunted by people come back from the dead to kill her. From the author of The Howling
Frost: Portrait of a Vampire (2001)

Kevin VanHook, otherwise a visual effects artist, directs a vampire hunter film that looks like a low-budget copy of better works like Blade and Vampires
Frozen II (2019)

Frozen was the most successful animated film of all time. It also felt the most formulaic and least inspired Disney film of the 2000s. As part of Disney’s new business policy of recycling everything, this is a sequel.
The Fury of the Wolfman (1972)

This was the fourth (or maybe the fifth) of the Spanish films in the popular series about the wolfman Waldemar Daninsky starring Paul Naschy. Also one of the shabbiest of the series.
Future Kick (1991)

Cheap Cyberpunk action film that borrows the basics of Cyborg with Don ‘The Dragon’ Wilson as android bounty hunter engaged in stopping corporate skulduggery
Future-Kill (1984)

Low-budget attempt to make a Cyberpunk film. Essentially The Warriors with New Wave fashions as a group of frat boys are pursued by a relentless, psychopathic cyborg
Futureworld (1976)

A sequel to the original Westworld. Here the cleverness of Michael Crichton’s film is rehashed as a B movie plot about the amusement park now hosting android takeover conspiracies
Gacy (2003)

A film based on true-life serial killer John Wayne Gacy. This adheres to the facts for the most part but is also one of the dullest of the mid-00s spate of serial killer biopics
Gacy House (2010)

This has the great idea of paranormal investigators investigating the home of real-life serial killer John Wayne Gacy. Alas, Gacy is of zero relevance and the film no more that a tatty Found Footage effort
Galaxina (1980)

The major distinction this has is in starring murdered Playboy Playmate Dorothy Stratten. An SF comedy made in the aftermath of Star Wars where Stratten is an android on a ship voyage romancing her human commander
Gamera vs Jiger (1970)

The fifth of the 1960s Gamera films. This comes with inane plotting, sub-par effects and silly monster fight scenes, even a plot stolen from Fantastic Voyage about a submarine journey into the monster’s body
Gappa the Triphibian Monster (1967)

This was a fairly crappy and terrible Japanese monster movie from a rival company seeking to copy the success of Toho’s Godzilla films
Garfield: A Tale of Two Kitties (2006)

Where the first live-action Garfield film approximated the original comic-strip and its focus on a cat delivering sarcastic lines, this sequel pitches everything down to the level of an inane children’s film
The Gateway (2018)

The parallel worlds/alternate timelines theme is one rich in possibilities but this Australian film is one of the least imaginative treatments, serving up only tired good/bad double plots
The Gauntlet (2013)

Film with people trapped in a mysterious labyrinth, which may be Hell, where they are required to eliminate one another in order to survive. Aka Game of Assassins
Ghost Bride (2013)

New Zealand director David Blyth directs a ghost story that draws on Chinese supernatural. Blyth seems to be straining to generate anything vaguely spooky
Ghost Dad (1990)

Riding high on the success of The Cosby Show, Bill Cosby flopped on cinema screens with this comedy where he appears as a father who returns as a ghost to sort out his children’s lives
Ghost in the Shell (2017)

This US-made live-action adaptation of the cult anime is a disaster on every level. The original’s haunting meditation on the dividing line between machine and human is diluted to being no more than a Cyberpunk action film
Ghost Machine (2009)

A Virtual Reality/horror film about a malevolent spirit incarnated inside a videogame. This churns all the Virtual Reality cliches as though nothing had changed since the tide of shabby 1990s Lawnmower Man copies
Ghost Month (2007)

Low-budgeted independent US film that sets a ghost story around Chinese rituals. You can admire the serious ambition but the film only provides scares that are utterly tame
Ghost Rider: Spirit of Vengeance (2012)

Ridiculous sequel to the Marvel Comics adaptation with an indifferently written script assembled from cliches, forgettable action scenes and Nicolas Cage giving one of his silliest performances in ages
Ghost Ship (1952)

From the era of the quota quickie, this is a dreary British ghost story about a couple who buy a yacht before realising it is haunted. From Anglo-horror director Vernon Sewell.
Ghosts of Girlfriends Past (2009)

From the period when Matthew McConaughey was coasting through romcoms without making any effort. This rewrites A Christmas Carol where playboy McConaughey is visited by the ghosts of three ex’s
Ghosts of War (2020)

US soldiers arrive at a chateau in Nazi-occupied France during World War II that appears to be haunted. In a conceptual reversal twist, everything is not what it seems
Ghosts on the Loose (1943)

Comedy where the East Side Kids/Bowery Boys encounter Bela Lugosi running a Nazi fifth column operation from a haunted house, although the ghosts part eventually proves misleading
The Giant Claw (1957)

1950s monster movie about a giant alien bird. A standard B movie of the era that is shot down by one of the most pathetic and ridiculous looking monsters ever put on screen
The Giant Gila Monster (1959)

A cheap and impoverished entry in the 1950s fad for giant animal movies with the giant monster being unconvincingly represented by an optically enlarged lizard
Girl at the Window (2022)

From Mark Hartley, known for his documentaries about cult cinema, a film that borrows the premise of Disturbia where a teenage girl thinks her neighbour is a serial killer
The Girl in the Trunk (2024)

A thriller that comes with an identical premise to the earlier Trunk about a girl who is abducted and locked inside the trunk of a car from where she tries to affect an escape from her abductor
The Girl with the Hungry Eyes (1993)

Based on a short story by Fritz Leiber, this is a low-budget vampire film that quickly collapses amid its absurd artistic pretensions
Girlfriend from Hell (1989)

An inane comedy in which a wimpy teenager goes on a date with Liane Curtis who then becomes possessed by The Devil who is pursued by a chaser of devils
Godsend (2004)

Film about a couple going to an institute where Robert De Niro promises a clone of their dead child. The film goes off the rails in an absurd and blatantly manipulative script that tries to turn this into a ghost story
Godzilla vs the Sea Monster (1966)

The sixth Godzilla film and the point where the series started to become silly and juvenile in its focus. A weak entry featuring some of the shabbiest effects of this era.
Godzilla vs the Smog Monster (1971)

The eleventh Godzilla in which Godzilla faces the pollution monster Hedorah. For some reason, this gets a listing in The Fifty Worst Movies of All Time, but there are far worse entries in the series
Godzilla x Kong: The New Empire (2024)

A follow-up to Godzilla vs Kong, this tries to offer more of the same but suffers another ridiculous script. This ended up being overshadowed by the acclaim that the Japanese-made Godzilla: Minus One received
Godzilla’s Revenge (1969)

The tenth Godzilla film and a low point of the series with the focus now going on the slapstick pratfalls of Godzilla’s son. Many special effects scenes are recycled from previous entries.
The Golden Child (1986)

One of Hollywood’s misguided attempts to appropriate the Wu Xia film. This is turned into an Eddie Murphy comedy vehicle where neither his live wire presence nor the fantasy elements gel together
Good Samaritan (2020)

Directorial outing from the creator of Final Destination about bystanders who are witness to a murder but do nothing and are afterwards killed by a possible supernatural agency
The Gore Gore Girls (1972)

One of Herschell Gordon Lewis’s splatter films about a killer who is targeting strippers. Lewis’s splatter outrageously over-the-top set-pieces are the only reason to watch
Grampire (1992)

New Zealand director David Blyth’s children’s film starring Al Lewis (the grandpa from tv’s Te Minsters) as a grandfather vampire is a toothless oddity that fails to work
The Great Alligator (1979)

A belated Italian-made attempt to jump aboard the bandwagon and copy Jaws with a giant alligator hunting people on an island
The Green Hornet (2011)

The long-planned big screen adaptation of the popular radio and tv masked hero becomes a disaster by placing the script in the hands of a badly miscast star Seth Rogen who plays everything for comedy
Greenland: Migration (2026)

Greenland was a disaster movie on the familiar theme of a comet colliding with the Earth. This is a desultory sequel where the survivors emerge from the shelters to now have to survive in a changed post-apocalyptic world
The Grudge (2020)

The fourteenth Ju-on/The Grudge film, a reboot of the 2004 English language version from Sam Raimi’s Ghost House Pictures. This was dumped by its distributor and received some terrible reviews
Guardian (2001)

Utterly generic action film with Mario Van Peebles as a detective tracing a street drug that turns people psychothic before finding he is up against a body-hopping demon
Gutterballs (2008)

Film about a series of gory deaths at a bowling alley, this really pushes an envelope of good taste. This gained attention for makeup effects artist Ryan Nicholson and was the cause of much censorship controversy
H.P. Lovecraft’s Cool Air (2006)

Low-budget director Albert Pyun, best known for his kickboxing cyborg action films, conducts a micro-budgeted adaptation of an H.P. Lovecraft story about a scientist who fends off death by keeping their room chilled
Habitat (1997)

Baffling mix of teen drama and eco-SF film set in an ozone depleted future with Tcheky Karyo engaged in a series of human-plant mutations that transform him into a swarm of insects
Halloween Ends (2022)

David Gordon Green and Jamie Lee Curtis return to round out their highly underwhelming Halloween reboot trilogy. By now, this feels like a Halloween film in name only
Halloween: The Curse of Michael Myers (1995)

The sixth of the Halloween films, the fifth with Michael Myers. By now John Carpenter’s original eerie suspense has been reduced to crude slasher movie payoffs. This tries to add some nonsense about druidic cults
The Hand That Rocks the Cradle (1992)

One of the thrillers influenced by Fatal Attraction with Rebecca De Mornay giving an ice cold performance as a nanny who infiltrates a family seeking revenge for the death of her husband.
The Hands of Orlac (1960)

The third film and least version of the classic horror story about a pianist who receives hands transplanted from a murderer and is driven mad believing they are possessing him
Hangman (2017)

A dreary revival of the 1990s serial killer thriller. The surprise for a work that has no ambition beyond cable filler is that it has attracted a name like Al Pacino who mugs and showboats through the worst performance of his career
Hansel and Gretel (1987)

One of a series of cheaply produced fairytale adaptations made by Cannon Films. This adapts the Brothers Grimm fairytale with tatty banality
Hansel vs Gretel (2015)

Sequel to The Asylum’s spendidly grotesque Hansel & Gretel, this pits the two characters against one another for contrived reasons to justify its title but is just cheaply made
Happy Birthday to Me (1981)

Slasher film from the 1980s heyday directed by the once great J. Lee Thompson. This drags drearily where the only going for it are some novelty splatter effects and a twist ending that makes no sense whatsoever
Hard Luck (2006)

Mario Van Peebles directs a beyond ridiculous getaway thriller that turns into Torture Porn. Cybill Shepherd gives a performance that seems determined to trash her image
Hard Target 2 (2016)

Hard Target was one of Jean-Claude Van Damme’s better films, featuring an on-fire John Woo as director. While most have forgotten it, we get a sequel here that copycats Woo’s moves to a point of tedium
Haunted Summer (1988)

Another version of the events at the Villa Diodati in 1816 with Lord Byron, Mary Shelley et al. With the material in the script, this should have been a far more interesting film than the dull affair it is
A Haunting at Silver Falls (2013)

Another supposedly based on a true story ghost story, although the absurdity of plotting makes this a nonsense. The film quickly slides to the irredeemably banal without a single spooky moment
The Haunting of Morella (1990)

An adaptation of the Edgar Allan Poe story produced by Roger Corman. Alas giving it to exploitation director Jim Wynorski, who likes to add really well stacked women to everything does, kills all of Poe’s atmosphere
Hawk the Slayer (1980)

British-made sword and sorcery adventure in the early 80s fantasy cycle. This suffers from a cheap and impoverished budget that makes everything look tatty
Headgame (2018)

This feels like one of the numerous copies of Saw with eight people locked in a warehouse with video cameras implanted in their foreheads and told to that only one of them can leave alive
Heart of Midnight (1988)

Highly confused psycho-sexual thriller in which Jennifer Jason Leigh inherits a nightclub and begins to experience hallucinations after moving in. It is not at all clear what is going on
Heatseeker (1995)

Another of Albert Pyun’s cyborg films set around a kickboxing competition where Pyun seems to have cut costs by using real competition footage with dramatically dull results
Hell Asylum (2002)

A cheap and tatty horror film set in a haunted asylum that was one of several similar films in the early 2000s that set out to exploit the then newly arrived fad for reality tv
Hellboy (2019)

Reboot of the Hellboy series promisingly comes from Neil Marshall but is also made by Millennium Films who have a habit of buying up previously successful properties and churning out cheaper spinoffs
Hellraiser: Hellworld (2005)

The eighth of the Hellraiser films. By now a long way from Clive Barker’s original vision and no more than a haunted house story where the Cenobites occasionally turn up. With a young unknown Henry Cavill
Help! (1965)

After the success of The Beatles film A Hard Day’s Night, The Fab Four were quickly packaged in this follow-up. The free-wheeling amiability of that film has become a surreal plotless absurdity where nothing seems too silly
Herbie Goes Bananas (1980)

The fourth and last of the original Herbie the Love Bug films from Disney, this takes a trip to South America where the inanity reaches a nadir for the series
Hercules Against the Moon Men (1964)

One of the numerous Italian peplum films of the 1960s featuring assorted body builders as Hercules. This pits Hercules against invaders from the Moon
Hercules in New York (1970)

A not terribly funny parody of the Italian-made Hercules films of the 1960s. This is mostly known for featuring Arnold Schwarzenegger (billed as Arnold Strong) in his first acting role
Hero at Large (1980)

Comedy where John Ritter is an actor dressed in a superhero costume for a promotion who then starts to fight crimes for real. The first of several comedy films about superheroes who have no powers.
The Heroic Trio II: Executioners (1993)

A disappointing sequel to the madcap Hong Kong superheroines film. This reunites the principal cast members but seems to miss all the fun of its predecessor
Hidden (2005)

Incomprehensible New Zealand film about a group of camp counselors being haunted by something as they run through the woods
Hide and Seek (2005)

A variant on the sinister child’s invisible companion theme. A fine cast has been assembled but the film goes and kills itself with a lame twist ending
Hideaway (1995)

A Dean R. Koontz adaptation from the director of The Lawnmower Man, this is a numbingly predictable film in which Jeff Goldblum returns from the dead to find he has a psychic link with a serial killer
The High Crusade (1994)

Roland Emmerich produced comedy about a group of crusaders abducted by aliens where their bumbling ends up accidentally winning a space war. A promising idea rendered as idiotic knockabout farce.
Highlander: Endgame (2000)

The fourth Highlander film sets out to merge the film and tv series, bringing together Christopher Lambert and Adrian Paul. This only produces a continuity nightmare that is a headache trying to follow